My app was configured to use MeetMe. After upgradeing my server I noticed MeetMe is no longer an option so I tried to migrate to ConfBridge (the replacement), however everything is broken. How can I force install MeetMe? When I run Make MenuSelect it does not let me select MeetMe, just shows 3 x's, and that it is replaced by ConfBridge. I tried Asterisk version 16, 15, 14, 12 and all do not allow me to install MeetMe. What can I do?
Morten made a string version of Meet Me At The Heart Nebula with a very different approach to the original. To me it has kind of a threatening urgency about it which fits with the state of this planet. Returning back to the safety of the planet Earth after flying around in space. Question is - how long will it be safe? We wish for the music to make people reflect on the big issues.See original version: -me-at-the-heart-nebula-fade-master-2-mix-2023?si=9ba3b8fd7f114c09a02891a0dedbbcee&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharingLyrics and vocals Heidi KAdditional backing vocals by JeamlandProduction by the audio engineer Guru Morten Jeamland @mortenjeamland
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This song came to me initially as a poem, while walking el Camino de Santiago and is directly inspired by pilgrim friendships that are easily formed over a simple, shared pilgrim meal, including bread and excellent Spanish wine and story telling long into the night.
After some really great and constructive feedback from my friend Drew Connor from One Shoe Records, I decided to take the old version down and do a re-mastering of the track using LANDR, on his recommendation. LANDR produced a clearer, more balanced track from the original multi-track recording I did on GarageBand using my Volt 276 studio recorder and I am really happy with it.
I also posted the lyric video on our Theros Adventures YouTube channel, as it relates easily to our el Camino del Norte travel series based on our walk in 2022, which I have just finished producing and the stand alone videos of our walk along el Caminho Portugus in 2016 and Camino Francs in 2019.
I would be very grateful if you would consider purchasing my track Meet Me At Table from me over at Bandcamp if you like the song and then I will be able to use the money to pay for future mixing and mastering of songs that I intend to record in the coming months and years.
Judy Garland (center) starred in the 1944 movie musical Meet Me in St. Louis. She sings "Have Yourself a Merry Little Christmas" to her sister, played by Margaret O'Brien, who was upset that her father wants to move the family to New York City. The Kobal CollectionĀ hide caption
Songwriters Hugh Martin and Ralph Blaine wrote the classic song "Have Yourself a Merry Little Christmas" for Judy Garland's 1944 movie, Meet Me in St. Louis, along with dozens of other songs for MGM and Broadway musicals.
The song "began with the melody," Martin said. "I found a little madrigal-like tune that I liked but couldn't make work, so I played with it for two or three days and then threw it in the wastebasket."
Martin details what it was like to work with Judy Garland, Mickey Rooney and Gene Kelly, among others, in his new memoir The Boy Next Door. He also wrote the music for the Broadway productions Best Foot Forward; Look Ma, I'm Dancin'; and the stage version of Meet Me in St. Louis.
"The original version was so lugubrious that Judy Garland refused to sing it. She said, 'If I sing that, little Margaret will cry and they'll think I'm a monster.' So I was young then and kind of arrogant, and I said, 'Well, I'm sorry you don't like it, Judy, but that's the way it is, and I don't really want to write a new lyric.' But Tom Drake, who played the boy next door, took me aside and said, 'Hugh, you've got to finish it. It's really a great song potentially, and I think you'll be sorry if you don't do it.' So I went home and I wrote the version that's in the movie."
"The strangest version [I heard] was by a group called Twisted Sister. My all-time favorite versions are from the olden days. Judy Garland, of course, [was] always tops with me. And Mel Torme, who wrote a beautiful new verse for it, was really out of this world. And Frank Sinatra, you can't beat 'Mr. Blue Eyes.' "
"My favorite Christmas memory was of being 6 or 7 years old, and my mother decorating the tree. And she was a very artistic woman, and she did sensational Christmas trees, so it was a real joy every year when she would decorate it, and it was a very wonderful moment. That was my favorite Christmas memory."
"I'm really upset by Christmas now. I just hate Santa Claus and the jingle bells and reindeer and the wrapped packages and the holiday push. I hate all of that. I just loved it when it was, well, all my life ago, 90 years ago."
The recorded version of this song was released back in March 2020, and it garnered 13 million views on YouTube. But the live version, which was released late September 2021, has already hit over 23 million views, and it continues to grow, mainly because of its popularity on TikTok.
Kristin Smith joined the Plugged In team in 2017. Formerly a Spanish and English teacher, Kristin loves reading literature and eating authentic Mexican tacos. She and her husband, Eddy, love raising their children Judah and Selah. Kristin also has a deep affection for coffee, music, her dog (Cali) and cat (Aslan).
The song, which has been all over TikTok, is notable not only for being Really Bloody Brilliant, but also for having a live version that is better than the original studio take. So much so that campaigns started online to get that take made available via DSPs.
First, one must gather the right collection of those thoughts and ideas and observations and pull them together into song; then find that perfectly sympathetic musical arrangement to help tell the story. Writing a great album requires that you log ideas, take notes, rework what's not working and not give up. It is a study. And great albums are always more than just one song; they are many. Ten to 20 will work . . . 30 is better. Assembling a great album means collaborating with a team, sometimes with people you hardly know and who may not really care the way that you do, or care for you at all. It requires taking risks and experimenting without losing your identity. It demands fearlessness and humility. In recording a great album, artists must creatively reconstruct and perform a song's chosen arrangement in a studio while the meter runs and the clock ticks. It requires creativity under pressure. Most importantly, a great album requires that choices are made. Lots and lots of choices. Which take? Which mix? Which effects? How much is too much? When is enough really enough? In what order? What type of art? Who writes the liner notes? What do they say? When is it all really done?
Making a great record is difficult circumstances. The more I learn about what it takes for the final version of an album to arrive in a bin at a record shop, the more I am in awe that even one album exists, never mind its greatness. Yet many do, and some of them are indeed great. Each is a testament to the personal strength and intestinal fortitude of the artist beyond proof that you need to suffer to see.
Now, a whole bunch of opinions. Pleased to Meet Me is the finest record The Replacements ever made. Sonically, it is fantastic; rich and full of style and swagger. It lands in that sweet spot where technology, team, craft, chops, guts, attitude, ideas, creativity and some major label money all intersected at the right time for those songs to become what they became. Exploding drums. Growling bass. Ripping guitars that defied the trends of the time (mostly).
The record begins with "I.O.U.", a pedal-to-the-metal, 182-BPM boozed-up and amphetamined Chuck Berry haymaker delivered with the middle finger. Beholden to no one, "I.O.U." is a blistering reminder that although the back of the record may have a Sire logo on it, the image on the front says the Replacements' deal with the devil is temporary at best. And I believe that went double for the fans who were vocally opposed to the band's record deal, Bob's firing or anything else anyone might say about the band's business or direction.
The absolute highlight on Pleased to Meet Me is the last track. It's rare that an album's best track is actually the last, but that's exactly what the 'Mats did. "Can't Hardly Wait" is unquestionably the Replacements' greatest song and the epitome of their efforts on this record: soulful, sweet, sad and lonely with soaring strings and the Memphis Horns just in case you weren't paying attention. It is power-pop perfection, the likes of which the world hadn't heard since Big Star.
Difficult circumstances certainly surrounded The Replacements during the creation of Pleased to Meet Me; certainly some of the inspiration for the songs on this record can be attributed to that situation. But the in the face of those challenges, the band persevered and somehow managed to make the finest album of their career . . . so far.
MeetMe is dominated by male members with almost 60% of its total population. The app has garnered over 100 million members since its initial launch and continues to attract users from all over the globe.
Most members are in their early 20s and 30s with a small percentage of minors on the app. Adult members are looking for fun chats and exciting dates while younger members are in for the gaming features and social network connections.
Upon sign up, you only have to answer basic questions such as your name, age, and dating preferences. Accounts are verified through email. Once all of these are accomplished, you can now use MeetMe's free services or opt to upgrade to premium membership. Since minors can join the app, MeetMe strictly follows the Children's Online Privacy Protection Act or COPPA.
Users can also use the app's 'QuickPick' feature that lets them swipe on profiles that they are interested in. They can also ask questions to initiate conversations. Questions are sent anonymously, and your identity is revealed only if the other user answers your questions. 152ee80cbc
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