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This is an alphabetical list of known Hindi songs performed, sung and/or recorded by Mohammed Rafi between 1942 and 1980. Over 5,000 of his songs are listed here. Mohammed Rafi also sang in several other different languages, which might not be included here. The genre of song is first, followed by any other singers and the music director or lyricist, then Album name and Year released.

He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, though primarily in Urdu and Punjabi, over which he had a strong command. He recorded as many as 7,000 songs throughout his career, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in some foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole, and Dutch.[10]

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Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He and Hameed Sahab rented a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.[17] Shyam Sunder was in Bombay and provided the opportunity to Rafi to sing a duet with G. M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded song in a Hindi film. Other songs followed.

Rafi appeared in two movies. He appeared on the screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).[16] He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi decided to stay back in India and had the rest of his family flown to Bombay. Noor Jehan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

In 1949, Rafi was given solo songs by music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides K. L. Saigal, whom he considered his favorite, Rafi was also influenced by G. M. Durrani. In the early phase of his career, he often followed Durrani's style of singing, but later evolved his own, unique style. He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi cinema.[16] Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.[15] Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad. Before Rafi, Naushad's favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording.[20][21][22][self-published source?] He was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".[16] They teamed up to produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Hum Fida", "Meree Aawaaz Suno" and "Aap Ke Pehlu Mein Aakur".

Kalyanji Anandji composed around 170 songs in the voice of Rafi. Kalyanji's relationship with Rafi started with the 1958 film, Samrat Chandragupta, his debut film as a solo composer.[29] Kalyani-Anandji and Rafi went on to work together for the music of the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" and "Chale The Saath Milke".[29]

Rafi sang several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He recorded many private albums in various genres and languages. Rafi recorded Hindi songs in English on 7" release in 1968. He also sang 2 songs in Mauritian Creole while on his visit to Mauritius in the late 1960s.

In the 1970s, Rafi suffered from a throat infection for an extended period of time.[36] During a brief period then, he recorded relatively fewer songs.[32][37] Although his musical output was relatively low during this period, he did sing some of his best numbers then.[38]

In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu.[39] Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977) and Amar Akbar Anthony (1977).[40] In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R. D. Burman.[23] He was nominated as the best singer at the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.[41] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls.

In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs".[42] The physical album was released only in India by Universal.[citation needed]

After Rafi's death, in its 1984 edition, the Guinness Book of World Records gave Lata Mangeshkar's name for the "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980."[44] The Guinness Book entries for both Rafi and Lata were eventually deleted in 1991. In 2011, Lata's sister Asha Bhosle was given the title.[45]

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD titled Rafi Resurrected, comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre, and Symphony Hall, Birmingham.[60]

In June 2010, Rafi, along with Mangeshkar, was voted the most popular playback singer in the poll, conducted by Outlook magazine.[62] The same poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), sung by Rafi, as the No. 1 song.[63] Three songs were tied for the No. 2 spot; two were sung by Rafi. The songs were "Tere mere sapne ab ek rang hain" (Guide, 1965) and "Din dhal jaye, hai raat na jaye" (Guide, 1965). The jury included people in the Indian music industry.[64]

A 23-year-old medical student from Kerala has become a sensation after his rendition of Mohammed Rafi's songs was widely appreciated and shared by scores of music lovers including noted personalities like Shankar Mahadevan and Anand Mahindra.

"Now I am receiving more requests to render more Mohammed Rafi songs and share on social media. I've already done seven songs and shared amidst the MBBS studies and the appreciation is motivating me to do more," he said.

Kishan has been focusing on Mohammed Rafi's songs on popular music composer Johnson's advice after he came across his rendition of a song by the legendary singer. Kishan now knows about 800 Mohammed Rafi songs by heart.

Mohammed Rafi was an illustrious figure in the Indian music industry. His oeuvre, comprising thousands of Mohammed Rafi songs, is an anthology of Indian music's richness, incorporating elements from various genres such as classical, qawwali, ghazals, and, of course, film songs. He was a dominant presence in Bollywood for several decades, lending his voice to countless films that spanned a myriad of themes and moods.A comprehensive list of Rafi songs would read like a history of Indian cinema, featuring eternal classics like Chaudhvin Ka Chand Ho, Parda Hai Parda, and Mere Sapno Ki Rani. Whether he was singing a soulful romantic number or an upbeat dance track, his versatility was always evident, making him a beloved figure in the realm of Indian music. For fans and new listeners alike, accessing Mohammed Rafi Hindi song collections is easier than ever. The term old song Mohammed Rafi is often searched by those yearning for the nostalgic tunes of yesteryears. His songs are a bridge to a bygone era, imbued with a timelessness that keeps them evergreen. These old songs offer a glimpse into the historical and cultural contexts in which they were created, yet their appeal is universal and enduring. When it comes to Mohd Rafi hit songs, there are plenty that have secured their place in the annals of Indian music history. Rafi received numerous awards and honors, including the Padma Shri, confirming his status as one of India's greatest vocalists. His ability to breathe life into lyrics made him a legend, and his songs continue to resonate across generations. 006ab0faaa