Download Mc Stan Songs

The 45 King-produced track also uses a slightly modified break from "Thank You" as its base sample; both songs were released as singles in late 2000. Retrospectively, "Stan" has been called one of Eminem's best songs, and, alongside "The Real Slim Shady" and "Lose Yourself", is considered one of his signature songs. In 2003, Rolling Stone magazine ranked "Stan" 296th on its list of The 500 Greatest Songs of All Time, upping their ranking to 223rd in a 2021 updated list.[2] The song was also listed 15th on VH1's list of the greatest hip-hop songs of all time and named in the Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.

The song was nominated for multiple awards, including Best Song at the MTV Europe Music Awards, Video of the Year, Best Rap Video, Best Direction, and Best Cinematography at the MTV Video Music Awards. It won Best International Artist Video at the MuchMusic Video Awards. In April 2011, Complex magazine put together a list of the 100 greatest Eminem songs and ranked "Stan" second.[3] The eponymous character's name gave rise to a slang term that refers to overzealous or maniacal fans of a celebrity or personality; the term has since been included in the Oxford English Dictionary.[4]

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The song tells the story of a person named Stanley "Stan" Mitchell (voiced by Eminem) who claims to be Eminem's biggest fan. It has been suggested the name "Stan" is a portmanteau of the words stalker and fan, though it is unknown if the name was chosen with that intention.[5] The term "stan" has since become an internet slang term for an extremely obsessed fan of something or someone and is derived from the song's title. He writes Eminem several letters; over two verses, he is shown to be obsessive over the rapper, and grows increasingly frustrated and angry when there is no reply. He finally creates a voice recording of himself while driving his car on the highway, having consumed large quantities of depressants and alcohol; this verse includes a call-back to Eminem's "My Name Is" with the lyrics "I drank a fifth of vodka, you dare me to drive?", as well as a reference to Phil Collins' "In the Air Tonight" ("about that guy who coulda saved that other guy from drownin', but didn't..."; he refers to the song as "In the Air of the Night"). He reveals that his pregnant girlfriend is tied up in the trunk as he approaches a bridge, realizing in a panic that he has no way to send the tape to Eminem, but it is too late. The verse ends at the sound of his car swerving off the bridge and hitting the water below.

The fourth verse features Eminem as himself, writing back to Stan and attempting to reason with him. Eminem tries to explain to Stan that while he does appreciate having him as a fan and is incredibly grateful, he worries that Stan might not always be taking the lyrics of his songs in the right way. In an example of dramatic irony, Eminem also urges Stan to receive help for his mental health issues and to treat his girlfriend better, lest he end up like a man he had just seen on the news who had driven his car off a bridge in a drunken stupor, killing himself and his pregnant girlfriend. Eminem then realizes halfway through writing his letter that the man he saw on the news was in fact Stan.

Stan wants Eminem to contact him through a personal letter or a phone call; but, due to unfortunate circumstances, the letters fail to reach Eminem in a timely manner. Believing he has been ignored, Stan uses a tape recorder to record himself driving along a rain-soaked highway while his girlfriend is locked up in the trunk; which he does with the intention of driving off a bridge. In the process, Stan references both "My Name Is" ("I drank a fifth of vodka, dare me to drive?") and an urban legend about Phil Collins's "In the Air Tonight" before realizing that there is no way of transmitting this final tape to Eminem. The car then breaks through the bridge barrier, sealing both occupants' fates.

"Stan" was met with critical acclaim, with praise directed to the song's epistolary narrative structure, emotional range and lyrical depth. Stephen Thomas Erlewine highlighted the song.[10] Entertainment Weekly praised the song, too: "Eminem proves himself a peerless rap poet with a profound understanding of the power of language. Stan, an epistolary exchange between the artist and a dangerously obsessive fan, may be the most moving song about star worship ever recorded" and added that "Stan" blazes significant new ground for rap.[11] The Los Angeles Times was also positive: "'Stan', the album's most haunting track, is superb storytelling with a point. It has the affecting tone of such rap high points as Ice Cube's 'It Was a Good Day' and Tupac's 'Dear Mama'."[12]

"Stan" is one of Eminem's most acclaimed songs and has been called a "cultural milestone",[17] referred to as "Eminem's best song" by About.com.[18] Analyzing "Stan" in The Guardian, writer and literary critic Giles Foden compared Eminem to Robert Browning.[19]

"Stan" has entered the lexicon as a term for an overly-obsessed fan of someone or something and is used colloquially to express fandom of all kinds. The term is especially popular in the rap community; in "Ether", a diss track against rapper Jay-Z, Nas notably called Jay a "stan" of both himself and The Notorious B.I.G. The term was added to the Oxford English Dictionary in 2017.[25]

"Stan" has been listed by many as one of the greatest rap songs of all time. It was ranked number three on a list of the greatest rap songs in history by Q magazine[26] and came tenth in a similar survey conducted by Top40-Charts.com.[27] Rolling Stone magazine's list of the "500 Greatest Songs of All Time" ranked it number 290, one of Eminem's two songs on the list along with "Lose Yourself"; in the updated 2010 list, it was ranked at number 296. It ranked number 45 on About.com's "Top 100 Rap Songs".[28]

The song ranked number 15 on VH1's "100 Greatest Songs of Hip Hop", and number two on their "Countdown Millennium Songs". It was also named the "46th Best Song of the Decade" by Complex magazine,[29] and the 10th Best Song of the decade by Rolling Stone.[30] The song was ranked at number 58 in Rolling Stone's list of "100 Greatest Hip-Hop songs of all time".[31] In 2017, Rolling Stone ranked the song number two on their list of the 50 greatest Eminem songs,[32] and in 2020, The Guardian ranked the song number one on their list of the 30 greatest Eminem songs.[33]

"Stan" has influenced many other hip-hop songs, including Tyler, the Creator's 2013 song "Colossus", off of Wolf. This track dwells on similar themes as "Stan", such as growing up without a father, feeling like an outsider, and deep emotional attachment to a rapper.

Of course, no one list could ever contain the whole of hip-hop and its ever-expansive reach. Nor could any list of influential rappers be whittled down to a mere list of 50. That's an impossible feat. Rather, our 50 Artists Who Changed Rap list stands as a love letter to some of the culture's defining moments and impactful voices that have helped create a global movement that continues to inspire and ignite future generations from all walks of life.

Composed of Q-Tip, the late Phife Dawg, occasional member Jarobi White, and DJ Ali Shaheed Muhammad, A Tribe Called Quest helped carve a space for rappers (and rap listeners) with a bohemian bent to their hip-hop aesthetic. Formed by high school friends from Queens, New York, the group established its own unique sound through the use of jazz and rock samples, a practice then unorthodox for hip-hop in the early 1990s. Early on, they helped create a bridge between jazz and hip-hop, two worlds then often seen as distantly disconnected. Legendary jazz bassist Ron Carter, for example, guested on A Tribe Called Quest's seminal sophomore album, The Low End Theory, marking one of the earliest collaborations between jazz and hip-hop musicians.

Born Andre Young in Compton, California, Dr. Dre is one of hip-hop's definitive and standard-setting pioneers. Now a veteran DJ, artist and producer, Dr. Dre's public story began as a member of two very different, influential L.A. groups in the '80s: electro stars World Class Wreckin' Cru and gangster rap icons N.W.A; the latter is the subject of a popular 2015 biopic, Straight Outta Compton, and earned Dre international recognition for bringing the reality and struggles of inner-city street life to mainstream America.

Continuing to expand his artistry in more recent years, E-40 has released songs and toured as one-quarter of the rap supergroup Mount Westmore alongside Too $hort, Ice Cube and Snoop Dogg. He has parlayed that independent hustle into building his own companies to sell alcoholic spirits and food, now stocked in liquor stores, grocery markets and big box stores like Costco. His debut cookbook, Goons With Spoons, created in conjunction with Snoop Dogg, will be released in November.

But sales are only the beginning of the story. For a few years in the late 1990s and early 2000s, Eminem was the center of pop culture. His songs and antics created heated debates, which created even more songs and even more antics, in a feedback loop that grew giant enough to eventually include a still-powerful duet from Elton John and Em the GRAMMYs. Eminem brought the singer with him to perform at the 2001 GRAMMYs ceremony as an implicit answer to charges of homophobia that had been dogging him since he first exploded into the mainstream with controversial lyrics.

A standard-setter who foreshadowed the international success of hip-hop, Kurtis "Blow" Walker is the genre's first superstar. Of his notable achievements, he became the first rapper to sign a major label deal (with Mercury Records) and the first to go gold via his 1980 single "The Breaks," which is recognized as one of the greatest hip-hop songs of all time and remains his signature calling card. 2351a5e196