"Mafia" (stylized in all caps) is a song by American rapper and singer Travis Scott. It was released on November 5, 2021, concurrently with another single, "Escape Plan", which are both a part of a conjoined single titled Escape Plan / Mafia.[1] The song was written by Travis Scott alongside producers Boi-1da and Jahaan Sweet; with additional writing credits going to J. Cole, who provides additional vocals throughout the song.[2][3][4]
Energy: One thing that really stood out in this track was the use of energy. SHM manage to take an already huge sounding track to another level. This can be heard in the difference between the A & B section (see song map). The extra pluck on top and extra percussion just take it up that extra notch.
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My holidays are spent with the nose into papers and the hands on the computer keyboard, working on quinquennial report. But I am back to my family in Italy, specifically in Sanremo, city of flowers, city of music, as it used to be the largest flower market and an important production center of flowers, and it hosts the most followed music festival in Italy. It is then not that surprising to walk in the streets and listen to music in the festive periods and in summer. Today, I got a break from work and went with my family to the main piazza of the town, where a group was singing various songs that contested the Sanremo Festival in the past.
This is just a reminder that, in any country, most people are honest and good. There is time to criticize any authority, but there is also time to simply just thank, the police forces, the prosecutors, the justice system, and the people that in Italy and anywhere in the world fight injustice at great personal danger.
"Naw yo, did you hear what they saying in the background of the chorus?" The part he was talking about is still slightly indecipherable to me: the harmonizing that starts the song and continues in its hook throughout. "They saying 'Lucifer, you're my king. You're my father!' Listen to that shit again," he declared.
I was 15 and admittedly a bit fragile on the subject of religion. It was around the time I started questioning what I'd learned in church up to that point. One day, I'd think it was all bullshit and the next, I'd feel guilty for such thoughts. Not long before I had gotten the news about the track, I watched Passion of the Christ with my older sister. Seeing Jesus have his flesh yanked out by a cat o' nine tails whip properly fucked my head up. Soon after, my grandmother convinced me to watch some DVD, which, for its two-hour entirety, linked rap music to the satisfaction of Satan. It was a low budget movie, and for the most part I took it as a joke. The guy hosting the film, a self-described musician, went in about how Bone Thugs-n-Harmony worshipped the devil because the liner notes of one of their albums was written backwards like witchcraft. He also spent a good 20 minutes on how DMX and Marilyn Manson's 1998 collaboration "The Omen" was clearly the workings of Satan because a chord in its instrumental couldn't be found anywhere on the piano or in any production program he'd ever seen. His justification and "Ah hah" moment was that, in the Bible, Satan was God's minister of music, so he could manipulate sound any way he pleased.
Three 6, the more I thought about it, fit into this line of thinking, even though I didn't need this guy to point that out to me. I was already very aware of the fact that their content and imagery was tied to the devil. I mean, they were fucking called Triple 6 Mafia in their early days. The logo for their Hypnotized Camp Posse was the grim reaper and they routinely rapped about Satan. None of that was enough for me to stop listening. But something about hearing them actually praise Lucifer was too much for me. That combination of fear-baiting and my being an impressionable teenager left me feeling like I only had one option left: to get rid of their Most Known Unknown album (which I recently spoke about on the Vinyl Me Please Podcast).
Later in the week of me accepting that the group was calling on Satan in "Stay Fly," I gave the song one last spin. At this point, I couldn't unhear the words. This time I was listening on a portable CD player to avoid shuffling through my Nano. I turned the song off, popped open the player and looked at the CD one last time. I shook my head, then snapped it in half and threw it in the trashcan. It was one of the hardest departures I'd ever made in my life up to that point.
After that, I gave myself a set of rules for my musical intake. I promised myself that I would not listen to any songs that were listed under Three 6 Mafia. If they happened to pop up as featured artists on another person's song, that was permissible. I also still listened to Project Pat everyday; his music was solely produced by Three 6's DJ Paul and Juicy J (his younger brother) and the group regularly showed up on his albums. I was full of shit the whole time but making that promise to myself felt like it gave me a reliable excuse to make to God just in case I died and faced judgement if he was real.
Obviously, this was all an extreme overreaction. A simple search of the samples used for "Stay Fly" will show you that the song's backing vocals were taken from popular 70s RnB singer Willie Hutch's "Tell Me Why Has Your Love Turned Cold." He was a favorite of the group. Another one of his songs, "I Choose You," was sampled for Project Pat's "Choose U," then later for UGK and Outkast's "International Players Anthem." But in "Tell Me Why Has Your Love Turned Cold," the song starts with the same indecipherable vocals that sound like "Lucifer, you're my king. You're my father." As the song progresses and the vocals become clearer, you'll hear that it repeatedly says "Tell me why."
Even still, people in the comments section of website Who Sampled argue that Three 6 did change the lyrics to fit their demonic aesthetic. So, looking back, I basically stressed myself out for no reason. Either way, my Three 6 Mafia ban lasted all of two weeks if not less. Their music provided me with so much joy that I decided I'd rather chance being melted for eternity than to not bump them on the regular. And honestly, if God didn't want me to listen to them, he shouldn't have blessed them with the ability to make so much fire.
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There was a video game called Mafia 2 that had an amazing soundtrack. I am not referring to the songs featured in the game but the actual orchestral music heard throughout (main menu, during missions). All of them can be found on Youtube with a simple search. I have a massive Spotify playlist without lyrics and it's a shame that these are missing.
You can fill out this form to let Spotify staff know of your interest for these tracks and they may possibly be added to the Spotify platform in the future so keep a eye out after submitting the form!
Note: The form previously mentioned has been delisted by Spotify and is no longer active. Spotify works hard to add content overtime as soon as it's made available through licencing and other requirements that Spotify is required to comply with.
Hi, I'm also looking for the Mafia 2 Main Menu theme song (The Mafia II Orchestral Score was composed by Matus Siroky and Adam Kuruc and performed by the Prague FILMharmonic Orchestra.). Has it been added to Spotify yet?
Hey there @Bula_ZA,
It doesn't look like it has as of now, Spotify aim to add as much content as they can to the platform but sometimes due to licencing and other reasons out of their control they are sometimes delays in content arriving on the platform. Check out this Support Article for why Missing Content happens.
And I believe
These are the days of lasers in the jungle
Lasers in the jungle somewhere
Staccato signals of constant information
A loose affiliation of millionaires
And billionaires and baby
Such a quick review. This song was so underwhelming and the instrumental really annoys. It sounds like they threw up some scraps together. I barely remember any of the song even after a few listens, everything except the annoying Synth, so the longevity is justified ig.
It sounds like Chungha Bicycle. The first and second verse should be singing not rapping or more singing and less rapping.(and i think only ryujin has a good sound doing rap, yeji and yuna was not bad but prefer them singing).The pre-chourus part is the best, also the instrumental in this part sounds really nice. The chorus lack of hooks but still catchy, and yuna ring ding ding ding ding is not necessary. Because i still love Itzy i will give this 7.25.
I find it good that the moment I am craving for stunning girl group tracks, they are finally throwing their ring into the competition. Really Excited for Everglow, Rocket Punch and especially Oh My Girl!
Hustle & Flow is a 2005 film about a Memphis pimp who wanted to pursue a rap career, and Three 6 Mafia contributed to its soundtrack with the song "It's Hard out Here for a Pimp." Both the track and the movie were garnered nominations for the 78th annual Academy Awards for Best Original Song and Best Actor (Terrence Howard), respectively. The actual night of the Oscars would prove to be legendary, as Three 6 Mafia broke new ground for hip-hop's place at award shows. 152ee80cbc
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