Rosie plots to interrupt the wedding, but fails, as the church ceremony is over by the time she arrives due to weather interrupting flights. At the reception, she gives a speech, telling Alex that she will always love him, as a friend. Her daughter, Katie, brings her best friend Toby with her to the wedding, in a friendship that is reminiscent of Rosie and Alex when they were children.

Since the moment they met at age 5, Rosie and Alex have been best friends, facing the highs and lows of growing up side by side. A fleeting shared moment, one missed opportunity, and the decisions that follow send their lives in completely different directions. As each navigates the complexities of life, love, and everything in between, they always find their way back to each other - but is it just friendship, or something more? Based on Cecelia Ahern's bestselling novel, LOVE, ROSIE is a heart-warming, modern comedy-of-errors posing the ultimate question: do we really only get one shot at true love?


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Watching Love, Rosie was the perfect way to spend my Sunday afternoon. I was slightly annoyed I could not watch it on the day of its release (22nd of October- a month you know I love) but I am glad I have finally seen it because it was exactly what I needed yesterday. There were moments were I giggled, had my mouth open in shock, had a few rebellious tears escape my eyes, tapped my feet to quite a number of good beats and felt a surge of hope for what is to come. I cannot say this film is for everyone but what I can say is that it did not disappoint me one bit.

Love, Rosie is a romantic comedy that drops us into the ever-dynamic world of Rosie and her best mate, Alex. It is a film filled with drama, characters with great sense of style, humour, a handful of memorable lines, warmth and some pretty great tunes. Based on Cecelia Ahern's Where Rainbows End, this heartwarming film was directed by Christian Ditter (The Crocodiles; French for Beginners) and its quite entertaining script which was dipped in a vat of hope was whipped up by Juliette Towhidi (Testament of Youth; Death Comes to Pemberley; Calendar Girls). Though I was easily swept up in the story being told, there were a few aspects of the film that definitely caught my eye. There were some lovely scenic locations used that made itching to go on holiday. Seeing how technology has progressed over the years (though I am not sure Rosie got the memo haha) made me appreciate just how far we've come. The way the homes of the characters were styled definitely gave my inner interior designer a few ideas. The characters' wardrobes had me wishing to have a chat with the costume design team to know where they sourced some of the pieces. And the soundtrack for this film is one that would a find a nice home on my ipod. As a whole, I think Love, Rosie was beautifully made.

One of the things I love about Love, Rosie is that we get to see Rosie and Alex's friendship blossom and shrivel up, in a manner akin to the circle of life for a phoenix, over about 20 years. The feisty, caring and dependable Rosie Dunne was played by Lily Collins (The Mortal Instruments: City of Bones; Stuck in Love; The Blind Side) whilst the hopeful, loyal and charming Alex Stewart was played by Sam Claflin (The Riot Club; The Hunger Games: Catching Fire; Snow White and the Huntsman). And as the decisions they make take them down paths they never quite envisaged we are introduced to a few notable people that definitely make Rosie and Alex's lives even more interesting e.g. Ruby, Greg and Bethany. I have to say the vibrant, tells-it-like-it-is Ruby, played by Jaime Winstone (Made in Dagenham; Anuvahood; Kidulthood), is definitely one of my favourite characters. Her hair colour is one that I wish I had the guts to try out and the "cool" to pull it off. Greg, a good looking opportunist was played by Christian Cooke (Electricity; Romeo & Juliet; Where the Heart Is) and Suki Waterhouse (Pusher) played the role of the beautiful, cool and seemingly perfect Bethany. As complicated as Rosie and Alex's story is, it is one that I find easy to relate to.

This is a classic example of having the love of your life right in front of you, but being too blind, you are unable to reach out and take it. Rosie and Alex lived this experience and let me tell you that it truly hurt knowing they lost a lot of years not giving in to their instincts and feelings.

The book version of this story is written entirely of notes, emails, letters, instant messages and any other type of written media, and I loved this. Not only did it make the book really quick to read, but it's almost like you're invading someone's most private thoughts and really getting to know them.

Having said that, while I enjoyed the background characters in the book more, I did enjoy Rosie and Alex more on screen. I loved seeing the chemistry between the actors, I loved actually being able to hear them speak and voice their opinions, and I loved that every time the characters were together, it felt like no time had passed.

In terms of the length of time that the book and film take place, I actually preferred the film's timings. Yes, it was interesting to see Rosie and Alex almost get to their 50s, but I loved the fact that they were younger by the time the film ended. It solved one of my frustrations about the book - mainly how much time was wasted!

Rosie Stockton I started writing with overarching questions about anti-work politics, power, and poetic refusal. I found myself sitting down to write through larger philosophical ideas, but ended up writing love poems, poems about loving my friends, and networks of care that refuse the logics of labor, exploitation, and state violence that organize so much of our lives. Most of the poems come out of connected experiments based around the sonnet and the sestina, and reflect the daily and intimate conditions of my life at the time.

EH In Permanent Volta, you use sonnets to disrupt not only notions of romantic love and intimacy, but also to think through connections between finances, love, desire, and other forms of non-romantic care. While studying sonnet history, did you find that considerations of love and care were historically entwined with financial or domestic topics, or did you quite intentionally bring those themes together?

Unfortunately I could not keep her. My landlady refused to host a pit bull on her property, and I couldn't find anybody to foster her that day. I was facing the fact that I would have no other choice but to take her to the local animal shelter. My beloved wife, who was helping me in the process, had the great idea of asking the owner of our doggie daycare, Karen, if she could help. Karen usually does not accept such requests; however, her having a pit bull herself, and hearing about how great Rosie was, she made an exception and offered Rosie a temporary home.

In the mornings, Rosie would hang out with Karen and other people at the coffee shop, eating prosciutto for breakfast. Then she would play with other dogs at daycare. And at night she had Karen, who quickly fell in love with Rosie, too.

The neighbors loved Rosie. The staff at the day care loved Rosie. Everybody loved Rosie. But Rosie had still not found her forever home; that is where Angel City Pit Bulls came in. Karen and I agreed that Rosie becoming an Angel City pit bull would be the best way to ensure she would be adopted into a loving family. Just like everyone else, the folks from Angel City Pit Bulls fell in love with her, too.

In the flick, Lily and Sam play two friends who have been inseparable since childhood, but as they get older, things become a little more confusing. After a crazy night out changes their entire lives, they're left trying to figure out where their relationship stands. You know how love is.

Love, Rosie shows the power that a true bond can bring. Despite all their challenges Rosie and Alex consistently remained friends and supported one another through it all. The movie also focused on the connection Rosie shared with her father. Her father pushed her to follow her dreams no matter what stage of life she was in and the support and love she received from family and friends allowed her to gain the confidence she needed in her career and in her love for Alex.

Woman, you deserve more views and comments on your beautiful post! Nevertheless, here consider this comment of mine as 100 lovely comments about your heartfelt writing! Thank you and never stop poring your heart and mind out.

Oh, my goodness! I love this photoshoot and post! That top photo so speaks to me as my 20 month old grandson greets our ice cream truck all the time with his grandfather! So sweet! Love how Rosie is right there waiting, too! Such beautiful photographs of happiness and wonderful memories! Rosie is a sweetie! Love that last shot of Rosie and Family. So precious!

This book is all about the bittersweet love story of Alex Stewart and Rosie Dunne who have been the best of friends since they were four up until the duo turned eighteen and were forced to be separated when Alex and his family moved away to another side of the globe.

American moviegoers might recognize Lily Collins from The Blind Side and Mirror Mirror and Sam Claflin as Finnick Odair from the Hunger Games sequels. But those moviegoers apparently are not yet ready to embrace the young British actors as leads of a movie. Love, Rosie, a romantic comedy from their native UK, barely played in North American theaters and then came to DVD with little fanfare.Collins and Claflin play Rosie Dunne and Alex Stewart, lifelong best friends who, it's obvious to us, are destined for love. We spend over twelve years with the besties, starting in earnest with Rosie's drunken 18th birthday after a tease of a wedding day toast at age 30. Rosie and Alex each attend their high school's big dance with other people, neither fully understanding or appreciating their feelings for the other. Still, afterwards, the BFFs plan to head to Massachusetts for the next phase of their life. Alex hopes to enroll at Harvard Medical School (straight out of high school?), while Rosie just might study hotel management at Boston College (or Boston University, as the two institutions are strangely spoken of interchangeably).Those plans are dashed by an unplanned pregnancy, which Rosie keeps secret from Alex (who's not the father) while he's abroad. Rosie plans to give her baby up for adoption, but life has other plans and soon she's a full-time mother, kept up at night by daughter Katie's colic. Alex doesn't stand idly, moving in with Sally (Tamsin Egerton), an American classmate. Other love interests pop up for each bestie, including the handsome father of Rosie's baby (Christian Cooke) and a gorgeous classmate who has become a famous supermodel (Suki Waterhouse).Just when it looks like Rosie might come to her senses and profess her love for Alex, he's suddenly unavailable and vice-versa. This schedular incompatibility complicates life and love for both parties into their early thirties, which is where the movie ends.Love, Rosie is highly reminiscent of the romantic comedies of Richard Curtis, specifically his latest, the faintly fantastical About Time. If you're making a romantic comedy film in the UK, then Curtis is the man to emulate. His films, including Love Actually, Notting Hill, and Four Weddings and a Funeral have played remarkably well on both sides of the Atlantic, their wit and characters transcending the blatant and predictable tropes of the genre.Rosie is not nearly as good as Curtis' best, but it has a similar appeal. I was tempted to assume that the screenplay by Juliette Towhidi (Calendar Girls) was probably autobiographical, until I saw that the writer was adapting Where Rainbows End, a 2004 book by young Irish novelist Cecelia Ahern, also responsible for P.S. I Love You and the ABC comedy "Samantha Who?" There is enough detail to the story to assume a personal nature and to invest in these characters, one of whom (the titular Rosie) is fairly well-defined.The wielded R rating is somewhat surprising for what seems like it could be a teen-oriented romcom, but you've got to respect the film for not conforming to the conventional wisdom of a commonplace PG-13. Curtis has similarly embraced the MPAA's more restrictive label, sometimes to still fruitful commercial returns. Like a Curtis movie, Rosie earns its R with language and some sexual content.Given its long-view relationship, the film surprises by altogether avoiding nostalgia. One assumes the twelve years depicted are more or less the past twelve, the same ones Richard Linklater spent making Boyhood

 But while Linklater made deliberate references to current events and cultural phenoms, Towhidi and German director Christian Ditter (making his English language debut) show no interest in dating their story. Rosie is inconsistent in its portrayal of texting technology, though it also seems to take place in an alternate universe where teenagers IM with perfect, proper grammar and spelling. I'll admit that design is preferable to the more realistic alternative.Ditter shares Curtis' taste for the needle drop, though Rosie relies much more on recent pop, dance and hip hop than on the '60s and '70s rock Curtis clearly treasures. Rosie boasts a bigger music licensing budget than you would imagine for what must be a reasonably thrifty production. It's not like there's a Julia Roberts or Hugh Grant at the height of stardom here and Ahern's novel wasn't nearly as popular as Helen Fielding's Bridget Jones books.The movie's problems are easily noticed but relatively minor. It does stumble at comedy, its off-key bits dragging down a movie that isn't so bad when it's taking its characters seriously. There are a couple of contrived touches, which actually might put this in contention for a record low in the genre. Also, Collins, who is somehow now 26, looks too young to play any older than 23, which makes it a stretch to buy her as a 30-year-old whose daughter is discovering her own best friend might just be her one true love.Backed by minor distributor The Film Arcade, Rosie spent a single week in February in fifteen North American theaters. It grossed just $20 thousand, a far cry from the $14 million it previously earned in other parts of the world, performing best (but never outstandingly) in Germany, South Korea, Brazil, Australia, Italy, and, of course, the UK. Like some other Film Arcade theatrical titles, Love, Rosie reached home video from Paramount, who released it to DVD, but not Blu-ray earlier this month. e24fc04721

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