[WORK] Download Latest Naija Music 2022 Dj Mix

These Nigerian Afrobeats Songs Are Turning 10 Years In 2023 These Nigerian Afrobeats Songs Are Turning 10 Years In 2023. In this article, TrendyBeatz takes a long nostalgic trip down memory lane to curate a list of songs that turned a decade in this new year, 2023. Here's a TrendyBeatz curated list of songs that made 2013 a stellar year for the Nigerian music scene.

Kolor Magazine is a quarterly fashion, music, lifestyle and culture magazine connecting high fashion with multicultural experiences and ideas. Our goal is to offer an alternative to the norm. From exclusive interviews, fashion editorials, shopping and trend roundups to long-form stories, runway coverage and beauty articles we aim to anchor our content with black and brown faces, voices and thoughts.

Download Latest Naija Music 2022 Dj Mix

Download Zip 🔥 https://urlgoal.com/2y7Pe7 🔥

Tell me where Nigerian music is today and I will tell you why Nigeria will rule Africa in the next coming decade(s). Tell me where Ugandan Music is today and I will tell you why our music culture will not be even found in the entertainment museums of Africa in the next coming decade(s).

This week, I take a break away from politics and address the social/entertainment life of Uganda. A disease slowly eroding away our local talents and culture to the music dust bins of Africa yet almost everyone looks to be smiling not knowing the dangers ahead.

Here now comes the music and dance. It being fused with contemporary beats to attract youth, is just a clear manifestation of another stage towards the consolidation of her indirect influence in Africa. Music and dance is one way the West has managed to remain relevant in their former colonies across the world. Nigeria looked to have taken notes since the times of her first president Nnamdi Azikiwe in 1963.

This is because the kenyan kaputa beat of Bongo style was/is being gradually washed away by a more ambitious Nigerian music agenda. When Nigeria invaded Kenya in 2010, it was a whole choreographed move involving West African artists, promoters, producers and video directors who not only used their larger than life presence to breakthrough into Kenya but also their catchy pidgin English dialect as distinct new identity to a niche above their competition.

The era of Bebecool, Bobi wine and Chameleone came in 2000. they chased out Ferre Gola, Franco, Tabu Ley, Koffi Olomide, Awilo Longomba, Brenda Fassie, Lucky Dube, Angelique Kidjo and Miri Makeba from Ugandan Radio entertainment airwaves. They introduced Afrobeat and Afropop to Uganda and later, we all begun appreciating their music and today, they remain an inspiration to many of us. But we still need real music of Ugandan origin to us.

To the Government; Taking music and entertainment as a priority by investing heavily in local talents can woo back our youth to the diminishing cultures of Uganda and our traditions. condoning Music, Dance and Drama(MDD) at O level at the same time condemning speaking vernacular at primary school levels is a total self destruction. Instead it should be the reverse. Children who perfect their cultures and languages while young live the rest of their lives knowing where they are coming from.

I have never been a fan of celebrating Independence Day since it is just something on paper and not in reality. Perhaps re- branding this day as National Thanksgiving Day or National Cultures festival Day coupled with MDD sessions at all learning institutions will reflect our journey and a clear attachment to the diverse cultures of our motherland and maybe thats when youth will get more attached to the state through local music and entertainment.

No one will play/listen our music if we the people who are meant to be its ambassadors are not doing it. Nigerians will be willing to come and perform to us their music and before we realize it, it will be completely fused in our local dialects.

He borrows elements of R&B, dancehall and even UK dance music to create an atmospheric sound that stems from a different locus than your average afrobeats tune, but is still rooted in the musical vigor that made the genre a global phenomenon in the first place.

We spoke with the artist and he assured us that there is an abundance of artists, like himself, that are experimenting with various genres and expanding the scope of contemporary Nigerian music in the process.

I never had a favorite genre. I loved everything I heard, from Fela to Kool and the Gang to Billy Ocean and more. My dad played a huge part, unknowingly. On his way back from work he always bought the latest albums. At that time it was R. Kelly, Eve, Shaggy and the rest. I was never really the type to leave my house or have friends, so I spent my hours daydreaming, watching movies and listening to music.

Fast forward to the year 2000, more technology came and we were exposed to the Western world. We took every trend we saw and adopted it, there were more music channels on TV, so I spent hours appreciating every single sound that was on TV, from Fatboy Slim to Ja Rule, to U2 and Paul Play, Daddy Showkey, Prof Lincon.

My music isn't one particular genre, but I mostly refer to it as "world." I grew up listening to all genres of music thoroughly, but the ones that influenced my sound the most are, hip-hop, R&B, reggae/dancehall, indie/alternative and the 1998-2004 UK dance era (the likes of Bonnie Bailey, Milky and Sunset Daze). I combined every thing I have learned from these genres and with the music and knowledge from my roots to produced my sound.

The discipline, the culture and the people makes Lagos more than a state, it's an emotion. Lagos is everything to me, I experienced everything in Lagos, wrote almost all my music in Lagos, kissed my first girl in Lagos. The thing about Lagos was that no matter what she went through, the people always remained together. When the Super Eagles are playing and the whole street is screaming when they score, when you're all gathered around the television watching a movie, trying to explain to your help or aunts who can't understand but are trying their absolute best to. Lagos holds all my memories and the only way I could thank her was by shooting this video.

The list is so long, we are just doing our part to be heard and appreciated because we all can't make the same music, it does not show growth or progress in one's craft. Although this side of Nigerian music has not yet been fully appreciated, the listeners are increasing everyday and by the Grace of God it will spread to the world. All we can do for now is keep on creating these sounds till the world appreciates it.

We're all working to raise the standards in Nigerian music. There is so much undiscovered musical talent here that can represent the country on a world stage and hopefully we build the road and get there eventually. We need to pave the way for the younger generation of creatives and make sure that they continue from where we stopped.

Best New Naija Music is our weekly roundup of songs to listen to. On the latest installment of "Best New Naija Music", we cover hot releases across the Afrobeats & Nigerian music scene, including Cheque, Magixx, Falz, Joeboy, Dremo, and more.

The track titled Follo is her first new project to be released this year featuring Juju Boy. Its beat, composition and lyrics carries the Naija music funk, and could easily be mistaken for a Nigerian track until you hear some Setswana lyrics. 006ab0faaa