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This list of Christmas carols is organized by language of origin. Originally, a "Christmas carol" referred to a piece of vocal music in carol form whose lyrics centre on the theme of Christmas or the Christmas season. The difference between a Christmas carol and a Christmas popular song can often be unclear as they are both sung by groups of people going house to house during the Christmas season. Some view Christmas carols to be only religious in nature and consider Christmas songs to be secular.[1]

A Christmas carol is a carol (a song or hymn) on the theme of Christmas, traditionally sung at Christmas itself or during the surrounding Christmas holiday season. The term noel has sometimes been used, especially for carols of French origin.[1] Christmas carols may be regarded as a subset of the broader category of Christmas music.

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In the 13th century, in France, Germany, and particularly, Italy, under the influence of Francis of Assisi, a strong tradition of popular Christmas songs in regional native languages developed.[3] Christmas carols in English first appear in a 1426 work of John Awdlay, a Shropshire chaplain, who lists twenty five "caroles of Cristemas", probably sung by groups of 'wassailers', who went from house to house.[4] The songs now known specifically as carols were originally communal songs sung during celebrations like harvest tide as well as Christmas. It was only later that carols began to be sung in church, and to be specifically associated with Christmas.

Many carols which have gained popularity were printed in Piae Cantiones, a collection of late medieval Latin songs which was first published in 1582. Early, Latin forms of carols such as "Christ was born on Christmas Day", "Good Christian Men, Rejoice" and "Good King Wenceslas" can be found in this book.[5] "Adeste Fideles" ("O Come all ye faithful") appears in its current form in the mid-18th century, although the words may have originated in the 13th century. The origin of the tune is disputed.

Carols gained in popularity after the Reformation in the countries where Protestant churches gained prominence (as well-known Reformers like Martin Luther authored carols and encouraged their use in worship). This was a consequence of the fact that the Lutheran reformation warmly welcomed music.[6] During the years that the Puritan ban on Christmas was in place in England, semi-clandestine religious services marking Christ's birth continued to be held, and people sang carols in secret.[7]

The publication of Christmas music books in the 19th century helped to widen the popular appeal of carols. "God Rest Ye Merry, Gentlemen", "The First Noel", "I Saw Three Ships" and "Hark! The Herald Angels Sing" appear in English antiquarian William Sandys' 1833 collection Christmas Carols, Ancient and Modern.[8] Composers such as Arthur Sullivan helped to repopularise the carol, and it is this period that gave rise to such favourites as "Good King Wenceslas" and "It Came Upon the Midnight Clear", a New England carol written by Edmund H. Sears and Richard S. Willis. The publication in 1871 of Christmas Carols, New and Old by Henry Ramsden Bramley and Sir John Stainer was a significant contribution to a revival of carols in Victorian Britain. In 1916, Charles Lewis Hutchins published Carols Old and Carols New, a scholarly collection which suffered from a short print run and is consequently rarely available today. The Oxford Book of Carols, first published in 1928 by Oxford University Press (OUP), was a notably successful collection; edited by the British composers Martin Shaw and Ralph Vaughan Williams, along with clergyman and author Percy Dearmer, it became a widely used source of carols in among choirs and church congregations in Britain and remains in print today.[9][10]

The singing of carols was further popularised in the 20th century when OUP published one of the most popular carol books in the English-speaking world, Carols for Choirs. First published in 1961 and edited by David Willcocks and Reginald Jacques, this bestselling series has since expanded to a five-volume set. Along with editor John Rutter, the compilers included many arrangements of carols derived from sources such as Piae Cantiones, as well as pieces by modern composers such as William Walton, Benjamin Britten, Richard Rodney Bennett, William Mathias and John Rutter.[11]

Today carols are regularly sung at Christian religious services. Some compositions have words that are clearly not of a religious theme, but are often still referred to as "carols". For example, the 16th-century song "A Bone, God Wot!" appears to be a wassailing song (which is sung during drinking or while requesting ale), but is described in the British Library's Cottonian Collection as a Christmas carol.[12] As recently as 1865, Christmas-related lyrics were adopted for the traditional English folk song "Greensleeves", becoming the internationally popular Christmas carol "What Child is This?". Little research has been conducted on carol singing, but one of the few sociological studies of caroling in the early 21st century in Finland determined that the sources of songs are often misunderstood, and that it is simplistic to suggest caroling is mostly related to Christian beliefs, for it also reinforces preservation of diverse national customs and local family traditions.[13]

Traditionally, carols have often been based on medieval chord patterns, and it is this that gives them their uniquely characteristic musical sound. Some carols like "Personent hodie", "Good King Wenceslas", and "The Holly and the Ivy" can be traced directly back to the Middle Ages, and are among the oldest musical compositions still regularly sung.

Compositions continue to be written that become popular carols. For example, many of the carols written by Alfred Burt are sung regularly in both sacred and secular settings, and are among the better known modern Christmas carols.

Charles Wesley wrote texts for at least three Christmas carols, of which the best known was originally entitled "Hark! How All the Welkin Rings", later edited to "Hark! the Herald Angels Sing".[15]A tune from a cantata, Festgesang, by Felix Mendelssohn in 1840 was adapted by William H. Cummings to fit Wesley's words. This combination first appeared in "Hymns Ancient and Modern" in 1861.[citation needed]

Singing carols in church was instituted on Christmas Eve 1880 in Truro Cathedral, Cornwall, (see article on Nine Lessons and Carols), and now seen in churches all over the world.[19] The songs that were chosen for singing in church omitted the wassailing carols, and the words "hymn" and "carol" were used almost interchangeably. Shortly before, in 1878, the Salvation Army, under Charles Fry, instituted the idea of playing carols at Christmas, using a brass band. Carols can be sung by individual singers, but are also often sung by larger groups, including professionally trained choirs. Most churches have special services at which carols are sung, generally combined with readings from scripture about the birth of Christ; this is often based on the famous Festival of Nine Lessons and Carols at King's College, Cambridge.

In the 1680s and 1690s, two French composers incorporated carols into their works. Louis-Claude Daquin wrote 12 noels for organ. Marc-Antoine Charpentier wrote a few instrumental versions of noels, plus one major choral work Messe de minuit pour Nol. Johann Sebastian Bach included Christmas carols in his cantatas for Christmastide, including his Christmas Oratorio. Peter Cornelius included carol melodies in the accompaniment of his song cycle Weihnachtslieder, Op. 8. Other examples include:

In Australia, South Africa and New Zealand, where it is the middle of summer at Christmas, there is a tradition of Carols by Candlelight concerts held outdoors at night in cities and towns across the country, during the weeks leading up to Christmas. First held in Melbourne, "Carols by Candlelight" is held each Christmas Eve in capital cities and many smaller cities and towns around Australia. Performers at the concerts include opera singers, musical theatre performers and popular music singers. People in the audience hold lit candles and join in singing some of the carols in accompaniment with the celebrities. Similar events are now held all over Australia, usually arranged by churches, municipal councils, or other community groups. They are normally held on Christmas Eve or the Sunday or weekend before Christmas. A similar recent trend in South Africa and New Zealand are for smaller towns to host their own Carols by Candlelight concerts.

Some carols familiar in English are translations of German Christmas songs (Weihnachtslieder). Pastoral Weihnachtslieder are sometimes called Hirtenlieder ("shepherd songs"). Martin Luther wrote the carol "Vom Himmel hoch, da komm ich her", which can be acted as a play of the Christmas story. He also wrote "Gelobet seist du, Jesu Christ" and "Christum wir sollen loben schon". The carol "Vom Himmel hoch, o Engel, kommt" was written by Friedrich Spee in 1622 to an older melody, a lullaby singing "of Jesus and Mary", and for peace.

"Lasst uns froh und munter sein" ("Let us be happy and cheerful"), "Kling, Glckchen", ("Ring, Little Bell"), "Ihr Kinderlein, kommet" ("Oh, come, little children") and "Schneeflckchen, Weirckchen" (lit.: "tiny snowflake, white, tiny skirt") are popular German songs introduced in Kindergarten and primary school. Ingeborg Weber-Kellermann wrote a scientific book on German Christmas carols which is also a song book.

Greek tradition calls for children to go out with triangles from house to house on Christmas Eve, New Year's Eve and Epiphany Eve, and sing the corresponding folk carols, called the Kalanta or Kalanda or Kalanta Christougenon, the word deriving from the Roman calends). There are separate carols for each of the three great feasts, referring respectively to the Nativity, to St. Basil and the New Year, and to the Baptism of Jesus in the River Jordan, along with wishes for the household. In addition to the carols for the winter festive season, there are also the springtime or Lenten carols, commonly called the "Carols of Lazarus", sung on the Saturday before Palm Sunday as a harbinger of the Resurrection of Christ to be celebrated a week later. e24fc04721