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Dangerous is the eighth studio album by American singer-songwriter Michael Jackson. It was released by Epic Records on November 26, 1991, more than four years after Jackson's previous album, Bad (1987). Co-produced by Jackson, Bill Bottrell, Teddy Riley, and Bruce Swedien, the album was Jackson's first since Forever, Michael (1975) without longtime collaborator Quincy Jones. Guest appearances include Heavy D, Princess Stphanie of Monaco, Slash and Wreckx-n-Effect. The album incorporates R&B, pop and new jack swing, a growing genre at the time. Elements of industrial, funk, hip hop, electronic, gospel, classical and rock are also present. Twelve of the album's fourteen songs were written or co-written by Jackson, discussing topics like racism, poverty, romance, self-improvement, and the welfare of children and the world.

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Dangerous is considered an artistic change for Jackson, with his music focusing on more socially conscious material, and including a broader range of sounds and styles. It features catchy pop hooks and choruses while also introducing underground sounds to a mainstream audience. The album's tone is noted by critics as gritty and urban, with sounds including synthetic basslines, scratching, and drum machine percussion, as well as unconventional sounds like honking vehicle horns, sliding chains, swinging gates, breaking glass, and clanking metal. Jackson also incorporates beatboxing, scat singing, and finger snapping throughout the album.

Dangerous debuted at number one on the US Billboard Top Pop Albums chart and in thirteen other countries, selling 5 million copies worldwide in its first week and went on to be the best-selling album worldwide of 1992. Nine singles premiered between November 1991 and December 1993, including one exclusively released outside North America ("Give In to Me"). The album produced four singles that reached the top ten of the US Billboard Hot 100: "Remember the Time", "In the Closet", "Will You Be There" and the number-one single "Black or White". The Dangerous World Tour grossed $100 million (equivalent to $203 million in 2022)

Dangerous is one of the best-selling albums of all time, having sold over 32 million copies worldwide, and was certified 8 Platinum by the Recording Industry Association of America (RIAA) in August 2018. Dangerous received worldwide praise, and it influenced contemporary pop and R&B artists. It has been included in several publications' lists of the greatest albums of all time. At the 1993 Grammy Awards, it received four Grammy Award nominations, winning Best Engineered Album, Non-Classical, while Jackson was awarded the Grammy Legend Award. Jackson won three American Music Awards at the 1993 American Music Awards, including the inaugural International Artist Award. Jackson also received Billboard Music Awards for Best Worldwide Album and Best Worldwide Single for "Black or White".

After the success of his seventh album, Bad (1987), Jackson wanted more independence and control over the creative process. He separated himself from longtime producer Quincy Jones to avoid the perception that his success depended on him. Jackson began working on new tracks in 1989 with a handful of members from the B-team of Bad, including Matt Forger and Bill Bottrell.[2] The album was conceived as a greatest-hits collection, Decade, with a handful of new songs, similar to Madonna's The Immaculate Collection. Jackson signed off on the idea in early 1989 and test pressings were made by Epic Records. Jackson received $18 million in advance.[3][4]

Decade was scheduled for a late 1989 release but was delayed several times. Another release date was set for November 1990, but it never materialized. Jackson was preoccupied with ongoing changes in his management team while also attempting to realize his film-making ambitions.[5] In June 1990, he collapsed while dancing in his home studio due to a possible panic attack, with symptoms of chest pains, dehydration and inflammation of the ribs.[6] Soon after, Decade was dropped entirely, and Jackson determined that his new material constituted a full album, which he called Dangerous.[7]

For most of the rhythm tracks, Jackson worked with Loren at Westlake Studios. Their work had begun at the end of Jackson's Bad tour, and together they recorded "Work That Body", "She Got It", "Serious Effect", "Do Not Believe It", "Seven Digits", and "Man in Black".[5] Loren wanted to recapture the organic R&B feeling of Jackson's albums Off the Wall and Thriller.[15] LL Cool J was invited to rap on "Serious Effect" and "Truth About Youth", because Jackson wanted to add hip-hop to the record. LL Cool J had been critical of Jackson but praised him after their collaboration.[16] None of Loren's recordings made the album.[17] Though Loren's material was strong, it was not up to Jackson's standards, and he was searching for a sound as compelling and successful as Rhythm Nation (1989) by his sister Janet Jackson.

Jackson spent $10 million to record Dangerous.[27] Executives at Epic set a deadline for the album, wanting it released before November 28, 1991, Thanksgiving Day. For the last two months of recording, Jackson and Swedien rented hotel rooms located four minutes from Record One, so they could get back to work as soon as possible. Riley said, "When the deadline came, [Jackson] wanted to do more and more songs. [...] And then when Michael saw the commercial for Dangerous, the David Lynch thing, we started working hard to get it finished."[9] Dangerous was completed and mastered, by Bernie Grundman, on Halloween, 1991.[28]

Jackson recorded roughly 60 to 70 songs for Dangerous, some of which were released later,[9][29] including the environmental anthem "Earth Song", released on his next album, HIStory. "Superfly Sister," "Ghosts" and "Blood on the Dance Floor" were released in the remix compilation Blood on the Dance Floor: HIStory in the Mix. Loren helped develop "Superfly Sister", while Riley worked on "Ghosts" and "Blood on the Dance Floor".[30] "For All Time", a romantic pop ballad that Jackson liked but did not feel it fit Dangerous, was released in the 25th anniversary edition of Thriller.[31] "Slave to the Rhythm" was remastered and released for the 2014 compilation album Xscape. Another Riley outtake, "Joy", featured in Blackstreet's 1994 debut album, which Riley produced.[32][33]

The album features catchy pop hooks and choruses while also introducing underground sounds to a mainstream audience. The album's tone is noted by critics as gritty and urban, with sounds including synthetic basslines, scratching, and drum machine percussion,[34] as well as unconventional sounds like honking vehicle horns, sliding chains, swinging gates, breaking glass, and clanking metal. Throughout the album Jackson also implements beatboxing, scat singing, and finger snapping. The album is considered by Joe Vogel in PopMatters to be an artistic change for Jackson, because of its focus on socially conscious material, and a broader range of sounds and styles.[39] The car sound effects on "She Drives Me Wild" were taken from a sample CD, and was the first time Riley used unusual sounds in place of the drums on a song.[38]

The album featured Jackson rapping for the first time.[11] The inclusion of Wreckx-n-Effect and hip-hop rhythms were attempts to introduce Jackson to a younger generation of urban listeners.[40] Riley was a pioneer of new jack swing, and he was hired by Jackson specifically for his work in the genre.[41][42] Riley co-produced half the songs on the album. Swedien said of Riley, "He'd come in with a groove, we'd say it wasn't exactly right, and there would be no complaining. He'd just go back and then come back in and blow us away with something like 'Dangerous'."[9] In recordings with Bottrell, the sounds were more diverse (e.g. "Black or White" and "Give In to Me"). The rap in "Black or White" was written and performed by Bottrell, credited under the pseudonym "L.T.B." Jackson hummed melodies and grooves before leaving the studio, while Bottrell developed on these ideas with drum machines and samplers, including an Akai S1000.[11] Bottrell operated a Neve console and two 24-track Studer analog tape machines to draft ideas and demos. He then used a 32-track Mitsubishi machine to assemble the album.[11]

The lyrics for Dangerous were more varied than those of Jackson's previous records. Opening track "Jam" features a dense, swirling Riley track, propelled by horn samples and a subtle scratch effect.[44] Jackson had recorded a basic idea for the song on a DAT, to which he asked Riley to develop. Riley learned that Heavy D was Jackson's favourite rapper at the time, and suggested that he was brought in to contribute a rap.[38] The ballads, "Keep the Faith" (composed by Jackson, Siedah Garrett and Glen Ballard) and the self-composed "Will You Be There" had sounds of gospel, while "Heal the World" and "Gone Too Soon" were softer pop ballads. "Gone Too Soon", written by Larry Grossman and Buz Kohan, is a tribute to Ryan White following his death due to AIDS in 1990.[45] The album also includes songs of other personal nature, especially in songs such as "She Drives Me Wild", "Remember the Time", "Can't Let Her Get Away", "Who Is It" and "Give In to Me". The title track's subject is similar to that of "Dirty Diana" with the song focusing on a seductress.[46] Though Jackson sang about racial harmony in some of his songs with the Jacksons, "Black or White" was the first song where the lyrics were interpreted with the context of his own changing skin color.[47] In "Why You Wanna Trip on Me," Jackson juxtaposed social ills to his own alleged eccentricities that were covered in the press at the time, asking critics and the tabloid media why they were focusing on the cult of celebrity rather than the multitude of serious problems in the world.[48] Riley performed the guitar parts on an Ovation acoustic, and expected Jackson to have someone brought in to re-record them, but was surprised that Jackson liked what he had put down.[38] ff782bc1db