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The origins of "Little Wing" have been traced back to the 1966 recording of "(My Girl) She's a Fox", an R&B song which features Hendrix playing Curtis Mayfield-influenced guitar accompaniment. He developed the song while performing in New York City's Greenwich Village prior to his involvement with producer Chas Chandler. After being inspired by events at the 1967 Monterey Pop Festival, Hendrix completed the song in October 1967, when it was recorded by the Experience during the sessions for their second album Axis: Bold as Love.

"Little Wing" was released with the Axis album in December 1967 in the UK and the following month in the US. As one of only two songs from the album to become part of the Experience's concert repertoire, the Experience often performed it live and recordings were issued on early Hendrix posthumous albums Hendrix in the West in 1972 and The Jimi Hendrix Concerts in 1982. More recently, demo versions have been released as well as additional live renditions. "Little Wing" is one of Hendrix's most popular songs and has become a standard, with interpretations recorded by musicians in a variety of styles. It is ranked number 188 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time".

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In October 1967, recording sessions for the second Experience album, Axis: Bold as Love, began at Olympic Studios in London. On October 25, after recording the strongly R&B-oriented "Wait Until Tomorrow", the Experience recorded an instrumental version of "Little Wing".[15] It followed the same chord progression as the later master recording, but had a more forceful rock feel.[1][f] After another take in the same vein, Chandler called for a different approach. Recording engineer Eddie Kramer explained, "Chas knew right away what was needed. He had Jimi slow the tempo down and try it again".[1] After the basic track was completed, Hendrix and Kramer recorded overdubs on October 28, 1967.[17] For his recordings, Hendrix expended considerable effort to achieve the optimal tone for his guitar tracks.[18] For his rhythm guitar, he had set his pickup selector to a nonstandard position between the neck and middle settings to achieve a "hollow" tone, sometimes mistakenly referred to as "out-of-phase".[19] However, for the lead, Kramer later fed the guitar signal through a makeshift Leslie speaker, which was normally used for electric organs.[17] By rotating the sound, Leslie speakers produce vibrato- and tremolo-like effects, i.e., a pulsing or quivering addition to the sound (Hendrix later popularized the use of the Univibe phase shifter effects pedal, which can be set to get a roughly similar effect).[20] Next, Hendrix added a straight ("dry, without any effects") glockenspiel to underscore his vocal and guitar.[21] According to Kramer, "Jimi always kept an eye out for odd instruments that would be lying about the studio" and found the glockenspiel in Studio A.[17] Last to be recorded was his vocal, which was treated with sound processing techniques to give it an airy sound. These have been variously described as artificial double tracking (ADT), phasing, Pultec filter equalization, and processing with a Leslie speaker.[21][22]

"Little Wing", along with the rest of the tracks for Axis: Bold as Love, was mixed October 31, 1967. Because some of the masters had been lost, stereo remixes were prepared on November 1 (it is not clear if "Little Wing" was among those remixed).[37] On November 2, 1967, a monaural mix was prepared, making Axis the last Hendrix album specifically mixed in mono (subsequent mono albums were electronically "folded" from the stereo mixes).[37] When recording engineer Kramer was preparing the album for a new mono reissue, he commented on the differences: "Perhaps the most unique track was 'Little Wing'. Jimi's guitar and vocals were much drier while the drum reverb was much more present. It was experimentation ... the entire [mono] album was all mixed in one day!"[38]

The album was issued by Track Records in the UK on December 1, 1967,[39] and Reprise Records on January 15, 1968, in the US.[34][j] The song appears on subsequent reissues of Axis: Bold as Love, which continues to be a best selling Hendrix album.[k] It has also been included on numerous Hendrix compilation albums, including The Essential Jimi Hendrix, Stone Free, The Ultimate Experience, Experience Hendrix: The Best of Jimi Hendrix, and Voodoo Child: The Jimi Hendrix Collection.[41][23] In 2022, the British Phonographic Industry awarded "Little Wing" its Silver certification, signifying sales of over 200,000.[42] However, it is unknown whether this applies to the original recording or a subsequent live version.

On January 8, 1968, the Experience debuted the song at the Konserthuset in Stockholm, Sweden, recordings of which have appeared on bootleg albums.[46] Other live versions appear on Stages: Paris 68 (L'Olympia Paris, January 29, 1968), The Jimi Hendrix Concerts (Winterland Ballroom San Francisco, October 12, 1968), and Hendrix in the West (Royal Albert Hall[l] London, February 24, 1969).[48] These recordings have been reissued on Live in Paris & Ottawa 1968, Winterland, and The Jimi Hendrix Experience box set. The 1969 Royal Albert Hall live recording was included on singles issued in the UK and US in 1972.[48] A March 17, 1968, instrumental jam with Hendrix and members of the Paul Butterfield Blues Band and the Electric Flag is built around "Little Wing".[49] Hendrix recorded it for his personal use around the time he began recording tracks for Electric Ladyland at the Record Plant studio in New York. This low fidelity tape from the Cafe au Go Go, along with others from the Generation Club and the Scene in New York, was later stolen from his apartment and has appeared on several bootleg albums over the years.[50]

Atco Records issued the song on a single as the B-side to "Bell Bottom Blues"[51] and included it on Layla and Other Assorted Love Songs.[54] Critics' comments on Derek and the Dominos' rendition range from "exquisitely arranged" (Rolling Stone)[56] to "bombastic"(Legends of Rock Guitar).[57] The group performed the song during their tour and a recording from the Fillmore East in New York City on October 23, 1970, was released on the Live at the Fillmore album in 1994.

Gil Evans included a jazz arrangement in his band's repertoire throughout his career.[62] A version was later included on an expanded reissue of The Gil Evans Orchestra Plays the Music of Jimi Hendrix (1974). In 1987, Evans provided an arrangement and backing for a recording by English musician Sting for his second solo album ...Nothing Like the Sun. Murray describes Evans' involvement as "almost his last creative act" (Evans died less than a year later).[62]

Texas blues musician Stevie Ray Vaughan recorded an instrumental version in 1984, although it was not released until 1991, when it appeared on Vaughan's posthumously released album The Sky Is Crying. Vaughan's interpretation of the song won the 1993 Grammy Award for Best Rock Instrumental Performance.[63] Irish pop rock band the Corrs recorded the song for their 1997 album Talk on Corners. An AllMusic album review noted "[t]he best and most spirited Celtic cut is 'Little Wing,' deliciously resting on the contributions of the dropping-by Chieftains."[64]

"Megitsune" (, "Vixen") is the second major label single by the Japanese kawaii metal band Babymetal. It was released in Japan on June 19, 2013 as the fifth single from the album Babymetal.[1][2][3] It is also the first single released independently from the idol group Sakura Gakuin.

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