By setting up a welcoming environment for garden birds, you can get amazing bird photographs without having to leave your home! This guide from Andrew Fusek Peters explains how easy it is to setup a bird photo haven for birds to visit, letting you get great shots!

This is caused by the lowest bore axis in the world. Bore axis is located just 1,7mm under the axis of shooters grip. As a result, the pistol practically does not elevate after the shot and has almost flat recoil angle and no muzzle flip.



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During the firing especially when rapid firing or performing double taps. This perfect controllability is achieved by Laugo Arms gas delayed blowback system. Alien does not have obsolete locking slide instead we took the gas pressure from the barrel and we let it slow down the recoil by using this power through gas piston against the slide movement. The more powerful shot the more it slows down the recoil. That gives shooter maximum recoil control even with different types of ammo.


Bouncers are used to drive the batter back on to his back foot if he has been freely playing front foot scoring shots, such as drives. To this end, bouncers are usually directed more or less at the line of the batter's body. Aiming at the batter is legal provided the ball bounces on the pitch; or upon reaching the batter, the ball is below the batter's waist. Aiming at the batter's head without bouncing on the pitch, known as a beamer, is illegal.

Conversely, the bouncer can be a very productive ball for the batter, if he plays it in an attacking manner. The shot that is used to attack the bouncer is the hook shot. To play the hook shot the batter moves his back foot backwards and towards the off side as the ball is being delivered. As the ball approaches, the batter swivels from facing the off side to facing the leg side, while holding the bat horizontally. The batter's aim is to hit the ball at high speed towards, into or over the leg side boundary. However, despite their run-scoring potential, hook shots frequently lead to wickets falling, particularly through balls hitting the top edge of the bat and being caught by leg side fielders. However, if the bouncer is misdirected by the bowler, and reaches the batter on the off side of his wicket, the cut, uppercut or late cut can be played, either with the intention of guiding the ball along the ground, through a gap in the field setting or over the infield for four or six.[1]

Nagi is a very lazy and unmotivated person with an outstanding aptitude for football. He's unnaturally talented with amazing reflexes, good speed, and jumping skills. But he has no interest in going pro or even playing at all at first. As long as he can get a good job and keep living a lax life, he is content with doing nothing forever and often appears lethargic in his speech and body langugage. Introverted to a fault, he lives by himself in an apartment his parents pay for with only a pet cactus for company. He was shown to have no friends in high school before meeting Reo and frequently got gossiped about or possibly bullied. Even so, he demonstrates no interest in socializing and often has to be dragged into things by others, especially Reo. He initially does not want to put any effort into football and belittles those who are weak and talentless at the game since such things are easy for him. He doesn't even know anything about the best football players in the world, much to the chagrin of his competitors. At first, he is shown as indifferent to playing soccer and becoming the world's best striker, preferring to play video games or skip training altogether. He exhibits behavior similar to that of a shut-in and may actually be addicted to his phone. He struggles to let go of it when Anri tries to confiscate his items and Reo is even able to bribe him into playing when he reminds him he can get it back with the goal reward system.

The music video for "Yellow" was filmed at Studland Bay in the county of Dorset, South West England on 23 May 2000.[35] The video is minimalistic, featuring only Martin singing the song as he walks along the beach. He is seen wearing a set of waterproofs with his hair wet. The video is one continuous shot with no cuts. The entire sequence is in slow motion.

The video was directed by British directing duo James Frost & Alex Smith of The Artists Company.[2] It was shot at 50 frames per second, twice the regular speed. At the shoot, Chris Martin had to sing the song at double speed so that the audio and visual content would be in sync, a common yet difficult practice of music videos. The final product is slowed to 25 frames per second, giving the slow-motion effect of the video. The transition of the video from night to day was achieved during the telecine process. During the transfer from film to videotape, an operator manually adjusted from a monochromatic, grainy look at the start, to a warm, colourful and bright look at the end of the video. The look was inspired by the night swimming scenes in the movie Jaws.[citation needed]

This article is intended to be a beginners guide to air show / aircraft photography using a Digital SLR Camera which allows you to take control of more advanced features such as Shutter priority (Tv), Aperture priority (Av), metering etc. You can obtain some decent results in good weather by using the Auto modes such as the 'sports mode' which selects a fast shutter speed, however, sooner or later you will need to use the manual modes (Tv, Av) to gain full control of the camera and produce much better results. Below i have outlined the basics of photography to give the beginner an idea of how best to utilise a camera at airshows.


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Golfers need to be the star of their own golf lessons. This process begins with ownership and setting expectations for your lessons. While a higher handicap might aim to simply straighten shots, better players should tackle multiple skills in a session. Either way, you must show up early, warm up, and express your expectations clearly. Demand precise feedback on your technique, as well as at least a couple of drills to practice.

If you are trying to learn and perfect an improved path of your hands through impact, for example, the first step is to understand what it is you are trying to achieve. Only then can you learn it. Stop-action posing in the positions enables your muscles and mind to absorb your new objectives. Then, slow-motion swings allow your muscles to feel how to connect these new positions and begin to produce this new coordinated motion through them. As your body begins to get familiar with this new muscle activity, you can gradually speed up the moves with your attention focused on making sure that you are performing just as you learned.

As you get comfortable with the new muscle activity, you can begin making practice swings at half speed, then 3/4 speed, and finally full speed, always evaluating how well you are achieving your objectives of the new moves. This is the first stage of the practice process.

The current method and its proportional relationship between WT, CPM, and TQ is widely accepted. However, it also presents a big challenge for shaft-makers, whose main goal is to make shafts that improve distance with more accuracy. This is because generating more club speed for more distance necessitates a light and flexible shaft; while improving shot accuracy requires the shaft to be firm in both flex and torsional strength.

Now that we can get faster club head speed (FF shafts), how can the shaft be made to feel stiff while retaining a longer distance? The solution was surprisingly simple, as most discoveries tend to be at first.

Several days later, I returned to SJ Lab to test the new MetaFlex CBT shafts. The lineup consisted of three driver shafts of 5H, 6H, 6.5M, and iron ix90 shafts (H for high kick, M for mid-kick). Again, the MF series is designed for faster-speed golfers who swing at least 100mph to well over 120mph. I purposely asked not to see the shaft specs beforehand, as I wanted to remain neutral in determining how the new shafts felt and performed.

Li recommends trying shots where you start wide on a subject and then immediately punch in. Likewise, you can go close on a subject and then punch out to a wider shot. Both ways are great cuts that will add movement to your video.

This means completing an event that was started in a previous shot. You create a ton of unexpected connections when doing this. For instance, you can show a volleyball being spiked and follow up with a baseball being hit with a bat. When you are able to connect seemingly unrelated things, it will help create a sense of story.

We began this project in spring 2019. Over the series of meetings we hosted in 2019 and 2020, residents of Mattapan and nearby neighborhoods shared a clear priority with us: a reconstruction project must address safety along the corridor. The community's goal corresponds with the data we have collected. Cummins Highway is among the most crash-prone corridors Citywide between January 2015 and December 2017. We know that drivers regularly exceed the speed limit on Cummins Highway. In 2018, more than two-thirds of all drivers travelled at 35 MPH or higher. Vehicle speed is directly related to the severity of a crash. At 40 mph, a pedestrian has an 80% likelihood of death. The likelihood of serious injury or death is nearly 50% when hit by a driver traveling 30 mph. Elders, youth, and people with disabilities are even more likely to be seriously hurt or killed in a car crash.

We designed Cummins Highway in response to clearly stated community priority for safety. One travel lane in each direction, with additional lanes for turning, will help slow speeds while maintaining traffic flow. Crosswalks will be safer: people have a shorter distance to walk and pedestrians will be more visible. Dedicated space for bicycling will create order and reduce conflicts. All of the street lights will be be new and provide better visibility in the roadway and on the sidewalks. 006ab0faaa

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