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"Wind of Change" is a song by West German rock band Scorpions, recorded for their eleventh studio album, Crazy World (1990). A power ballad,[3] it was composed and written by the band's lead singer Klaus Meine and produced by Keith Olsen and the band. The lyrics were composed by Meine following the band's visit to the Soviet Union at the height of perestroika, when the enmity between the communist and capitalist blocs subsided concurrently with the promulgation of large-scale socioeconomic reforms in the Soviet Union.

With estimated sales of 14 million copies sold worldwide, "Wind of Change" is one of the best-selling singles of all time.[5] It holds the record for the best-selling single by a German artist. The band presented a gold record and $70,000 of royalties from the single to Mikhail Gorbachev in 1991, with Soviet news sources claiming the money would be allocated to children's hospitals.[6]

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"Wind of Change" opens with a clean guitar introduction played by Matthias Jabs, which is played alongside Klaus Meine's flat whistle.[12] The song's guitar solo is played by Rudolf Schenker.[citation needed]

The song is the subject of the Pineapple Street Studios podcast Wind of Change, released 11 May 2020, which raises questions regarding the song's origin.[13][14][15] Patrick Radden Keefe, the New Yorker author and host of the podcast investigates the allegation that the song was written by or connected to the Central Intelligence Agency, citing a rumor originating allegedly from inside the agency. In a Sirius XM interview with Eddie Trunk on 13 May 2020, Meine stated "It's a fascinating idea, and it's an entertaining idea, but it's not true at all".[16][17] In December 2020, it was reported that a further investigation of the song's origins based on the claims from the podcast will be adapted into a series for Hulu directed by Alex Karpovsky.[18]

The song became associated with the Revolutions of 1989 and the Fall of the Berlin Wall also in 1989 and was performed by the Scorpions at the Brandenburg Gate on 9 November 1999, during the 10th anniversary of the Fall of the Berlin Wall.[19][20]In 2005, viewers of the German television network ZDF chose this song as the song of the century.[3] "Wind of Change" is featured in the films In Search of a Midnight Kiss (2007), Gentlemen Broncos (2009), The Interview (2014), and Love Island (2014), and the video game SingStar Rocks! (2006). The song can be heard in the opening scene of the action comedy film The Spy Who Dumped Me (2018). The song is also featured in television shows Melrose Place, Chuck, and Car Share and Nutri Ventures parody version.[21]

As of 2022, the Scorpions still perform the song live but with lyrical changes in light of the 2022 Russian invasion of Ukraine. The opening lines are changed to "Now listen to my heart / It says Ukraine, waiting for the wind to change." Meine stated, "It's not the time with this terrible war in Ukraine raging on, it's not the time to romanticize Russia."[22] But ironically, looking back in the USSR coup of 1991, the President of Russia Vladimir Putin was an aide to the mayor of Leningrad Anatoly Sobchak who resisted the hardliners' coup.

During the COVID-19 pandemic, they collaborated with Japanese rock star Yoshiki to perform "Wind of Change" for the documentary film Yoshiki: Under the Sky.[24] This was the first time the band came together to perform the Ukraine version of the song.[25] The performance was later released as a music video on YouTube.[26]

Song of the Wind, piece No. 3 in Suzuki Violin School, Volume 1 is in the A major key, meter is 2/4 and tempo is Allegretto.[1][2] Song of the Wind is not an original violin composition, it is Shinichi Suzuki's arrangement of a German folk song Fuchs, du hast die Gans gestohlen, words were added by Ernst Anschtz in his Musikalisches Schulgesangbuch.[3] Suzuki's arrangement retains the melody with different rhythmical values.

For the woman, he chose Mary Travers, who had been around the folk scene for several years at this point, starting out with a group called the Song Swappers, who had recorded an album of union songs with Pete Seeger back in 1955:

In Stanza 1 Steve Walsh sings, "I close my eyes, only for a moment, and the moment's gone." Time moves on with or without the narrator, and he can't seem to hold onto the moments that he wants to savor and enjoy. He sings that "his dreams pass before [his] eyes, a curiosity." His dreams are things that he'd like to do or to accomplish. But even though they are his dreams and he wants to do them, he seems them just as a curiosity--something you go to see at the circus. He realizes that they're nothing; they're "dust in the wind." That's "[a]ll they are . . ."

And even though he tries to attain those dreams, "[a]ll we do crumbles to the ground though we refuse to see." In the end, it's all still "dust in the wind." We eventually die, and life will go on without us whether we accomplished our dreams or not.

Stanza 3 seems to act as a bridge because the structure is unique. Walsh sings, "Now, don't hang on, nothing lasts forever but the earth and sky." He's saying that we're all going to die and all of our dreams with us. The world will still be here and will still be indifferent to the fact that we once existed here.

Stanza 4 is especially haunting. The guitar keeps playing it's haunting rhythm, and Walsh repeats, "Dust in the wind / All we are is dust in the wind." We're here today and gone tomorrow. Once we're gone, it's all over.

Have you ever heard the wolf cry to the blue corn moon

Or asked a grinning bobcat why he grinned?

Can you sing with all the voices of the mountain?

Can you paint with all the colours of the wind?

Have you ever heard the wolf cry to the blue corn moon

Or let the eagle tell you where he's been?

Can you sing with all the voices of the mountain?

Can you paint with all the colours of the wind?

And you'll never hear the wolf cry to the blue corn moon

For whether we are white or copper-skinned

We need to sing with all the voices of the mountain

Need to paint with all the colours of the wind

You can own the earth and still

All you'll own is earth until

You can paint with all the colours of the wind

The title of The Drop That Contained the Sea comes from a Sufi concept: in the same way that every drop of water contains the essence of the sea, inside every human is the essence of all of humanity. In keeping with this idea I've introduced a water theme in the prelude, and woven subtle variations throughout the album. It contains all seven notes of a major scale-four descending and three ascending-mirroring the flow of water through our world, and representing the vast ocean of melodic possibility contained within a single scale.

Once the light bends,

A new sky

Beckons to me

As if to awaken me

I don't need maps to get by

In these places I suddenly find myself in

I find my way around

By trying to go one way, then the other

And each of these worlds (How many cards in the world)

Demand that I not pass through it (No hesitation in my mind)

Without a fight

Ride the wind Dash through this chronicle (Get pass the world!!)

Get hold of the power Card

Your eyes will surely come to see as you go on your journey (I got the cause!!)

Your final destination... Just keep on walking

The journey begins without warning

Just like when the curtains rise

I am swept off my feet, I drift along

Just like wings lifted by the wind

Should I hear the call of destiny (How many cards in the world)

I won't think twice (No hesitation in my mind)

All the scenes flash in my mind

Ride the wind What lies ahead? What awaits me? (Get pass the world!!)

The clues are to be found in battle Card

Your eyes will come to see, you will discover as you go on your journey (I got the cause!!)

What you ought to do... Just keep on walking

Keep the wind coming (Get ride!!) Don't make it stop blowing (Get ride!!)

Keep on moving forward (The form is changing to the strong!!)

Charge into a tomorrow never seen before

Ride the wind Dash through this chronicle (Get pass the world!!)

Get hold of the power Card

Your eyes will come to see, you will discover as you go on your journey (I got the cause!!)

What you ought to do...

Ride the wind Your final destination (Get pass the world!!)

Will be revealed upon reaching the end of the ninth world... Just keep on walking

To coincide with the release, Teen Vogue caught up with Seungkwan, DK, and Hoshi to chat about their own race and routines as well as their experience working on Second Wind. Find our chat below, accompanied by some exclusive behind-the-scenes pictures from the making of the music video for the title track.

TV: As you mentioned already, "Fighting" features Lee Young Ji. How did the chance to collaborate with her on this project come about? I know Hoshi has been trying to do something with her for a minute and Seungkwan already did a cover collab with her, but it's a first for DK. Why was she the perfect addition to this song now?

Hoshi: The energy Young Ji possesses felt like the perfect match to the spirit of BSS and the song "Fighting." We thought the collaboration would amplify the positive energy we wanted to deliver through the music. We were so happy to work with her this time and to be able to share our work together with our fans.

TV: The other artist featured on the album is Peder Elias. How did you get in contact with him, and how did the collaboration happen there? Did he go to Korea? e24fc04721