Feed the Beast is the debut studio album by German singer Kim Petras. It was released on 23 June 2023 through Amigo and Republic, following two mixtapes that Petras self-released four years prior. A pop and dance album, Feed the Beast explores themes of love, heartbreak and hedonism, filled with sex-positive lyrics on many of its songs.[1][2][3] It was preceded by the lead single "Alone" with Nicki Minaj, and includes collaborations with Banks and Sam Smith.

Upon its release the record was met with mixed-to-positive reviews; some critics found the album entertaining and praised Petras's songwriting and vocal performances, while others found it to be safe and inferior to her previous releases.

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To promote the album, Petras embarked on the Feed the Beast World Tour.[4][5] Commercially, the album debuted and peaked at number 24 in her native Germany, while it became her first charting album in the United States and the United Kingdom.

On 3 August 2022, after having alluded to the release of her forthcoming originally planned debut studio album, Problmatique for a year at that time, Petras confirmed that the album release was halted, ultimately putting her in "limbo".[6] However, she approved fans to listen to leaks.[7] On 22 September 2022, Petras released the highly anticipated "Unholy" with English singer Sam Smith. The song went on to reach number one in various countries, including the United Kingdom and the United States, and eventually earned both artists a Grammy Award for Best Pop Duo/Group Performance.[8]

Petras then released the singles "If Jesus Was a Rockstar" in November 2022 and "Brrr" in January 2023. On 21 April 2023, the singer released "Alone" with rapper Nicki Minaj. The song proved more successful than its two previous singles, having charted in five countries. While all singles were expected to appear on the album,[9] "Alone" was officially announced as the lead single.[10][11]

On 17 February 2023, the singer stated that an album that she had been working on "for three years" was ready to be released the next summer, sharing her excitement for people to hear the songs.[12] On 26 February, the album was nearly finished.[13] On 15 May 2023, Petras announced the album on her social media.[14] A corresponding album poster depicts a noir photo of a "medieval-looking sword propped up against a large stone".[15] Petras also shared posts of medieval imagery.[16] In anticipation of the album, the news was celebrated as part of a live performance on NBC's Citi Concert series.[17]

The album's title came after Petras had a meeting with her A&R Wendy Goldstein, following the leak of her then-planned debut album Problmatique. She encouraged the singer to "write more and feed the beast", which inspired her to name the album with that title after their conversation.[18][19] Petras also described the album as her most personal, with "vulnerable, real moments [for her]", being a departure from some of her previously released projects such as Turn Off the Light (2019) and Slut Pop (2022), where she played characters to fit their musical narrative.[18][20]

According to Amazon Music, the album's concept was based on a "modern-day spin on the classic Greek tale Andromeda" with lyrics about "sacrificing every part of yourself to your biggest passion in life".[21] The overall aesthetic features a medieval setting surrounded by rocks, a sword and chains, while the cover was shot by American photographer Luke Gilford.[22][23][15]

Feed the Beast is a pop and dance[1][2] album, incorporating multiple sub-genres on its songs, such as Europop,[24][25] house,[24][26] hyperpop[27][28] and disco.[26][29] Many of the tracks were inspired by the music Petras listened to while growing up in Europe.[3] Lyrically it was described by the singer as a personal album and explores themes of love, heartbreak and hedonism, with many sexual innuendos on its composition.[30][18] Stephen Daw from Billboard compared music from Feed the Beast to Cascada and Basshunter music.[31] Megan Graye and Ellie Muir from The Independent also compared it to Basshunter.[30]

The album's lead single "Alone" was released on 21 April 2023. It features guest vocals by rapper Nicki Minaj and peaked at number 55 on the US Billboard Hot 100, becoming Petras' second entry on the chart.[32][33]

Previously released single "Coconuts" and promotional single "Brrr" were ultimately included on the album's tracklist, while "Unholy", Petras's collaboration with Sam Smith, appears as a bonus track.[34][35]

Following the release of the album, "King of Hearts" was planned to be pushed as a single, according to Universal Music international press releases and Petras herself, however, the song did not receive a music video nor was sent to radio stations.[36][37] It was then promoted on Spotify playlists and performed at a number of occasions, such as the Today Show and Germany's Next Topmodel.[38][39]

At Metacritic, which assigns a normalized rating out of 100 to reviews from professional publications, Feed the Beast received an average score of 63 based on nine reviews, indicating "generally favorable reviews".[4]

On a positive review, Nick Levine from NME called the album "a tremendously entertaining showcase for a pop star", praising Petras' ability to "go deep" when she wants to, while understanding the "visceral thrill of dumb escapism".[28] Kayleigh Watson from The Line of Best Fit also gave the album a positive score, calling it a "sonic tour-de-force of euphoric dance anthems". Petras's power as a songwriter and performer was also praised.[41]Many critics thought the album didn't live up to Petras's usual level of artistry and were mixed on their reviews. Writing for Pitchfork, Shaad D'Souza called the record "too safe" and was left disappointed, stating that Petras "let all [her] edge get sanded away."[42] For The Guardian, Alexis Petridis thought the album was a "missed opportunity for a groundbreaking figure" and was more critical of some songs, such as "Coconuts".[40] Alexa Camp for Slant Magazine praised some songs such as "Thousand Pieces" and "Minute", but called it "safe" after her Slut Pop EP.[27]

The 1:20 opener Memory Leak is one of the shortest cuts in her catalogue, a cacophonous, unnerving blur of distorted drones. The album takes on a more meditative flavour thereafter, its tracks more uniform in tone than on her previous LPs. Where Memory Leak conjured a robot malfunctioning, on Math of You the polyphonic notes ring clear as bells, its crystalline arpeggios glinting like icicles in sunlight. The notes emitted are high-pitched but rounded, as if existing inside bubbles, and soaked in reverb to further blunt their edges.

Rescued delves quickly and deeply into the enormous loss Grohl and his bandmates are feeling, but also offers a message about the healing power of music - a communal act the fans can share on record, and together with the band on stage.

Kim Petras has known two things from an early age: that she was a woman born in a man\\u2019s body, and that she wanted to be a pop star. The German artist was approved for gender confirmation surgery at 16 years old, making global headlines. Three years later, she moved to Los Angeles and began networking with industry players who could help her chart a path to stardom.

Still not quite a household name, she\\u2019s closer than ever to realising that dream. In February, she became \\u201Ca tranny with a Grammy\\u201D, as she proudly declared on her Instagram after taking home Best Pop Duo/Group Performance for Unholy, her salacious duet with Sam Smith. Now, a year after she shelved an album release after most of it was leaked online, she\\u2019s ready to put out her first proper studio album (since debuting in 2017 she\\u2019s also put out two mixtapes and an enormous amount of singles). The title refers to her studio bosses imploring her to keep the momentum going post-leak. While Petras recently said she took the extra time to \\u201Cmake sure it\\u2019s the best it can possibly be\\u201D, the album is a mostly uninspired collection of generic pop excess.

The first few tracks on the record are among Petras\\u2019 least appealing. The title track turns the eponymous beast into a libido that needs to be sated via basic lyrics served over forgettable bubblegum beats. King of Hearts sounds like it might have been sung by any aspiring European starlet of the past 10 years. Petras\\u2019 voice is clear and strong, but there\\u2019s nothing characteristic about her delivery (bar her trademark \\u201Cwoo-ah!\\u201D catchphrase) or the cookie-cutter arrangement.

Revelations, a disco track with a juddering bassline and stomping kick, is refreshing only in the context of what surrounds it. Petras\\u2019 delivery in the verse is light and airy, recalling Carly Rae Jepsen, while she belts out the chorus a la Lady Gaga (in fact, the track\\u2019s not a far cry from Gaga\\u2019s work on Born This Way).

Elsewhere, Petras sounds like Taylor Swift on Sex Talk (though I\\u2019m not sure if Swift will ever write anything this suggestive) and in moments on Hit It From the Back, like Charli XCX. There\\u2019s nothing inherently wrong with either track but like many of the songs here, they\\u2019re lacking the sass and savvy, both lyrically and musically, that generally makes Petras such an exciting act.

You could argue she\\u2019s already covered that ground, most notably in her explicit 2022 EP Slut Pop, where the production was as thrilling as the lyrics were raunchy. It wasn\\u2019t the only reason for the EP\\u2019s controversy. It was solely produced by Dr Luke, the American mega-producer famous for penning hits for the likes of Katy Perry and Gaga \\u2014 and Kesha, who in 2014 sued the producer, alleging years of sexual, physical and emotional abuse (the lawsuit was dismissed in 2016; Dr Luke\\u2019s countersuit is currently ongoing). Petras has worked with Dr Luke extensively since her debut release, and while he\\u2019s contributed to some of her best tracks, his presence here doesn\\u2019t do Petras any favours. Nor do fellow super-producers such as Max Martin, ILYA and Rami Yacob, who also can\\u2019t elevate some of these songs beyond a serviceable level. 152ee80cbc

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