"Birthday" is a song by American singer Katy Perry from her fourth studio album, Prism (2013). She co-wrote the song with Bonnie McKee and its producers Dr. Luke, Max Martin, and Cirkut. Critics, as well as Perry herself, have compared the track to the music of Prince and Mariah Carey. Through double entendres in the lyrics of "Birthday", Perry makes sexual references while celebrating a partner's birthday. Capitol Records sent the track to mainstream and rhythmic radio on April 21, 2014 as the album's fourth single.

A music video for the track was released on April 24, 2014. Primarily recorded with hidden cameras, it features Perry disguised as five different characters in birthday parties and other celebrations. The makeup effects for Perry were designed and created by Tony Gardner. Perry's portrayal of a Jewish character in the video sparked criticism. Jess Glynne covered the song on BBC Radio 1's Live Lounge, and Halsey on SiriusXM.[1]


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"Birthday" contains elements of funk-pop, synthpop, and disco house.[11][12] The song is backed by a "busy but buoyant" instrumentation featuring a "deeply rhythmic impulse".[10] Randall Roberts of the Los Angeles Times felt "Birthday" was a musically updated version of disco, achieved by replacing "cheesy strings" with "jerky breaks and synth washes".[8] Its "joyful"[10] lyrics present the commemoration of her partner's birthday as a metaphor for sexual intercourse.[13] The bridge section of "Birthday", which sees Perry singing "Let me get you in your birthday suit / It's time to bring out the big balloons", was found by Ben Rattliff to resemble French duo Daft Punk's works.[14]

At the elderly man's party, Goldie collapses and a woman tries to use a defibrillator on her. While attempting to hit a piata, Kriss walks onto the road to cause a car crash which shocks the party attendees. At the petting cage, Ace lets a goat run wild which defecates and urinates on the ground; meanwhile Goldie drops a birthday cake on the 90-year-old man, Yosef is then shown beatboxing at the Bar Mitzvah. Princess Mandee takes off her hat, wig and mask and reveals herself to be Perry, to which the children scream in pleasure. Goldie eats cake with the elderly man, before straddling him on his wheelchair. At the end of the song, Princess Mandee and the children say "happy birthday" to the camera. During the credits, Perry's five alter-egos dance and lip-sync to a remixed version of the song.


Ā Unconventional and influential, Lady Gaga came into the pop scene in a lane of her own. With costumes that remind us of a mixture of Madonna and an art gallery, Gaga brought back a certain edge and theater to the genre that had been missing for years. The mistress of pop celebrates her birthday on March 28.

A while back, a lovely girl named Katy Perry was born. She became famous. And on Saturday, she celebrated her 25th birthday with a Willy Wonka-themed extravaganza sponsored by a vodka label. She invited guests! And the guests were told to wear white! So that they could celebrate by decorating each other with neon paint!

The song on the surface is a metaphor for Katy willing to have sex with a certain person all the time. This is made blatantly obvious by lyrics such as "Pop your confetti. We can get it on ['Pop your Perignon' in the music video]. So hot and heavy. 'Til dawn" and "I'll give you a taste", various other sexual connotations such the way she stretches out her hands on the rolling pin in the music video and subsequently caresses some other object, and additional lyrics such as "You're never gonna be unsatisfied", and "I'll make it like your birthday everyday". (Note the latter two quotes imply "devotion" to the person being referenced). In fact, the metaphor is so blatant, that it hints at the true meaning at the song, which is essentially just the negation of the surface metaphor.

Take for instance the grandiose setting of the video wherein it appears as if she just spent days preparing a big birthday party. The scale is so big that it's unrealistic, thus signalling ironic undertones. The overproduction of the audio, heavenly reverb of the vocals/guitar, high pitched keys that underline her recital of the lyrics "you're never gonna be unsatisfied" (augmenting the soundscape with twinkling stars), and the excessive number of confections and shiny things in the video evoke a feeling of sweetness which conveys that she pleases this person to a great extent, but in fact the feeling of sweetness is so strong that it's sickening, conveying the former ("sweetness") statement but in a sarcastic tone (another example of this sarcasm is demonstrated by the lyrics, "big big big big big big balloons").

When she says "So make a wish, I'll make it like your birthday everyday", she really means quite the opposite of what the surface metaphor would imply. Instead of it meaning that she'll do good things (specifically, sex) for this person every day, it's really her stating that she isn't a slave to please this person at every moment.

"Katy was completely surprised and had no idea she thought she was just going there with Markus and a few others for a small intimate dinner," the insider tells us. "After dinner they brought out a cake and they sang happy birthday to her."

It looks like Delilah is becoming one of Hollywood's biggest hot spots, as Drake, Ryan Philippe and Lionel Richie all happened to be there at the same time, but separately. Although the groups were there out of coincidence, the source tells us that Drake and Perry talked for a bit so he could wish her a happy birthday. The Canadian rapper celebrated his birthday there earlier this week, where Perry also happened to be in attendance.

Wait, remember when the other day, I joked that the only way the birthday entertainers in Katy Perry's "Birthday" video tease would be worth the money is if they turned out to be Katy Perry? That actually happened. Yep, Perry went masquerading as each of the cheesy characters to real events, much to the bewilderment of the people at them. The results are funny and ridiculous. And the song ain't half bad either. Here's the full video.

OK, OK, and that part where Katy pulled an audience member onstage ("I'm looking for one special birthday person!") and serenaded her on top of a giant cake was pretty cute, too. But, like, Katy Perry. Flying. With balloons. Mary Poppins-style. That obviously wins.

You know how Katy sings "So let me get you in your birthday suit/ It's time to bring out the big balloons" in "Birthday"? Here I was, thinking it was some kind of sexual double entendre, but no! Girlfriend just really likes balloons.

"Birthday" is a song by American pop singer-songwriter Katy Perry. It is the third track from her fourth studio album, Prism (2013). "Birthday" was released as the third single from Prism on April 21, 2014. The lyrics are about celebrating a partner's birthday while Perry makes sexual references.

In one version of the music video for "Birthday", Perry dresses up as five different characters attending various birthday parties. They are Goldie[2] (a burlesque dancer), Kriss the Clown, Yosef Shulem (a rabbi/DJ), Princess Mandee,[3] and Ace the Animal Trainer. There is a link to this version of the music video on Katy Perry's official website.[4] All five characters can be seen in the video.

Katy Perry usually never disappoints with her videos, and it looks like her latest for "Birthday" delivers as well. In this video we see Katy dressing up in disguises as various characters that help make up for some of the worst birthday parties of all-time. She eventually turned it up with her Prism-track serving as the soundtrack for the horrible birthday festivities, but we do have to admit, Katy pulls off the old stripper look quite nicely. 17dc91bb1f

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