The film tells the rags-to-riches story of a young street performer from the slums of Bombay. The film is known for its filmi disco Bollywood songs, composed by Bappi Lahiri and written by Anjaan and Faruk Kaiser. Popular songs include "Jimmy Jimmy Jimmy Aaja" sung by Parvati Khan, "I am a Disco Dancer" sung by Vijay Benedict, "Yaad Aa Raha Hai" sung by Bappi Lahiri, and "Goro Ki Na Kaalo Ki" sung by Suresh Wadkar with Usha Mangeshkar.
In 2010, the songs "I Am a Disco Dancer" and "Yaad Aa Raha Hai" were used in the 2010 Bollywood comedy film, Golmaal 3, directed by Rohit Shetty. The songs were relevant to the performance of Mithun Chakraborty's character Pritam, who reflected on his past as a young mega-hit disco dancer.
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Ravi's love for his family is put to the test due to the malicious intent of a grocery store owner, Milavat Ram, and his brother-in-law, Pannalal. In this movie, Bollywood's 'disco dancer' held his own even when cast along with the successful star of the 80s, Jeetendra.
Indian audiences have never been discomfited by garishness on or off the screen. They did not object to it in the film and they are likely to enjoy it even more on the stage, where it is dialled up by several notches. If it is restraint or sophistication they are looking for, they bought the wrong tickets.
Disco originally steamed up from the hot and hectic streets of 1970s New York. Embracing decadence and presenting a new souped-up beat-driven sound, disco (like punk) can be seen as a reaction to the placid, perennially positive hippy vibes of the 1960s. The UK, its ears already opened to American dancefloor sounds via Northern Soul, had its first disco number one in 1974 with George McCrae's 'Rock Your Baby'. Soon, imported cassettes and vinyl worked their way into the hands of Indian film composers such as Bappi Lahiri, R.D. Burman and Biddu Appaiah.
While 'Chand Mera Dil Chandni Ho Tum', a dramatic ballad from the 1977 film Hum Kisi Se Kum Nahin,is an early example of the influence of disco on Bollywood, by the 1980s high energy bass-lines, peppy vocals and luscious strings had taken over. The fun-loving magpie mentality of Indian film, both visually and musically, meant composers were more than happy to cherry-pick their favourite disco sounds and work them into their songs. On 'Boom Boom', sung by the Pakistani pop star Nazia Hassan, producer Biddu lifts Giorgio Moroder's pulsating bass line straight from the Donna Summer hit 'I Feel Love', while the aptly named 1982 blockbuster Disco Dancer is a classic rags-to-riches story with a soundtrack that references dancefloor artists as diverse as Ottawan and The Buggles.
Produced and directed by Babbar Subhash, Disco Dancer is a fictional rags-to-riches story of street performer Jimmy (played by Mithun) who scaled dizzying heights as a disco singer and dancer. The film was a musical blockbuster with its songs gaining popularity abroad, too.
"The film introduced India to the world of disco and the audience just went berserk. The film was a roaring success overseas too, including Central Asia, Eastern Europe, Russia, China, the Middle East, Turkey, and West and East Africa," Mukherjee writes in one of the chapters dedicated to the cult film.
This is Cory Daye's "Green Light." The homage/rip off of "Video Killed the Radio Star" anyone can spot, but Wikipedia doesn't even give the time of day to this particular rip off. That's a shame. Cory Daye is responsible for some of the best disco tunes ever recorded, including this one, which is one of my personal favorite songs period. It's also oddly appropriate to the movie Disco Dancer, even if it's not ripped off in it. There might well be other films ripped off here, but I'm mostly concerned with Cory Daye.
The generation born in times of standardized perfection has no recollection or interest" in their immediate past. To that generation, the fact that we had a whole different country with its own cultural identity (however ridiculous) needs some attempt at documentation," he adds. No one wants to be a disco dancer because we know what success and fortune look like. No matter how we point out that he is foolish, his was an India we have lost forever," says Pal. But he was ours, and we are holding on to him tight.
Ā Disco Dancer and the Idioms of the Global-PopularĀ Neepa Majumdar (bio) Ā Even in the wake of the relatively recent academic respectability of popular Indian cinema, there are areas of South Asian film culture that were still too lowbrow to merit much scholarly discussion. Lowbrow cultural products such as the 1982 Hindi-language film Disco Dancer (dir. Babbar Subhash) tend to elicit studies of reception, while higher-brow texts more commonly elicit formal and aesthetic responses. In this article, I would like to partially reverse this tendency by considering the experimental form forced by the global "disco sensibility" on conventional stylistic and thematic modes of popular Bombay cinema of the 1970s and early 1980s. This offers us an opportunity to consider the encounter of a global sonic mode or sensibility with a localized popular media form, in the process generating a new popular text that in turn traveled globally and generated new popular and even viral media. Disco Dancer, however, serves as much more than a representative case study when one considers its seminal retooling of narrative, thematic, and star practices to accommodate new flows of international popular media such as Saturday Night Fever (John Badham, 1977) or Ottawan's disco song "T'es OK," which Disco Dancer's last song, "Jimmy Jimmy aja" reworked. 1 In the Soviet Union, as Sudha Rajagopalan points out in her important study of Indian cinema in the Soviet Union, "the hysteria around the film has often been compared to the phenomenal success of Awara in 1954" (164).
The content of the book was about fashion for discos. Subhash fell in love with the cover design, and an idea was born. Meanwhile, Mithun was going through a rough patch, with many of his films failing at the box office.
Now, you can enjoy the songs and the story of Disco Dancer, live on stage, with Saregama Live's adaptation of the film. Journey back to the 80s with the costumes, dances, and style of Disco Dancer. Feel the love between Jimmy and Kim, and the anguish of Jimmy as his mother dies in a wicked conspiracy. Shake a leg to the amazing choreography that combines disco with more modern elements of jazz and hip hop. 2351a5e196
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