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An HDMI extender is a single device (or pair of devices) powered with an external power source or with the 5V DC from the HDMI source.[83][84][85] Long cables can cause instability of HDCP and blinking on the screen, due to the weakened DDC signal that HDCP requires. HDCP DDC signals must be multiplexed with TMDS video signals to comply with HDCP requirements for HDMI extenders based on a single Category 5/Category 6 cable.[86][87] Several companies offer amplifiers, equalizers and repeaters that can string several standard HDMI cables together. Active HDMI cables use electronics within the cable to boost the signal and allow for HDMI cables of up to 30 meters (98 feet);[83] those based on HDBaseT can extend to 100 meters; HDMI extenders that are based on dual Category 5/Category 6 cable can extend HDMI to 250 meters (820 feet); while HDMI extenders based on optical fiber can extend HDMI to 300 meters (980 feet).[84][85]

To surmount these problems, we develop an ultrafast single-shot high-dimensional imaging modality, termed stereo-polarimetric compressed ultrafast photography (SP-CUP). Synergistically combining compressed sensing, streak imaging, stereoscopy, and polarimetry, SP-CUP provides single-shot passive ultrafast imaging that can capture non-repeatable 5D [x, y, z: space; t: time of arrival; and tag_hash_115: angle of linear polarization (AoLP)], evolving phenomena at picosecond temporal resolution. Disruptively advancing existing CUP techniques30,31,32,33,34 in imaging capability, SP-CUP enables simultaneous and efficient ultrafast recording of polarization in three-dimensional space. Compared with available single-shot ultrafast imaging techniques35,36, SP-CUP has prominent advantages in light throughput, sequence depth, as well as spatiotemporal resolution and scalability in high-dimensional imaging.

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In data acquisition, a transient scene is imaged in two time-unsheared views and four time-sheared views (detailed in Fig. 1, Supplementary Note 2 and Supplementary Figure 2). The time-unsheared views directly record the scene akin to conventional photographs. The measured optical energy distributions are denoted as E1 and E2. Each of the four time-sheared views uses the compressed-sensing paradigm to record the scene. Specifically, in each time-sheared view, the scene is first spatially encoded, then temporally sheared, and finally spatiotemporally integrated. The measured optical energy distributions are denoted as E3, E4, E5, and E6, respectively. Mathematically, the six raw views can be linked to the intensity distribution of a dynamic scene \(I\left( {x,y,t} \right)\) as follows:

Well, I want to make an automated compressed air rocket launcher... To do that, I need to know what the current pressure is in the rocket... Basically I need a compressed air pressure sensor that I can use with arduino. It needs to thread into a standard sized thread; 1/4", 3/8", 1/2" or soemthign close... Can someone please link me to a sensor?

Acquiring ultrafast and high spectral resolution optical images is key to measure transient physical or chemical processes, such as photon propagation, plasma dynamics, and femtosecond chemical reactions. At a trillion Hz frame rate, most ultrafast imaging modalities can acquire only a limited number of frames. Here, we present a compressed ultrafast spectral-temporal (CUST) photographic technique, enabling both an ultrahigh frame rate of 3.85 trillion Hz and a large frame number. We demonstrate that CUST photography records 60 frames, enabling precisely recording light propagation, reflection, and self-focusing in nonlinear media over 30 ps. CUST photography has the potential to further increase the frame number beyond hundreds of frames. Using spectral-temporal coupling, CUST photography can record multiple frames with a subnanometer spectral resolution with a single laser exposure, enabling ultrafast spectral imaging. CUST photography with high frame rate, high spectral resolution, and high frame number in a single modality offer a new tool for observing many transient phenomena with high temporal complexity and high spectral precision.

Zipped (compressed) files take up less storage space and can be transferred to other computers more quickly than uncompressed files. In Windows, you work with zipped files and folders in the same way that you work with uncompressed files and folders. Combine several files into a single zipped folder to more easily share a group of files.

Some types of files, like JPEG images, are already highly compressed. If you zip several JPEG pictures into a folder, the total size of the folder will be about the same as the original collection of pictures.

For examples of highly compressed audio, listen to recordings of modern pop music. By contrast, most jazz recordings are lightly compressed, while typical classical recordings feature no compression at all.

Blackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Some file formats such as H.264 are highly compressed, so add noise and artifacts, causing sensor detail to be lost forever. Blackmagic RAW eliminates this problem so you get stunning images with incredible detail and rich color throughout the whole post production pipeline. Blackmagic RAW also saves camera settings as metadata so you can change ISO, white balance and exposure later in DaVinci Resolve. Plus the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files and fastest performance!

With 10G Ethernet on the Pro models, you can connect all signals to the camera with the one Ethernet IP link connection. That means the camera feed, return program feed, timecode, reference, tally, talkback and control are all sent down the single cable. That's the same benefits of SMPTE fiber, but the standard 10G copper Ethernet cable is much lower cost. The Blackmagic Studio Converter allows breakout of all the video, audio and talkback connections at the studio end. It also includes a massive power supply that powers the camera down the Ethernet cable, so you don't need a power source near the camera. Plus you can fit 2 per rack unit using a Blackmagic Universal Rack Shelf!

Power BI semantic models can store data in a highly compressed in-memory cache for optimized query performance, enabling fast user interactivity. With Premium capacities, large semantic models beyond the default limit can be enabled with the Large semantic model storage format setting. When enabled, semantic model size is limited by the Premium capacity size or the maximum size set by the administrator.

The next link speed improvement came with 802.11n (2009) presenting users with single stream links up to 150 Mbps. The 802.11ac revision of the standard (2013) brought with it the possibility of link speeds around 866 Mbps on a single spatial stream with wider channels (160MHz) and higher modulation orders (256-QAM). Using the specified maximum number of 8 spatial streams, this engineering marvel would, in theory, reach its top speed of 6.97 Gbps. In theory, using 802.11ac is the equivalent of replacing your bicycle or even your family sedan with a souped-up Ferrari.

Because most data is already highly compressed and even optimised (eg. Video stream), there is no need for OpenVPN to sort through the entire data stream looking for compressible data .. that is wasting your CPU time on a totally pointless task.

By "Unusual Circumstances" what I mean is this: You control both Server and Client nodes AND you know that you are transmitting a lot of uncompressed data (eg. Live video stream from a cheap "security" camera) over that VPN link. In such a case, you can use compression to your advantage. Otherwise, you do not need or want to use compression.

The other thing to be aware of with images is the different advantages of the different kinds of compression and file format. As mentioned above, JPEG files (also called .jpg files because Windows was once limited to 3-character extensions) are most commonly used for photography, and JPEG is the format used by almost all digital cameras. They store a full range of colours but do lose a certain amount of fine detail; there is a balance between the file size and the acceptable amount of distortion. A highly compressed JPEG may show a Fourier fringe effect, but most people won't notice it. Mostly you will want a mid-range JPEG quality around 50 (out of 100). The other main formats used on the web are PNG or the older GIF, and these are "lossless" formats that are not suitable for photographs or full-colour scans of artwork. However, for images such as line drawings or logos that have been created on a computer in the first place, choosing PNG allows areas of flat colour to be compressed very efficiently and maintain the sharp edges of a design that JPEG would lose. PNG also tends to be used for smaller images, as for larger images the size reduction from using JPEG is much more important. The following images illustrate the reason JPG is not used for small files with only a handful of colours:

An Availability Zone (AZ) is one or more discrete data centers with redundant power, networking, and connectivity in an AWS Region. AZs give customers the ability to operate production applications and databases that are more highly available, fault tolerant, and scalable than would be possible from a single data center. All AZs in an AWS Region are interconnected with high-bandwidth, low-latency networking, over fully redundant, dedicated metro fiber providing high-throughput, low-latency networking between AZs.

Compressing data can be a lossless or lossy process. Lossless compression enables the restoration of a file to its original state, without the loss of a single bit of data, when the file is uncompressed. Lossless compression is the typical approach with executables, as well as text and spreadsheet files, where the loss of words or numbers would change the information. 2351a5e196