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The pre-credit scene where Gunaa walks around in circles in an asylum with the camera following him was a shot in a single take after a day of rehearsing.[7] The dilapidated church where Gunaa initially keeps Rohini captive was a set designed by art director Magie at a forest named Mathikettan Solai.[3] The church resembled an old building built 70 years ago.[19] The Kodaikanal caves which the film was shot in, including the song "Kanmani Anbodu Kadhalan", were then called Devil's Kitchen.[10][20] Sathy who worked as production controller for the film revealed that "the cave was about 500 to 600 deep [..] we tied ropes with pulleys and transferred all the production equipments in and out of the 500 feet cave". Shooting took place for 45 days at the caves.[21] According to Santhana Bharathi, Haasan insisted to have a dummy used for climax portions similar to his face and physique.[15]

The music composed by Ilaiyaraaja, and the lyrics were written by Vaali.[28] While releasing the audio cassette of Gunaa in 1991, Haasan included some audio recording sessions with Ilaiyaraaja. "Kanmani Anbodu Kadhalan" became a milestone in Tamil cinema for the way it mixed dialogue and lyrics.[29][2] The song "Paartha Vizhi" is set in Pavani, a Carnatic raga.[30][31]

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Malayalam director Sathyan Anthikad said that female character Kanmani from his directorial Rasathanthram (2006) was inspired from the song "Kanmani Anbodu Kadhalan".[47] In Thaamirabharani (2007), Meena (Aarthi) mistakes Bharani (Vishal) as Gunaa in a parody of the queue sequence from "Paartha Vizhi" song (along with shots from the original sequence) when Bharani approaches Sakunthaladevi (Nadhiya) who is handing food to devotees, in a manner that unsettles her with the fear that he might kiss her hands the same way as Gunaa kisses Abirami's hands.[48] In the 2015 Malayalam film Premam, Shambu (Shabareesh Varma) teasingly sings "Kanmani Anbodu Kadhalan" as his friend George (Nivin Pauly) express his silent love interest for Malar (Sai Pallavi).[49] In Sangili Bungili Kadhava Thorae (2017), the queue sequence from "Paartha Vizhi" song is parodied as Soornam (Soori) approaches E.B Rajeswari (Kovai Sarala) in a queue of people waiting to pay their electricity bills.[50]

The cattle stations were highly dependent on their Aboriginal labour force. Aboriginal people with no prior experience proved themselves to be highly skilled in working with horses and cattle. Their knowledge of their traditional lands was invaluable. This is the world Yidumduma grew up in. He was breaking in horses at 7 years of age. Here are the Wardaman Warranggin songs he sang to keep the cattle happy at night while droving cattle great distances.

The Wardaman fought a legal battle over many years and won part of their traditional lands back in the early 90's. In 2000 they re-settled back in old Innesvale Station, now Menngen Aboriginal Land Trust where Bill and his family live and run the cattle station.

Since YDP published this song recording in 2008, we have been contacted and informed by language Professor and Researcher Dr. Myf Turpin that Bill here is singing a version of a Wanji-wanji song that has been sung across outback Aboriginal Australia for 150 years. Bill says this song was popular everywhere as he was growing up and working on the cattle stations. This is such exciting research that links Aboriginal people across the continent and "attests to the universal power of music."

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"The earliest written record of Wanji-wanji was made in 1913 at Eucla by ethnographer Daisy Bates who wrote that Tharnduriri, a 70 year old Aboriginal man, recalled it from his childhood at Uluru in the 1850s. Bates transcribed the song with the following refrain: 006ab0faaa