Does anybody have another picture of the back of River's guitar? He showed the back of his guitar during Only in Dreams at the White River Amphitheater on Aug 20th. I found the first picture from a fan's instagram and the second is an edited screenshot from the video I took. I'm 99.9% sure it's Courtney Love but I can't find any other pictures. I'd love to know more, thank you!
Okay, so I bought a Gibson Les Paul today and it has a strange story behind it. The guitar shop I got it from was questioning it at first because it didn't come up in their inventory so instantly I thought that was odd. Also one of the workers said they knew a friend that used to work in the Gibson factory and was curious to why this guitar came with a photo of it and said they were going to ask them about it. That interested me because now it has some interesting details that are unsolved. this guitar also has a blank trust rod cover so that also stood out to me. I'm trying to figure out what model it is and I cant find it anywhere because when I try to search the model no. it doesn't find anything. I know it was made in 2018 but that's about it and was looking for some help. The model number is LPCSG19s1ch3
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What seems wrong is to some degree a good thing. The farther you are away from the guitar the less perspective distortion you will get. Perspective distortion is the distortion that causes things closer to the camera to appear larger than things further away. Not a problem for flat surfaces but if you shoot anything on an angle it can distort the features. A longer lens also allows you to work with a smaller backdrop. With a wider lens you will have to pay much more attention to making sure you camera is square to the production you are shooting as its very easy to get keystone distortion. Do you have a wider zoom lens that you can use to get an idea of what focal length you would prefer? LIKES 0 LOG IN TO REPLY
gotaudigotaudiSenior Member720 posts
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Location: Southern CaliforniaMore info Apr 02, 2014 11:10 | #670-100mm should work nicely (depending on how large your shop is) 50mm would work as well. I think anything wider would not portray the product correctly. You dont want to distort the product that someone wants to purchase. I think sticking with the 70-200mm would be the best choice and concentrate on perfecting your lighting. LIKES 0 LOG IN TO REPLY
gnome chompskignome chompskiGoldmember1,252 posts
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Location: oakland, caMore info Apr 02, 2014 11:49 | #7Id buy a 50mm 1.8 and a decent lighting rig and call it a day.
Stop it down to f8, diffuse the light nicely, boom done.Tumblr
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I absolutely love when I get to take senior photos that are unique as the senior is. Katie was such a dream senior client. She has a distinct personal style and was so natural in front of the camera. When she told me she wanted to take senior pictures with her guitar, I knew the final images would be so fun!
I started following some photographers on Instagram lately find it to be a great source for inspiration. I must admit that I really abounded the photography for the last few month although I had some photo sessions ideas and plans on the going. However while I browse once a day on insta I found a cool hash tag about guitars and saw this guitar player portrait, I decided to give it a try.
The studio as you can see in the behind the secenes here is my leaving room and the whole shootout took about a hour , while my wife and two kids went to visit their friends in the next house, so you can do it too, you only need a guitar and a flash.
I'm Anders, a late bloomer who started playing electric guitar 14 years ago at age 33. I'm going to show the world that's going to work out too. Right now time is scarce with a house and three kids, but I'll be back - don't worry!
I had an old explorer style guitar that I got from a pawn shop. The previous owner had started a refinish on the neck but never finished so the neck needed to be refinished. Since the guitar body was just boring black I spent years trying to decide how I should refinish it. I tried some experiments masking areas to spray different patterns but never had it work out. I'd previously done a pickguard and control covers with collages from comic books so I decided to give a whole guitar collage a try.
Using stickers is a really easy way to refinish a guitar, you don't have to worry about wrinkles or pictures desticking as you would with a regular collage. the clear coating process is also more forgiving since there are a lot of images and lines, scratches or brush strokes don't appear as obviously.
I had an old guitar sitting around I used. you could use this method on anything you wanted. it's especially good on something where the finish is already damaged since the stickers can cover up some amount of damage.
I gathered lots of stickers to use but ended up mostly using ones from a book I bought called "sticker bomb" by studio rarekwai. It kept the theme constant across the guitar which helped it look consistent and there was more than enough stickers of various sizes to do the whole guitar easily
The next step is to get your guitar or other object ready for stickers. if it's a guitar remove all the parts so you just have a bare neck and body. I had sanded the neck of my guitar to bare wood since the previous owner had a half clear coated/ half unfinished paint finish job on the neck. I also gave the body a light sanding just to ensure the stickers would adhere well but I don't think it's necessary. make sure whatever you're going to sticker bomb is dust free before you start.
once you're happy with how it looks you can take your knife or scissors and cut the stickers so you can put all the parts back on when you're done. for this guitar there was a bridge hole, two humbucker spots, the tremolo cavity and control cavity on the back and the neck pocket. on the headstock I sticker bombed it ignoring the tuner holes then used an x-acto knife to cut the stickers out from the holes after I was done.
I would strongly advocate to test the clear coat on some stickers not on the guitar first to make sure they don't dissolve, smear or react with the clear. I put a couple on a steel water bottle first then gave it some clear to make sure it didn't react.
I used an old wire hangar to hang up the guitar in my garage and just brushed on some clear coat then let it dry. once it was dry I gave it a light sanding with some fine grit paper to get the brush strokes out then gave it another coat of clear coat. I did this about 5 times until I was happy with how it looked.
try not to get clearcoat in the neck pocket or on the neck where it touches the neck pocket or it will make reassembly more difficult. it's not the end of the world if you do, but it might mess up the angle the neck attaches to the body, and you'll have to do more work to get the guitar set up properly
In my case I had to wire in new pickups too. soldering guitar electronics is pretty simple, there are lots of instructables that describe how to do it quite well. If you're just putting the parts back in that you took off it should still be set up pretty well, I had to do a bunch of work to get it playing nicely since I was using a new bridge and nut but it was pretty easy.
Rosie Heydenrych, an artisan luthier, has been making acoustic guitars by hand for about a decade. She shows Christopher Thomond around her workshop in Newchapel, Surrey, and explains the guitar-making process
im wondering if my action is too high.. or perhaps i have just played a guitar with that high an action i have just gotten use to it, it helps in the ringyness or the chord.. but im trying to find an example of High Medium and Low action on electric guitar and am having no luck,, so if you could,, please tell me what action you prefer on your guitar and even a close up photo of the string height.. there may already be a thread or two on this topic but i have had no luck in finding it through search,
A family member of mine has a large guitar collection that we are going to photograph again. Last November I shot a some of them (he's bought many, many more since then) and I thought they turned out just ok. I made a very small iPad photo book in the iTunes bookstore (free- "Guitars 2013") and he had also printed 50 large calendars and gave them to family, friends and business pals of his. Now that was the first time I ever shot that type of photos, and this time we're going to start early summer so we don't have to rush for the calendar and I can take the time to add guitar info to the photos (type, brand, color etc).
When I shot the guitars last time I had a lot of problems with spotty glare off of the glossy surfaces. I set up 4 500 watt halogen lights bounced off the white ceiling (the room was cooking from the heat of those lights), used a tripod for most shots with my D700 & a Nikon 28-300mm lens (polarizer didn't seem to help much), and a D200 with a Nikon 105mm macro for some of the close up shots. Black table cloth and that's about it.
I did recently invest in a Nikon 24-70mm f/2.8G but I need advice on brightly lighting these guitars without producing spotty glare (i do like the even shine that shows the contours of the guitars) would probably have constant light but its not a necessity. Any ideas? Soft boxes? Umbrellas? Low cost would be great as I have pretty much spent my coin on that lens which I didn't buy just for this type of shooting.
Thanks in advance!--
Start by moving the lights so that they are not hitting the ceiling in the axis guitar - camera. I.e., bounce the lights from more sidewards (where the walls meet the ceiling). If possible, cover the reflecting part of the ceiling with something black or dark. 2351a5e196
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