Download Gigi Full Album

Gigi (pronounced [ii]) is an Indonesian rock band led by founder, Armand Maulana, and songwriter Dewa Budjana.[1] Formed in March 1994, the band has released fifteen studio albums. Other than their hit songs "11 Januari", "Nakal", and "My Facebook" which achieve moderate success in Indonesia, the band is known for their releases of religious compilation albums, international recognition and solo career of guitarist Dewa Budjana, and the audition of vocalist of Armand Maulana for INXS.

Armand Maulana already has an established musical career, being the lead singer of Next Band, and released his solo album "Kau Tetap Milikku". Aria Baron's career is also on the step-up since he joined and later quit Lost Angels (which later changed name to Boomerang) and Badai Band (which later changed name to /rif).[2] Thomas Ramdhan (bass) and Ronald Fristianto (drums) has known each other for a long time, and often invited the session players for Pay Burman (ex-Slank).

Download 🔥 https://tiurll.com/2y4Jef 🔥

In 1994, Gigi released their first full length, "Angan", which expected to be sold around 100,000 copies.[2] The second album "Dunia" was released in 1995, with hit songs of "Janji" and "Nirwana". A year later, Baron later left the band[3] to continue his studies in United States.[4] In that same year, Ronald was suspicious about Thomas' addiction to substances, which soured their relationship.[2]

The band released their 3rd album "3/4" in 1996, which Thomas then left the band and went into rehabilitation.[3] Gigi then recruited Opet Alatas, former crew member to replace Thomas. Ronald then quit the band to pursue his career in "dr.pm", and was replaced by Budhy Haryono.

Wanting to continue the band, Armand and Budjana released the next album "2x2", which considered ambitious since involved Indra Lesmana, and Billy Sheehan (the bassist of Mr. Big) as session players, and with mixing and mastering process done in the United States.[2]

Since 2004, Gigi has continuously released side albums during Eid al-Fitr, which consisted of rearranged cover songs and new written songs. Starting with "Raihlah Kemenangan", as of 2023 the band has released eight spiritual albums, which considered separate from their studio releases. Armand said "In the past, we heard lot of Indonesian religious albums, especially Bimbo (artist)", and later said that Armand want to bring back the atmosphere of hearing religious songs during fasting period.[5]

Since Gigi's release of 2x2, guitarist Dewa Budjana has been internationally recognized,[7] and established as one of Indonesia's greatest guitarist of all time.[7][8] In Budjana's solo album "Mahandini", he recruited international well-known musicians such as Jordan Rudess (from Dream Theater, Liquid Tension Experiment), John Frusciante (from Red Hot Chili Peppers), Mohini Dey, and Marco Minnemann (from The Aristocrats). He also collaborated with grammy winning Vinnie Colaiuta and Antonio Sanchez, also world known musicians such as Peter Erskine, Jimmy Johnson, Joe Locke, Gary Husband, Jack DeJohnette, Tony Levin, Bob Mintzer and Guthrie Govan.

Gigi recorded two albums for the expatriate Ethiopian community, but it was her 2001 album, titled simply Gigi, that brought her widespread attention. She had been noticed by Palm Pictures owner Chris Blackwell, who had years earlier introduced reggae to the mainstream through his former label, Island Records. Blackwell and Gigi's producer (and later, husband) Bill Laswell, decided to use American jazz musicians (including Herbie Hancock, Wayne Shorter, Pharoah Sanders, and others) to accompany Gigi on the album.

The result was a fusion of contemporary and traditional sounds. The album was a critical success internationally and generated controversy in her home country for such a radical break with Ethiopian popular music.[4] This release was soon followed by Illuminated Audio, an ambient dub style remix of the album by Laswell.

2003 saw the release of Zion Roots, under the band name Abyssinia Infinite. Bill Laswell played guitar and keyboard (instead of his usual bass), and several of Gigi's family members contributed vocals. The album was a return to a mainly acoustic sound for Gigi, incorporating instruments such as the krar and the tabla.

Bookended by Existence and Exist, two short cuts that thematically and sonically tie the LP together better than I was expecting but that leave little left in the memory the album really begins with track two, Crying. A slow burning 5 minute track that has the bass barely audible in the mix, in almost complete opposition to what has become industry standard in the genre. The track instead is fronted by unrelenting snares and a brilliantly hopeless vocal take that finally explodes with a minute to go into a whirlwind of screeches wails and chants.

The band go on to experiment with varying degrees of success, though never really putting a foot considerably wrong. Stars Will Leave Their Stage is a great example of this, with its futuristic feel mixing fine with Murder Capitals more traditional sound but never rising up much higher than commendable on the bands part. Belonging occupies a similar bunker in the albums no mans land, again commendable and certainly listenable, but perhaps not something to put on repeat. That being said I think a lot can be said about this album being more than the sum of its parts overall. Much like the debut, the Murder Capital have proven they know how to make an LP and experience in the face of the ever-dominant proceedings of the playlist generation.

Collaboration with Pink Floyd:

Smith's journey with Pink Floyd began in the late 1960s when he was assigned to produce their debut album, "The Piper at the Gates of Dawn" (1967). Recognizing the band's experimental and progressive inclinations, Smith seamlessly merged his production skills with their innovative musical vision.

"The Piper at the Gates of Dawn" remains an iconic album that captured the essence of Pink Floyd's psychedelic sound. Smith's meticulous attention to detail and willingness to push boundaries resulted in a sonically rich and immersive experience. His expertise in achieving distinctive guitar tones and capturing the band's atmospheric compositions helped establish Pink Floyd's artistic identity.

Following the success of their debut, Smith continued to collaborate with Pink Floyd on their sophomore album, "A Saucerful of Secrets" (1968). Once again, Smith's production finesse enabled the band to explore new sonic territories. He skillfully balanced the band's evolving experimental tendencies with their signature sound, creating a cohesive and captivating album.

While Smith eventually transitioned away from production and pursued a solo career, his legacy as a pioneering producer remains significant. His contributions to Pink Floyd's early albums laid the foundation for the band's subsequent success and influenced the development of progressive rock as a genre.

Throughout his tenure with Pink Floyd, Waters penned many of the band's most iconic songs, including "The Wall", "Wish You Were Here", "Another Brick in the Wall", and "Money". His creative vision and innovative ideas led to the production of several groundbreaking albums, such as "The Dark Side of the Moon" (1973), "Wish You Were Here" (1975), and "The Wall" (1979), which are considered timeless classics in the realm of rock music.

Following his departure from Pink Floyd, Waters embarked on a successful solo career. He released his debut solo album, "The Pros and Cons of Hitch Hiking", in 1984, which was followed by several critically acclaimed albums, including "Radio K.A.O.S" (1987), "Amused to Death" (1992), and "Is This the Life We Really Want?" (2017). Waters' solo work often continued his exploration of sociopolitical issues and personal introspection.

Pink Floyd's discography stands as a testament to Mason's enduring talent and musicianship. He has played on all of the band's studio albums, contributing his signature drumming style to their groundbreaking works. Albums such as "The Dark Side of the Moon", "Wish You Were Here", "Animals", and "The Wall" showcase Mason's mastery of his craft, as he skillfully weaves complex rhythms and textures into the band's sonic tapestry.

Beyond his work with Pink Floyd, Mason has pursued various side projects and collaborations, displaying his versatility as a musician. He has released solo albums, composed soundtracks for films, and worked with other artists across different genres. These endeavors highlight his ability to continually evolve and explore new musical territories while maintaining his distinctive drumming style.

However, as Pink Floyd's success grew, so did the internal conflicts. Following the release of the album "The Wall" in 1979, tensions within the band reached a breaking point, and Wright left Pink Floyd during the recording of their subsequent album, "The Final Cut". Following his departure, he embarked on a solo career, releasing albums such as "Wet Dream" (1978) and "Broken China" (1996).

Wright's solo work showcased his talents as a composer and his penchant for atmospheric and introspective music. He continued to explore different musical styles, incorporating elements of jazz and classical music into his compositions. Despite pursuing solo projects, Wright remained closely connected to his Pink Floyd bandmates and made guest appearances on their albums and during their live performances.

In 1987, Wright officially reunited with Pink Floyd, and the band released the album "A Momentary Lapse of Reason". Wright's return injected new energy into the group and helped recapture some of their earlier magic. He played a significant role in subsequent albums, including "The Division Bell" (1994) and "The Endless River" (2014).

Rick Wright's contributions to Pink Floyd's legacy cannot be overstated. His keyboard wizardry and musical intuition were vital in creating the band's sonic landscapes and iconic albums. While often overshadowed by the larger-than-life personas of other band members, Wright's quiet and understated presence made an indelible mark on the history of rock music. e24fc04721