In a dystopian 2023, robot Sentinels hunt and kill mutants and humans who either possess the genetic potential to have mutant offspring or try to protect them. In Moscow, they attack X-Men survivors: Kitty Pryde, Colossus, Blink, Warpath, Bishop, Iceman, and Sunspot. The mutants sacrifice themselves to buy Kitty enough time to send Bishop's consciousness a few days into the past to warn the others of the coming attack and ensure their survival.
At a ceremony where Nixon unveils the Sentinels, the three search for Raven. Lehnsherr appears, activates the Sentinels, and barricades the White House with the RFK Stadium. During the battle, Lehnsherr impales Logan with rebar and throws him into the Potomac River. Nixon, Trask, and a disguised Raven retreat to the White House Bunker. However, Lehnsherr rips the bunker out of the building with the intention of killing everyone inside. In 2023, the X-Men make their last stand as an onslaught of Sentinels attacks the temple. Many mutants perish while trying to buy more time. In 1973, Raven reveals herself and subdues Lehnsherr with a plastic gun, saving Nixon and his cabinet. She attempts to kill Trask but Xavier telepathically convinces her to spare him, leading the public to believe that a mutant saved the president. As a result, the Sentinel program is decommissioned, altering the timeline and erasing the dark future of 2023 from history. The mutants in the past depart separately; Trask is later arrested for selling military secrets to foreign governments.
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In the Rogue Cut, Rogue's role is more consequential, and the narrative is more complex: when Kitty Pryde is accidentally wounded after Wolverine's consciousness experiences a phase between past and future from seeing Stryker in 1973, Bobby Drake (Iceman) proposes breaking into the heavily guarded remains of Cerebro at the former X-Mansion, the one place where Xavier's mind cannot reach others from the outside, in order to rescue Rogue, who is being held captive there. Xavier, Magneto, and Iceman succeed in rescuing Rogue, but at the cost of Iceman's life. Rogue uses her power to take over for Kitty in regards to keeping Wolverine's mind in 1973, for the remaining time until the moment history is changed, with a suggestion that Wolverine is aware of the switch as he appears to feel Rogue's presence. The Sentinels are able to find the X-Men through a tracking device inside a Sentinel's hand that was severed from the X-Jet during their escape. In another major scene, Mystique stops at the X-Mansion the night before the Sentinel-unveiling ceremony, revisits her previous romance with Beast, and destroys Cerebro the following morning in order to prevent Xavier from finding her. A new mid-credits scene shows Bolivar Trask imprisoned at Magneto's former prison cell beneath the Pentagon for selling military secrets to foreign countries.
In contrast, Robbie Collin of The Daily Telegraph rated the film two stars out of five and called the plot "a curate's egg, thoroughly scrambled". He concluded, "The film squanders both of its casts, reeling from one fumbled set-piece to the next. It seems to have been constructed in a stupor, and you watch in a daze of future past".[187] Simon Abrams, writing for RogerEbert.com, gave the film two-and-a-half stars out of four, calling it a "visually driven and paint-by-numbers plot". Abrams was critical of the undeveloped subplots that built up because the film's pacing left little time to develop each element of the story set in the 1970s.[188]
Xavier is the worst character-shaped plot device in this regard. Because he's a telepath who has an established partnership with both Erik and Raven, Xavier already knows what ails Raven, Erik, and even himself. He eventually pumps everyone up slowly, empathetically, boringly. He even gives himself a boost thanks to the power of time travel, communicating from the future to his past self (this scene sadly contains Patrick Stewart's biggest chunk of dialogue). Xavier's speeches stink because they serve to remind you how much meat is missing from the rest of the film.
The film is based on a popular story arc in the X-Men comics books. Without being too spoilery, the story is set in the future where the X-Men, mutants, and even regular humans who may bear mutant children are being eliminated by big robots called Sentinels. The only way the X-Men think they can stop this, is by going into the past.
The ultimate X-Men ensemble fights a war for the survival of the species across two time periods in X-Men: Days of Future Past. The beloved characters from the original X-Men film trilogy join forces with their younger selves from the past, X-Men: First Class, in order to change a major historical event and fight in an epic battle that could save our future.[1]
The juxtaposing of the two break-in sequences, both led by the same character but at different ages, is also a terrific way to show us both sides of this complex character. And there's a call-back thematically to the very first film, due to who is leading this break-in and who is being rescued, not to mention the subtle point about why she's being sought in the first place. It's all a reversal, and having it transpire in the future while we cut back to scenes of the rescuer at the moment when he's still becoming his "former self" who would eventually commit the crimes of the first film, adds layer upon layer to the meaning and import of not only the future sequence but the placement alongside the sequence set in the past.
Jumping between the future (light source: apocalyptic lightning) and the past (light source: lava lamp), the plot teeters on the edge of becoming exhaustingly knotty. Fortunately, the story distracts from any temporal muddles by zeroing in on three of the most charismatic characters in the X-universe: Wolverine, plus the younger iterations of Xavier and Magneto.
The emotional weight of the film is further helped along by the once again excellent acting of the cast. I apologize for the small spoiler, but there is a scene in which both the past and future versions of Professor Xavier have the chance to interact, and thanks to the mighty acting chops of both Patrick Stewart and James McAvoy, it is amazing.
X-Men: Days of Future Past is now theaters, bringing with it the promise of a (semi-)rebooted X-Men Movie Universe where the missteps of past films will be course-corrected (or outright wiped away) in favor of providing the franchise with a clean slate on which to build toward a bigger, better, "fewcha" (future).
We hope that fans don't get so hung up on the little details and inconsistencies that they don't remember to sit back and just enjoy the movie. At the end of the day, this is all supposed to be fun - and really, by the end of the film, Days of Future Past manages to negate all of these issues in favor of a bigger, better, more cohesive future. Hopefully the term "X-Men Movie Continuity Errors" are on their way to being a thing of the past... 2351a5e196