He recorded songs for over a thousand Hindi films and in many Indian languages as well as some foreign languages, though primarily in Urdu and Punjabi, over which he had a strong command. He recorded as many as 7,000 songs throughout his career, spanning several languages and dialects such as Konkani, Assamese, Bhojpuri, Odia, Bengali, Marathi, Sindhi, Kannada, Gujarati, Tamil, Telugu, Magahi, Maithili, etc. Apart from Indian languages, he also sang in some foreign languages, including English, Farsi, Arabic, Sinhala, Mauritian Creole, and Dutch.[10]

Rafi moved to Bombay (now Mumbai), Maharashtra in 1944. He and Hameed Sahab rented a ten-by-ten-feet room in the crowded downtown Bhendi Bazar area. Poet Tanvir Naqvi introduced him to film producers including Abdur Rashid Kardar, Mehboob Khan and actor-director Nazeer.[17] Shyam Sunder was in Bombay and provided the opportunity to Rafi to sing a duet with G. M. Durrani, "Aji dil ho kaabu mein to dildar ki aisi taisi...," for Gaon Ki Gori, which became Rafi's first recorded song in a Hindi film. Other songs followed.


Download Free Old Hindi Songs Of Mohammad Rafi


Download File 🔥 https://byltly.com/2y2RG0 🔥



Rafi appeared in two movies. He appeared on the screen for the songs "Tera Jalwa Jis Ne Dekha" in film Laila Majnu(1945) and "Woh Apni Yaad Dilane Ko" in the Film Jugnu (1947).[16] He sang a number of songs for Naushad as part of the chorus, including "Mere Sapnon Ki Rani, Roohi Roohi" with K. L. Saigal, from the film Shahjahan (1946). Rafi sang "Tera Khilona Toota Balak" from Mehboob Khan's Anmol Ghadi (1946) and a duet with Noor Jehan in the 1947 film Jugnu, "Yahan Badla Wafa Ka". After partition, Rafi decided to stay back in India and had the rest of his family flown to Bombay. Noor Jehan migrated to Pakistan and made a pair with playback singer Ahmed Rushdi.

In 1949, Rafi was given solo songs by music directors such as Naushad (Chandni Raat, Dillagi and Dulari), Shyam Sunder (Bazaar) and Husnalal Bhagatram (Meena Bazaar).

Besides K. L. Saigal, whom he considered his favorite, Rafi was also influenced by G. M. Durrani. In the early phase of his career, he often followed Durrani's style of singing, but later evolved his own, unique style. He sang with Durrani in some of the songs such as "Humko Hanste Dekh Zamana Jalta Hai" and "Khabar Kisi Ko Nahiin, Woh Kidhar Dekhte" (Beqasoor, 1950).

Rafi's association with Naushad helped the former establish himself as one of the most prominent playback singers in Hindi cinema.[16] Songs from Baiju Bawra (1952) like "O duniya ke rakhwale" and "Man tarpat hari darshan ko aaj" furthered Rafi's credentials.[15] Rafi ended up singing a total of 149 songs (81 of them solo) for Naushad. Before Rafi, Naushad's favorite singer was Talat Mahmood. Once Naushad found Talat smoking during a recording.[20][21][22][self-published source?] He was annoyed and hired Rafi to sing all the songs of the movie Baiju Bawra.

Madan Mohan was another composer whose favorite singer was Rafi. Rafi's first solo with Madan Mohan in Aankhen (1950) was "Hum Ishk Mein Burbaad Hein Burbaad Ruhenge".[16] They teamed up to produce many songs including "Teree Aankhon Ke Sivaa", "Yeh Duniyaa Yeh Mehfil", "Tum Jo Mil Guye Ho", "Kur Chale Hum Fida", "Meree Aawaaz Suno" and "Aap Ke Pehlu Mein Aakur".

Kalyanji Anandji composed around 170 songs in the voice of Rafi. Kalyanji's relationship with Rafi started with the 1958 film, Samrat Chandragupta, his debut film as a solo composer.[29] Kalyani-Anandji and Rafi went on to work together for the music of the Shashi Kapoor-starrer Haseena Maan Jayegi (1968), which featured songs like "Bekhudi Mein Sanam" and "Chale The Saath Milke".[29]

Rafi sang several songs in Chris Perry's Konkani album Golden Hits with Lorna Cordeiro. He recorded many private albums in various genres and languages. Rafi recorded Hindi songs in English on 7" release in 1968. He also sang 2 songs in Mauritian Creole while on his visit to Mauritius in the late 1960s.

In the 1970s, Rafi suffered from a throat infection for an extended period of time.[36] During a brief period then, he recorded relatively fewer songs.[32][37] Although his musical output was relatively low during this period, he did sing some of his best numbers then.[38]

In 1976, Rafi sang all the songs for Rishi Kapoor in the hit film Laila Majnu.[39] Rafi went on to sing many more songs for Rishi Kapoor in the subsequent hit films, including Hum Kisise Kum Naheen (1977) and Amar Akbar Anthony (1977).[40] In 1977, he won both Filmfare Award and the National Award for the song "Kya Hua Tera Wada" from the movie Hum Kisise Kum Naheen, composed by R. D. Burman.[23] He was nominated as the best singer at the Filmfare Awards for the qawwali "Parda Hai Parda" from Amar Akbar Anthony (1977).

Rafi sang for many successful films in the late 1970s and the early 1980s many of whose hit songs were dominating the charts in the late 70s on radio programs such as Vividh Bharati, Binaca Geetmala and Radio Ceylon.[41] Some of these include Pratiggya (1975), Bairaag (1976), Amaanat (1977), Dharam Veer (1977), Apnapan (1977), Ganga Ki Saugand (1978), Suhaag (1979), Sargam (1979), Qurbani (1980), Dostana (1980), Karz (1980), The Burning Train (1980), Abdullah (1980), Shaan (1980), Aasha (1980), Aap To Aise Na The (1980), Naseeb (1981) and Zamaane Ko Dikhana Hai (1981). In 1978, Rafi gave a performance at the Royal Albert Hall and in 1980 he performed at the Wembley conference centre. From 1970 until his death he toured around the world extensively giving concert performances to packed halls.

In December 1979, Rafi recorded six songs for the Hindi remake of Dilip Sen's Bengali superhit Sorry Madam; the film was never completed due to a personal tragedy in Dilip Sen's life. These songs, written by Kafeel Aazar and composed by Chitragupta, were released digitally in December 2009 by the label Silk Road under the title "The Last Songs".[42] The physical album was released only in India by Universal.[citation needed]

After Rafi's death, in its 1984 edition, the Guinness Book of World Records gave Lata Mangeshkar's name for the "Most Recordings" and stated, "Mohammad Rafi (d 1 August 1980) [sic] claimed to have recorded 28,000 songs in 11 Indian languages between 1944 and April 1980."[44] The Guinness Book entries for both Rafi and Lata were eventually deleted in 1991. In 2011, Lata's sister Asha Bhosle was given the title.[45]

In the summer of 2008, the City of Birmingham Symphony Orchestra released a double CD titled Rafi Resurrected, comprising 16 songs by Rafi. Bollywood playback singer Sonu Nigam provided the vocals for this project and toured with the CBSO in July 2008 at venues including the English National Opera in London, Manchester's Apollo Theatre, and Symphony Hall, Birmingham.[60]

In June 2010, Rafi, along with Mangeshkar, was voted the most popular playback singer in the poll, conducted by Outlook magazine.[62] The same poll voted "Man re, tu kahe na dheer dhare" (Chitralekha, 1964), sung by Rafi, as the No. 1 song.[63] Three songs were tied for the No. 2 spot; two were sung by Rafi. The songs were "Tere mere sapne ab ek rang hain" (Guide, 1965) and "Din dhal jaye, hai raat na jaye" (Guide, 1965). The jury included people in the Indian music industry.[64]

This is an alphabetical list of known Hindi songs performed, sung and/or recorded by Mohammed Rafi between 1942 and 1980. Over 5,000 of his songs are listed here. Mohammed Rafi also sang in several other different languages, which might not be included here. The genre of song is first, followed by any other singers and the music director or lyricist, then Album name and Year released.

Fact: Mohammed Rafi sang two songs in English and there is no historical record of him performing at the United Nations. Hence, the claim made in the post is MISLEADING.

Rafi began his career in the Hindi cinema industry as a playback vocalist in the year 1944 with the track " Aji dil ho kaabu mein to dildar ki aisi taisi...," for the film "Gaon Ki Gori," this song was a duet with G.M. Durrani. He continued further to sing numerous songs in several languages, which include Hindi, Urdu, Tamil, and Punjabi, for over four decades. He was recognized for his talent for singing in numerous genres and styles, including love melodies, patriotic songs, beautiful ghazals, qawwalis, and bhajans.

Rafi collaborated with some of the most prominent music directors of the period, notably S. D. Burman, Ravi, Laxmikant-Pyarelal, and O. P. Nayyar. He sang for several notable actors of the period, such as Amitabh Bachchan, Raj Kapoor, Dilip Kumar, and Dev Anand as well. Some of his iconic songs are "Tum Jo Mil Gaye Ho", "Tum Mujhe Yun Bhula Na Paoge," "Chaudhvin Ka Chand," "Yeh Reshmi Zulfein," "Chali Chali Re Patang," " Aaj Mausam Bada Beimaan Hai" and last but not the least "Dard- E- Dil Dard- E- Jigar."

Rafi's career extended 40 years and he sang over almost 250 films. He was acclaimed for his lovely voice, flexibility, vocal range, and ability to sing in numerous languages. Rafi's songs continue to remain famous today and are still recognized and adored by people of all ages. He unexpectedly passed away on July 31, 1980, at 55 years of age, yet his memory for being one of the greatest vocalists of all time continues on. Here are his Top 10 songs of all time, exploded with emotions are as follows:-

The "Chaudhvin Ka Chand" song is a Bollywood song from the film released in the year 1960 with the same name, "Chaudhvin Ka Chand." Majrooh Sultanpuri penned this song; the composition was done by Ravi and sung by the great singer Mohammad Rafi. It is deemed a classic masterpiece and one of the most beautiful Bollywood songs ever created. ff782bc1db

games download app install free car

free download doc to pdf converter

teamspeak 3 1.10 download

kingdom rush no download

dr driving download play store