Download Free 808 Bass Samples |TOP|

Single cycle waves are your best bet for fat bass on the DT.

Play around with the sine, saw and square waves in the Factory folder, with the amp env, filters, and 2 lfos you have all the tools to make great sounding bass.

Lastly, resampling mangled sounds from the standard +drive library is something I do a lot.

(eg resampling a kick sample with a pitch envelope, some distortion and a bass boost using the resonant hpf as " hard kick" )

Download Free 808 Bass Samples

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Hello everyone! I have started making Jungle and I have amen breaks in abundance, however I do not have any bass hits to add to my first track. Where do I find free bass samples to add to my music? Sorry for the dumb question in advance, I'm starting from scratch, thanks!

I'm making a new trance song. Anybody know of any bass samples I could use? The samples I'm finding online for free tend to be pretty bad as far as trance goes. Thanks in advance.(: Also, if you have any advice for writing trance, let me know. This is my first attempt at anything that could be considered trance.

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great topic! i'm struggling with getting a punchy bass in my final mix as well. when i'm making sketches, my go-to bass synth is superchip and when i port my code over to my softsynth setup in Ableton, i've got an instrument rack layered with a few sounds that i have a little more control over. for me, i think it's going to come down to nailing the EQ so that i'm not conflicting with other sounds swirling around, especially my boomy kick (< which i might end up changing because of this very issue...)

The first is that the samples used must be in tune. When I create samples, I correct the pitch in my Ableton DAW if necessary.

Ideally, the sample should be in c to have the correct note mapping when changing the speed with up. Or you have a sample pack where the samples are sorted in the correct pitch. Ideally, this should even be considered for rhythm elements such as a tom, so that the pitch of the samples does not conflict. If I need a bass sound quickly, I use my chromatic sampled bass I created (I uploaded this on my Github page maybe someone find it useful)

Otherwise it has already been mentioned that the separation of overlapping frequencies with an EQ is very important. This could be achieved live by using a mixer/DAW for this. The danger is of course that you then always have to send the bass to a fixed channel.

@cleary I am glad to hear that you liked my live looping stuff!

I am now ready to loop the sound I create with TidalCycles. One idea is that you can use it to create samples in TidalCycles. Then you could use the edited (bass) sample as a sample on its own. All the functions to shape the signal (like in the first post) could be removed later. Unfortunately I have not yet implemented the ability to save the loops on your hdd, but I will do so.

lots of options...

(I'll show my age with some links)

rockin' "dbass" or any one note sample, that gets pitched to what you want

is kinda like dj Premier's use of the 16 levels feature on a MPC

The attack function has a different meaning in TidalCycles but this is another topic. I will open a topic about a question to adsr envelope for samples I raised yesterday at Q+A. So this could be also interesting for adsr control in synths for the long term.

Good question about the bass. Depends on the style of music you want, of course. I have an example -leipzig.de/waldmann/computer-mu/-/blob/master/tidal/code/dub.tidal (audio file in the same directory) where I think "sine is fine" (if bass is deep enough, wave form does not matter). Still, the bass there sure could use some more punch.

Just curious : how do you guys go about putting low end to mono?

Do you instantly put kick and bass to mono in the beginning stages of the track or do you highpass side on the master channel for this?

Imo there is still a substantial amount of stereo low end present in lots of edm tracks. Not a lot but enough to keep wondering where these pro artists cut depending on song, style...

Clubs playing mono systems bwee, lots are using stereo these days, so where do we realy, realy cut our lovely low end freqs?

Two band compression. Maybe set the attack to something like 30ms on the high band to let the pick (higher frequencies) pump. Use a more limiting approach on the lower end to tame those frequencies to exactly the right level (they consume a lot of energy).

Use subtractive EQ in the lo-mids. That might be enough EQ:ing in many cases.

A clever trick is to use parallel distortion. Set up a dist with 100% dry and just very very little wet. This will add high frequencies to the bass. Judge from listening to the mix and not when listening solo.

Also, I like sidechaining kick/bass. I think of it as a way to simulate what mixing that would have been possible with a better arrangement

Last but not least is probably to make sure that nothing else is masking any important frequencies of the bass.

A final resort, that will make anything shine but might come at a cost, is to find a good preset to dub the instrument with.

The drums and the bass are obviously fighting each other on the lows and mids. Beside that the whole thing sounds like compressed to death. Try to cut 4-6db on 0.5 - 0.75 octaves @ ~500 Hz on the bass. Same @ 300Hz, with a smaller bandwidth (Try this on either the bass OR the drums!). Further on try a hard highpass cut between 26Hz - 34Hz and a slight boost over 0.25 - 0.66 octaves on 63Hz and also 126Hz of the bass. For the last 2 frequenies, reduce them for the drums (with a small bandwidth!) in the approx amount you increased them on the bass.

Edit: Of course you can change the bandwidth of the adjustment at ~1200Hz. Setting the bandwidth to 0.33 leaves a bit more of the vocal impression. /> I forgot to adjust the track volume of the bass. Bassdrum and bass should have the approx. same level +/- up to 1.5dB

boxy bass sounds seem like you are using a stereo bass for one, so levelling this one to mono is one trick, then bump the 103hz a bit to get some warmth out of it is another, but this depends if the bass sound has enough of that frequency around.

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