Can someone identify this font, or a similar bold and large serif font please? It appears on all Sherrin (Kangaroo Brand) footballs in Australia. Sherrin makes footballs for AFL (Australian Football League).

When it comes to our football uniforms, I've been pretty vocal in the past about some of the abject stupidity I see around the program, with the poor quality of the uniforms we've worn in the recent past, the weak execution, or the general laziness from Chianti Dan and Adidas when it comes to UCLA football (prior discussions on the poor quality of our current and recently past uniforms here, here, here, here, here, and here). Never mind the complete and total failure by Adidas to design a uniform that features a proper UCLA stripe or Chianti Dan's inability to insist that Adidas do it properly (it's certainly possible: Nike's new-era uniforms often feature the same "new-age" fit and technology with proper shoulder striping).


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But with that said, whenever we've rolled out an alternate uniform, there have been two consistent truths: (1) I've loved the new uniform and (2) they always featured the old school Clarendon numbers, instead of the awkward used-by-everyone-else block numbers. Which begs the question: why does UCLA continue to use block numbering?

First, let's take a look at the alternate uniforms we've rolled out over the recent past, which began with the very awesome Gary Beban 1967 throw-back uniforms we wore against Washington in 2009, followed by the now infamous all-white alternates worn against U$C last year, followed by the all-navy blue "L.A. Nights" alternate worn last night against Arizona:

Every one of those uniforms needs to be worked into our regular rotation. The old-school throw-backs should be worn at least once a year, and we should work in the alternates on a semi-regular basis, or at the minimum, work in components of the alternates (for example, use the standard gold helmets and pants with the L.A. Nights alternate jersey). And those Clarendon numbers look pretty sweet, don't they?

Now, our football team has had some pretty sweet heritage in the old school uniforms featuring Clarendon numbers. Gary Beban won our only Heisman in that style. Cade McNown and DeShaun Foster lit the Pac-10 conference up week-in and week-out in Clarendon style uniforms, and dammit, it just looks cool:

Quick side note: we really need Adidas to get our pants the right shade of gold. Look at how much sharper DeShaun looks compared to Cade and Gary. Just saying. But I digress: the Clarendon font is pretty much the standard for our football uniform for most of our program's history and a quick glance through eBay finds you the following jerseys for sale:

And just because I like the opportunity to use images, it should be noted that the Clarendon font isn't unique to the football program. A lot of our other athletic teams have used or are currently using the Clarendon numbering font (and looking pretty good):

Sure, Don't get me wrong: there's nothing necessarily wrong with block numbering. In fact, we've used it at other times in our program's history and a lot of former UCLA greats have done pretty well in the Blue and Gold with block numbering:

That being said, the Clarendon font just looks cool. It's something different: the Clarendon font is something unique to UCLA, whereas block numbering is used by pretty much every other program in the nation, with one very notable exception:

Yes, the guys who can't wear the same uniform twice in one year, Nike-funded hype machine. But if anyone knows anything about how to build a brand and name recognition, it's the guys at the Swoosh. Oregon, unlike any other team in the country, has a very unique uniform numbering font. Yes, it's ugly. But it is theirs and theirs alone. When you see it, you immediately recognize it as Oregon. In fact, it has it's own name: Bellotti Bold.

No, I'm not saying we need to emulate the Ducks and roll out a new crazy uniform each and every week, but a transition back to the Clarendon font is not only tipping our hats to our football uniform heritage, but it makes UCLA's uniform all the more unique. Now, if we can only get Adidas and Chianti Dan to return a true UCLA shoulder stripe, then we'd be set.

So, what do you think? Is it time to move back to Clarendon numbers or do we stick with the generic block numbers? Fire away with your thoughts, feelings, opinions on last night's pretty awesome L.A. Nights alternate, the other alternates we've used, and our current uniforms.

The defending national champion Georgia football team will look slightly different when it takes the field this fall, as the Bulldogs announced on Thursday they are returning to a traditional block number font.

Georgia introduced two alternate uniforms in 2020, one of which paid homage to the 1980 national championship team. The other was a black jersey with spikes on the collar, mimicking the aforementioned Bulldog logo. Both uniforms featured block numbers, perhaps foreshadowing their full-time return.

The last time before the 2020 season that Georgia wore a black jersey was a win over Louisiana-Lafayette in 2016. The only difference between that jersey and what wide receiver Kearis Jackson is wearing in the reveal photos is the number font.

That said, the updated uniforms will make their on-field debut when Georgia takes on Oregon in the Chick-fil-A Kickoff Game in Atlanta on Sept. 3. The Bulldogs then hold their home opener against Samford on Sept. 10.

The MSFL charter members that accompany Fontbonne in this new conference include Quincy University (Illinois), Calumet College of St. Joseph (Indiana), St. Mary-of-the-Woods College (Indiana), Bellarmine University (Kentucky), and Midway University (Kentucky). With league play set to begin in fall 2022, each institution will begin actively recruiting players over the next year.

While sprint football follows all the standard American football rules, including an 11-on-11 player format, the sport takes a different approach to playing the game. Illustrative of its name, sprint football emphasizes speed and agility, thereby offering a faster-paced style of play. The main differentiator lies within the weight requirement of each player: 178 pounds or less. Similar to wrestling, players will weigh in before each game to ensure they are within the weight limit to play.

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The Essendon Football Club colors are red, black, and gray. The Essendon Football Club team colors in Hex, RGB, and CMYK can be found below. The Essendon Football Club is a team from Melbourne, Victoria. The biggest rival of the Essendon Football Club is the Sydney Swans.

The Essendon Football Club logo font is custom Essendon Football Club typeface. The custom Essendon Football Club font is used for jersey lettering, player names, numbers, team logo, branding, and merchandise.

A veteran administrator, Ruffin enters his 20th year working in intercollegiate athletics and serves as the sport administrator for the men's and women's tennis program. Ruffin is on the senior staff leadership team, and is a participant and a member of several campus wide committees and organizations including the university's Strategically Organizing Against Racism (S.O.A.R.) Committee, Bias Response Team, Name Image and Likeness Board, and Committee on Academic Performance (CAP).

 

Within his heightened role, he will lead, develop and manage UofL's nationally recognized intercollegiate student-athlete support program. He will also serve as the Atlantic Coast Conference representative during academic director's meetings.

 

At the conference level, Ruffin also serves on the ACC C.O.R.E. (Champions of Racial Equity) committee by representing the University of Louisville and collaborating with other ACC administrators to drive unity and inclusion across the institutions. He is also the Chair of the ACC Women's Tennis Committee where he addresses committee issues during the senior woman administrator meetings and assists the Conference liaison with various logistical, operational, and administrative issues that may arise during the Women's ACC Tennis Tournament.

 

Prior to the University of Louisville, Ruffin served five years at James Madison University. At JMU, Ruffin was responsible for the academic development, management, and coordination of football, men's and women's golf, men's and women's swimming, wrestling, and men's and women's tennis programs. He assisted with developing and implementing academic strategic plans and procedures for programs designed to cultivate both an environment that supports elite performance and a first-class student-athlete experience that prepared them for life after sport.

 

Ruffin is a former student-athlete at James Madison University, earning All-Conference recognition as a defensive back for the football team and lettering three years on the baseball team. He graduated with a Bachelor of Science in Integrated Science and Technology and later earned his Master of Science in Athletic Administration from JMU.


A native of Norfolk, Virginia, Ruffin is a member of Omega Psi Phi Fraternity Inc., the National Association of Academic and Student-Athlete Development Professionals (N4A), and the Minority Opportunities Athletic Association (MOAA).


Justin and Erika have three sons: Justin Jr, Jayson, and Joshua. 152ee80cbc

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