I have been doing the dribbling challenge and always get stuck at the level where you need to launch it up into the goal. I can never do it! I can consistently hit it vertically but it's never high enough. Any tricks to get it done?

III Edit: actually, the flick can be of 540, as showed by this clip of Lilith: with 6k DPI, or in general a very high sensitivity, you can turn in ANY direction you want, and THEN curve 180 left or right, for a total of 360 + 180, 540 degrees. If this isn't an unintended feature I don't know what else is.


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I think it should be buffed, and reverted back to how it was in the PTB. As the old bugged J flick, you could totally avoid it, and considering Oni has an ability that is not as strong as people believe it to be compared to how hard it is to actually get your power, especially on maps like The Game or Cowshed, an 180 flick would be completely fair.

I edited the post, they can apparently do more than 270, and do 360s! This is literally insane, the flicks of the flicks, devs pls show us you care about the fine details of this game fixing this!

I had to edit the post again, because actually the flick can be of 360 with high sensitivity + 90 in any direction, for a total of 450 MASSIVE flick spin. I hope researching more I won't find that you can actually do something even more crazy XD

I've been noticing recently that when I flick the mouse quickly to the right or left that it will disconnect for about half a second. This is quite frustrating since I flick in high intensity moments and the mouse disconnecting is the last thing I want.

I've tried the mouse out on a different laptop, flicking hard (to the same extent as on the desktop) doesn't cause a disconnect, so I feel as though the mouse is alright, but something weird is going on with my desktop.

I next downloaded USBPcap and Wireshark. After starting the USB packet monitor I unplugged all other devices and replicated the mouse flick disconnect issue. This is what the monitor shows during this flick and disconnect event:

Multi-purpose sports net with variable height adjustment. The high quality, light weight PVC frame quickly sets up and folds away and has 2 height settings that allow for endless training drills across a range of different sports. Use as part of your core training session or simply for fun during warm-up/cool-downs. Low height 85cms, high height 1.5m. Comes with carry bag for easy transportation and storage.

It works great... if the user doesn't scroll with high velocity. If the user flicks to scroll downward (high velocity), the delegate doesn't seem to keep up and the banner never shrinks down completely (maybe 85-90% of the way). To verify this, I printed the offset of the scroll view to the console and noticed that when the user scrolls slowly, the console may print 100 lines of the current offset. And when the user scrolls fast, the console may print 25 lines of the current offset. The delegate simply cannot keep up with a high-velocity scroll.

Tracy Enid Flick is a fictional character who is the subject of the 1998 novel Election by Tom Perrotta and portrayed by Reese Witherspoon in the 1999 film adaptation of the same title. She is a smart, ambitious high school student whose quest to win a school election is nearly derailed by her teacher. She is the main antagonist in both the book and film.

Tracy is an ambitious high school junior, preparing for an easy election to the office of student body president after three years of extracurricular toil. Her assumption that she will be unopposed is dashed when two challengers enter the race: friendly and popular athlete Paul Metzler, sidelined from the football team by a skiing accident, and Paul's younger adopted sister Tammy, a moody, sarcastic rebel. Paul has been coaxed into running by election supervisor Jim McAllister, a civics teacher nursing a deep resentment toward Tracy since her affair with Jim's best friend and fellow teacher resulted in the man losing his job.

Tracy started law school, but had to drop out to tend to her mother, who became sick with multiple sclerosis. As a graduate student, Tracy also became pregnant during an affair with a professor named Daniel, and opted not to have an abortion per her mother's request. Tracy then became a substitute teacher, and eventually became vice principal of her high school. When the position of school principal came open, she found herself forced to maneuver through various political tides in her effort to obtain the position. Although school board members planned to give the job to a former football coach, in the aftermath of a shooting at the school, they end up giving Tracy the promotion.

A Christian Science Monitor review of Clinton's 2003 autobiography, Living History, quoted an excerpt in which Clinton discussed her participation during high school in a Cultural Values Committee and noted, "There is obviously some truth here, but the tone of the passage reeks of Tracy Flick, the overachieving, overly serious high school student from the film Election. Not to belittle the efforts of the Cultural Values Committee, but a brief aside to show that Clinton understands that high school sociopolitics is not exactly on par with race relations would be nice."[15]

Tracy Flick has been included on a 2007 mtv.com list of "our 10 favorite high school archetypes from the movies" (as "The Annoying Overachiever");[21] a 2008 New York Daily News list of "high-school fast-talkers before Charlie Bartlett";[22] and a 2008 E! Online list of "the top 9 creepiest movie bad guys."[23] TV writer Dan Harmon has also said in interviews and on his podcast that she was the inspiration for the character Annie Edison on Community.[24]

Screenflick has a unique and custom-built recording engine, that is turbo-charged to utilize all of your Mac's power. Record any area of the screen from a thumbnail to 5K resolution at 60 fps (or higher, on ProMotion displays).

The core of Screenflick is built around a highly-optimized recording engine which captures very large resolutions at high speed and high quality. More than taking advantage of the graphics processor and multiple processor cores, Screenflick is coded for exceptional efficiency. This means that Screenflick can capture those super smooth and sharp 60 FPS animations even on 5K retina displays.

Have you ever wanted to just grab a pen and start drawing on your screen to explain something? Well now you can. With Screenflick's screen markup, you can now use a paintbrush to draw on the screen, illustrating your point and highlighting critical elements on screen, so your viewers will know exactly what you mean. Pick amongst several colors, and change brush sizes. This is a great tool for teachers and lecturers who need to mark on slides or even draw onto video lessons.

Need a moment? Not a problem, Screenflick will wait. At any time you can pause the screen recording, and continue when you're ready. Practice your lines, take care of the dog, wait for the next game level to load... Just hit resume and Screenflick will pick up right where you left off.

Get rid of unwanted distractions in your videos. With Screenflick, hide the files on your Desktop by covering them with a color or custom image. You can even prevent windows from other applications being recorded at all.Tell Screenflick which applications you want (or don't want) to be recorded, and if any unwanted window opens during the recording (a notification, a chat invite, etc), you'll it on screen, but not in the recording. It's like magic.

Using Screenflick to record from the camera built into your iPhone is awesome. No plugins or background apps required; Just open Screenflick Camera on your iPhone and start recording in Screenflick. It's the easiest and fastest way to get great quality camera recording, and it's built-in for free.

Use Screenflick Remote to control Screenflick running on your Mac. Using the remote, you can start a recording, pause, resume, and stop, all without the Screenflick interface being visible in your final recording. You can even control Screenflick running on multiple Macs at the same time.

In fact, if macOS would update the screen fast enough, Screenflick running on a Mac Studio with an M1 Max has the power to capture full 5K resolution at over 180 frames per second. Yes. Really. That's a mind-blowing 10 GIGABYTES worth of pixels every second.

Screenflick's custom recording engine can capture at higher frame rates and higher quality (perceptually lossless) than direct-to-H.264/HEVC recorders. You can even record with lossless audio, and export to lossless ProRes 4444 for the highest possible media imports into Final Cut, Adobe Premiere, or any other editor. All media assets (screen, system audio, microphone audio, and camera) can be exported separately.

Integrate Screenflick as part of an automation workflow using Shortcuts or Automator. Automatically start a recording (even scheduled at a certain time), stop the recording, and export it, all while away from your desk.

The 1996 cult horror favorite, The Craft, about a group of aspiring witches at a Catholic high school, will be remade under the direction of rising genre star Leigh Janiak, according to The Hollywood Reporter.

Sport fencing is an open-skilled combat sport practiced around the world. Although previous research addressed kinematics of the lunge and fleche, there are currently no studies on the flick. The flick is a high-level action that involves bending the blade toward the opponent, much like a whip or fly-fishing cast. The aim of our research was to identify the kinematic variables that significantly influence scoring success in two elite foil fencers. In particular, we asked what aspect of the movement each individual fencer can change to improve their likelihood of scoring. Two elite foil fencers of similar skill were instructed to execute flicks at a dummy target that mimicked the opponent's shoulder. High speed video (650 fps) captured the motion of the tip of the foil, blade of the foil, and limb joints; the latter were used to calculate joint angular velocities, hand height and distance throughout the flick. Scoring success was determined with a conventional scoring box. Our results showed that the two fencers exhibited significantly different kinematics, coordination and scoring. Using three complementary regression approaches, we showed that each fencer could improve scoring by changing specific aspects of their kinematics. For fencer A, only improvement in consistency in distance from the target would improve scoring. For fencer B, the changes were more complex. In addition to improvement in consistency in distance, fencer B could also increase (finger, wrist) or decrease (shoulder) joint angular velocity or improve consistency of limb joint angular velocities. Unexpectedly, and in contrast to common coaching practice, hand height had only a weak effect, possibly because both fencers had learnt to keep their hand high at the end of the action. In summary, our results emphasize that coaching of elite fencers should be individualized. e24fc04721

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