Internet Archive is known for its large collection of digitalized materials. It offers free public access to music, movies, images, books, software, and websites. On this website, you can find millions of lossless music files and download them for free.

2L is one of the best free lossless music download sites. It provides free hi-res music files that are available in DXD, DSD64, DSD128, DSD 256, MQA, ETC. Visit the 2L website and click HiRes Test Bench. Then you can download hi-res music for free without registration required.


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7digital is a music streaming service providing more than 80 million tracks in MAQ, MP3, M4A, 16-bit and 32-bit FLAC audio. You can explore music by hi-res/FLAC, new albums, new tracks, charts and genre. 7digital is available in 82 countries.

FLAC (/flk/; Free Lossless Audio Codec) is an audio coding format for lossless compression of digital audio, developed by the Xiph.Org Foundation, and is also the name of the free software project producing the FLAC tools, the reference software package that includes a codec implementation. Digital audio compressed by FLAC's algorithm can typically be reduced to between 50 and 70 percent of its original size[4] and decompresses to an identical copy of the original audio data.

The encoded audio is divided into frames, which consists of a header, a data block, and a CRC16 checksum. Each frame is encoded independent of each other. A frame header begins with a sync word, used to identify the beginning of a valid frame. The rest of the header contains the number of samples, position of the frame, channel assignment, and optionally the sample rate and bit depth. The data block contains the audio information.[10]

Metadata in FLAC precedes the audio. Properties like the sample rate and the number of channels are always contained in the metadata. It may also contain other information, the album cover for example.[10] FLAC uses Vorbis comments for textual metadata like track title and artist name.

The FLAC encoding algorithm consists of multiple stages. In the first stage, the input audio is split into blocks. If the audio contains multiple channels, each channel is encoded separately as a subblock. The encoder then tries to find a good mathematical approximation of the block, either by fitting a simple polynomial, or through general linear predictive coding. A description of the approximation, which is only a few bytes in length, is then written. Finally, the difference between the approximation and the input, called residual, is encoded using Rice coding. In many cases, a description of the approximation and the encoded residual takes up less space than using pulse-code modulation.[10]

For two-channel stereo, the encoder may choose to joint-encode the audio. The channels are transformed into a side channel, which is the difference between the two input channels, and a mid channel, the sum of the two input channels. In place of a mid channel, the left channel or the right channel may be encoded instead, which is sometimes more space-efficient.[15]

Alongside the format, the FLAC project also contains a free and open-source reference implementation of FLAC called libFLAC. libFLAC contains facilities to encode and decode FLAC data and to manipulate the metadata of FLAC files. libFLAC++, an object-oriented wrapper around libFLAC for C++, and the command-line programs flac and metaflac, are also part of the reference implementation.

Since FLAC is a lossless scheme, it is suitable as an archive format for owners of CDs and other media who wish to preserve their audio collections. If the original media are lost, damaged, or worn out, a FLAC copy of the audio tracks ensures that an exact duplicate of the original data can be recovered at any time. An exact restoration from a lossy copy (e.g., MP3) of the same data is impossible. FLAC's being lossless means it is highly suitable for transcoding e.g. to MP3, without the normally associated transcoding quality loss between one lossy format and another. A CUE file can optionally be created when ripping a CD. If a CD is read and ripped perfectly to FLAC files, the CUE file allows later burning of an audio CD that is identical in audio data to the original CD, including track order and pregap, but excluding CD-Text and other additional data such as lyrics and CD+G graphics.[19]

The reference implementation of FLAC is implemented as the libFLAC core encoder & decoder library, with the main distributable program flac being the reference implementation of the libFLAC API. This codec API is also available in C++ as libFLAC++. The reference implementation of FLAC compiles on many platforms, including most Unix (such as Solaris, BSD) and Unix-like (including Linux), Microsoft Windows, BeOS, and OS/2 operating systems. There are build-systems for autoconf/automake, MSVC, Watcom C, and Xcode. There is currently no multicore support in libFLAC, but utilities such as GNU parallel and various graphical frontends can be used to spin up multiple instances of the encoder.

FLAC playback support in portable audio devices and dedicated audio systems is limited compared to formats such as MP3[20] or uncompressed PCM. FLAC support is included by default in Windows 10, Android, BlackBerry 10 and Jolla devices.

The European Broadcasting Union (EBU) has adopted the FLAC format for the distribution of high quality audio over its Euroradio network.[21] The Windows operating system has supported native FLAC integration since the introduction of Windows 10.[22] The Android operating system has supported native FLAC playback since version 3.1.[23][24] macOS High Sierra and iOS 11 add native FLAC playback support.[25]

Until recently, the music format FLAC (Free Lossless Audio Codec) enjoyed a similar "pirates-only" reputation to MP3 because of its lack of Digital Rights Management (DRM), but FLAC has the potential to reach a larger audience than just audiophiles and tech enthusiasts. Currently, almost every record label is on board with the format, and consumers can buy lossless music from both major and indie acts for the same price as the iTunes Store.

Like MP3 before it, FLAC has been embraced by the music industry as a cost-effective way to distribute CD-or-better-quality music, and it doesn't have the auditory problems of MP3s. FLAC is lossless and more like a ZIP file -- it comes out sounding the same when it is unzipped. Previously the only way to get "lossless" files was via the uncompressed CD formats CDA or WAV, but neither is as space-efficient as FLAC.

While FLAC files are up to six times larger than an MP3, they are half the size of a CD, and can have the same boost in audio quality. Furthermore, FLAC is not just restricted to 16-bit (CD quality), and you can buy files up to 24-bit/192kHz for another potential boost in performance. While the effects of better-than-CD quality are highly debated, companies like Neil Young's Pono staked their reputations on its benefits.

But regardless of whether you are using 16- or 24-bit quality files, FLAC is here to stay. Experts such as Malcolm Hawksford, professor of psychoacoustics at Essex University, say that despite competition from proprietary formats like MQA and DSD the humble FLAC is still competitive.

"FLAC has a place in the future for high-quality audio. It is good for transporting files on the internet as it typically halves download time. It is unlikely that for lossless compression there will be significant improvements," Hawksford wrote on Bowers & Wilkins' Society of Sound blog.

While physical discs are still popular, their usefulness will eventually be eclipsed by the convenience of purely digital files: whether that means streaming or software files stored on your network or in the cloud. As a format FLAC will probably never be as popular a format as CD and DVD were in their heydays, but it's quickly become the format of choice for people who care about sound quality.

FLAC downloads have one major competitor: streaming. While audiophiles are mostly concerned with music bought from music stores like Bandcamp and HD Tracks, it's not the only option available to people interested in high quality music. At the lower end of the scale, Pandora and Rhapsody have been streaming for years at bit-rates between 128kbps and 192kbps but they're no match for lossless FLAC in the audio department.

Secondly, you don't need an internet connection to listen to your music, and while the Offline modes of both Tidal and Spotify enable you to use it on the subway, it still needs to be connected to the 'net at some point to get the files. What if your music player doesn't have apps or network capability? For inexpensive music players like the Sony A17, a set of FLAC files make the most sense.

There are two main ways to get your FLAC files legally: ripping from CD or purchasing from a digital store. Ripping is easy to do but you will need the right software for your computer. However, there are some devices that enable you to rip and store FLAC files on a networked hard drive without having to ever touch a PC; the Bluesound Vault is one of these.

If you'd rather pay someone else to do that for you, we cover our favorite sites for buying FLAC files here. If you want to find music and don't know which site the music is on, do a Google search for the name of the artist/album and "digital."

Windows and Mac: If you're a Windows 10 user, you can play FLAC files natively in the operating system. For older Windows versions, there is a Windows Media Player plug-in, but the players most recommended by audiophiles are Roon, Media Monkey and JRiver. Meanwhile Mac users can download Roon, Fluke for basic support for FLAC in iTunes or Songbird (also on PC).

Hi-fi: Of course, the biggest advantage to FLAC files is that they are ideally suited to listening on a hi-fi device. In the last few years, a wealth of streaming audio players have appeared with lossless FLAC playback one of their many benefits. The least expensive of these is the $35, 30 or AU$59 Chromecast Audio but these multiroom music systems also support the format. 17dc91bb1f

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