The Visitor is a 2022 American psychological horror film directed by Justin P. Lange and written by Adam Mason and Simon Boyes. The film stars Finn Jones and Jessica McNamee. Jason Blum serves as an executive producer through his Blumhouse Television banner.

In October 2021, The Visitor was announced as part of Blumhouse Television and Epix's TV movie deal, with Justin P. Lange directing with Adam Mason and Simon Boyes writing the screenplay, with Finn Jones and Jessica McNamee starring in the film.[2]


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The Visitor is a 2007 American drama film written and directed by Tom McCarthy and produced by Michael London and Mary Jane Skalski. Executive producers were Jeff Skoll and Omar Amanat. The screenplay focuses on a lonely man in late middle age whose life changes when a chance encounter with an immigrant couple forces him to face issues relating to identity, immigration, and cross-cultural communication in post-9/11 New York City.

The story for the film started with the characters of Tarek and Walter. McCarthy wanted to have those characters interact and creating the story was like "putting pieces of a puzzle together."[7] He first started writing the film during a state-sponsored visit to the Middle East. He says he had "an especially great connection with the people I met in Beirut" and didn't consider the immigration angle until he returned to New York City.[8]

The film was shot on location in New York City. Some scenes were filmed on campus at Wagner College in Staten Island, New York. The soundtrack includes "Open and Close" and "Je'nwi Teni (Don't Gag Me)," written and performed by Nigerian musician/composer Fela Kuti.

The film premiered at the 2007 Toronto International Film Festival and was shown at numerous 2008 festivals, including the Sundance Film Festival, the European Film Market, the Portland International Film Festival, the Miami International Film Festival, South by Southwest, the Dallas International Film Festival, the Phoenix Film Festival, and the Philadelphia International Film Festival. The Visitor was given a limited release in the US on April 11 in 4 theaters and earned $86,488 with an average of $21,622 per theater ranking 45th at the box office. The film's widest release was 270 theaters and it ended up earning $9,427,089 domestically and $8,651,086 internationally for a total of $18,078,175, above its $4 million production budget.[9]

The Visitor received mostly positive reviews from critics and has a rating of 89% on Rotten Tomatoes based on 120 reviews with an average rating of 7.62 out of 10. The consensus states "The Visitor is a heartfelt, humanistic drama that deftly explores identity, immigration, and other major post-9/11 issues."[10] The film also has a score of 79 out of 100 on Metacritic based on 29 reviews.[11]

Roger Ebert of the Chicago Sun-Times rated the film 3 out of four stars and called it "a wonderful film, sad, angry, and without a comforting little happy ending". He added, "All four actors are charismatic, in quite different ways ... Jenkins creates a surprisingly touching, very quiet, character study. Not all actors have to call out to us. The better ones make us call out to them."[13]

Ruthe Stein of the San Francisco Chronicle wrote, "Devotees of The Station Agent will be relieved to know that writer-director Tom McCarthy gives no indication of a sophomore slump. His second film ... is, if anything, more imaginative and touching than his first. McCarthy puts a mark on each film, identifying it as distinctly his own. A couple more like them, and he'll be knighted an auteur ... Jenkins' multilevel performance is continually surprising ... The part of Walter was written for [him], and he inhabits it like a second skin."[14]

Peter Travers of Rolling Stone rated the film 3 out of four stars, calling it "a heartfelt human drama that sneaks up and floors you." He described screenwriter/director McCarthy as "that rare talent who can work in miniature to reveal major truths [and] ... is attuned to the nuances of behavior" and wrote "Jenkins delivers a master class in acting. Oscar, take note."[15]

John Anderson of Variety wrote, "Some films click from the moment they're cast, and that is certainly the case with The Visitor ... a perfect vehicle for Richard Jenkins [who] ... plays McCarthy's transfigured hero to a tee ... Visitor tilts toward the soulful rather than the political, and could be this year's humanistic indie hit."[16]

The film was named best of the year by the Washington Post, the Charlotte Observer, and the Arkansas Democrat-Gazette.[18] It also was cited as one of the year's ten best by numerous publications, including the Chicago Reader,[18] the Philadelphia Inquirer,[18] the Seattle Post-Intelligencer,[18] The Hollywood Reporter,[18] The Wall Street Journal,[18] and the New York Post.[18]

The DVD was released on October 7, 2008. Viewers have the option of either widescreen anamorphic or fullscreen formats. Bonus features include commentary by writer/director Tom McCarthy and star Richard Jenkins, deleted scenes, a behind-the-scenes look at the making of the film, a history of the djembe and instructions on how to play it, and the original trailer.

Richard Jenkins is an actor who can move his head half an inch and provide the turning point of a film. That happens in "The Visitor," where he plays a man around 60 who has essentially shut down all of his emotions. A professor, he has been teaching the same class for years and cares nothing about it. He coldly rejects a student's late paper without even enquiring about the "personal problems" that made it late. He makes an elderly piano teacher figure out for herself why she will not be needed again. His lips form a straight line that neither smiles nor frown.


He keeps an apartment in Manhattan. Lets himself in. The naked African girl in his bathtub screams. Her boyfriend appears from somewhere. The interlopers are ready to call the police when he explains it is his apartment. They'd been renting it from a crafty opportunist. These "roomers" are Tarek (Haaz Sleiman), from Syria, and his girlfriend Zainab (Danai Gurira), from Senegal. They immediately pack to leave. He sees them out, then appears at the top of the stairs to tell them they can stay the night. During the film, he will change his mind and appear at the stair-top three times, each time crucial.

Of course the film, written and directed by Tom McCarthy, is about a great deal more -- about illegal U.S. residents and stupid bureaucrats and drums and love and loss. A fourth major character appears, Mouna (Hiam Abbass), who is Tarek's mother and lives in Michigan. She hopes to help her son after he is arrested in an innocent subway incident and threatened with deportation. Walter has already hired a lawyer. He's no bleeding heart, makes no speeches, barely displays emotion, but now for the first time since his wife died, he is feeling things deeply.

This is a wonderful film, sad, angry, and without a comforting little happy ending. But I must not describe what happens, because the whole point of serious fiction is to show people changing, and how they change in "The Visitor" is the film's beauty. So much goes unsaid, and unseen. Events in Walter's professorial job happen off-screen. We are left to listen to the silences and observe the spaces.

The Supreme Court, a 24-minute film that examines the history of the building and features interviews with the Chief Justice and both sitting and retired Justices, is shown in two theaters located on the ground floor. Showings are continuous from 9:15 a.m. until 3:45 p.m. The film is open-captioned.

Martn Boulocq released his first film at 25 years old, participating in world-class festivals such as San Sebastian and Locarno. His subsequent films have premiered at major festivals, winning international awards. Bolivian critics acclaimed Boulocq's first film as one of the 12 fundamental films of Bolivia.

Open captions are available on all Independence National Historic Park films. Assistive Listening Devices are available upon request. A portable Loop System is available at the Visitor Services Desk, compatible with all telecoil equipped hearing aids, cochlear implants, and induction loop receivers. A receiver with headphones is also available for persons without compatible hearing aids.

Convenient, onsite parking is available for visitors who start at the Visitor Center. The AutoPark at Independence Mall is a 24-hour, fully enclosed parking garage operated by the Philadelphia Parking Authority. Entrances are located on both 5th and 6th Streets, between Market and Arch Streets.

The David M. Rubenstein Visitor Center and Smith Education Center serve as the 21st-century gateway to Jefferson's timeless Monticello, with multiple components that transform the visitor experience by preparing guests for their trips to the historic mountaintop through dynamic content presenting fresh perspectives on Monticello and the enduring significance of Jefferson's life and ideas.

This 7-minute visually rich introductory film explores Jefferson's ideas and accomplishments, especially his core concepts about liberty, and highlights Monticello's central importance to his life and work.

The permitting process and items needed vary depending on the proposed location and type of filming. Please fill out the fill permit for the appropriate land management agency, county/local film commission office, or private landowner. If you have questions regarding filming on lands within Inyo County, please call Jesse Steele, the Inyo County Film Commissioner. (760-938-0144)

The Inyo County Film Commission promotes the high desert of the Owens Valley, Death Valley and High Sierra regions to the film industry as an accessible site for on-location filming for commercials, feature films, television shows, music Videos, and still photography, and assists production companies with all their needs when they choose to film in Inyo County. 2351a5e196

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