Here and elsewhere: the philosopher-turned-filmmaker joins for a conversation about the making of his debut film, which explodes conventions of biography and nonfiction for a uniquely collective portrait of trans life
Thank you for joining us in The Film Foundation Restoration Screening Room where we have presented 20 restored films since May 2022. Special features and supplemental information for these screenings can be found HERE.
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FilmLA has always come through for me quickly when I have had a location problem. The other day, I had clients in my car in a panic about not being able to film at a hotel. One call to FilmLA, and five minutes later, I was able to explain the situation. It certainly made me look good, being able to give them an answer so fast and to put the issue to rest.
FilmLA has always been there to jump in and help out whenever any issues have arisen though the years, and I know many on their staff work the same long hours we do. They are dedicated individuals who tirelessly strive for the same goal we have; to keep the filming and production payroll here in LA where our families and homes are. They help us build and repair the delicate bridge we all have to cross to work everyday. It takes a great deal of talent, dedication and just plain hard work to do that on all sides.
Katie has been a Shorts Programmer at Sundance since 2010 and previously worked in short film distribution for Future Shorts and event production for Vimeo and Punchdrunk in New York. She is currently Video Commissioner for global video platform NOWNESS in London, commissioning editorial films and also overseeing short form content for fashion, design, tech & culture brands.
Mike Plante is currently a senior programmer for short film at the Sundance Film Festival, where he has worked since 2001. He has worked as a film programmer and projectionist since 1993, and he helped run CineVegas from 2002 to 2009. Plante also makes short and feature documentaries, including Be Like An Ant (2011), Giuseppe Makes a Movie (2014) and The Polaroid Job (2016), and We Were There to Be There (2021).
Sudeep is a Programmer for the Sundance Film Festival focusing on documentary feature films. Having started at Sundance in 2008 as a screener of international documentary features for the festival and a reader for the labs, he has previously been an Associate Programmer, Documentaries and Shorts Programmer. He is also Director of Programming for the Palm Springs International ShortFest where he has programmed since 2014. He has also worked in programming at many festivals including the Indian Film Festival of Los Angeles, Aspen ShortsFest, LA Film Festival, AFI Fest, Tribeca, Indian Kaleidoscope Film Festival and was Director of Public Programming for the Academy of Motion Pictures Arts and Science. A native of New Jersey, Sudeep has a BA in English from George Washington University, MA and Ph.D. in Cinema and Media Studies from UCLA. He has taught film and television history, industry and criticism courses at universities throughout Southern California.
Lisa Ogdie is a Shorts Programmer for the Sundance Film Festival and also North America Cinema Programmer for Soho House & Co. She has been part of the Sundance shorts programming team since 2009, selecting the Sundance short film slate from over 10,000 submissions, and has moderated Q&A discussions and panels for BAFTA Los Angeles, Sundance, Toronto Film Festival and the American Pavilion at Cannes.
U.S. Grand Jury Prizes
The ranking award is the Grand Jury Prize, which recognizes a film in both the U.S. Dramatic and U.S. Documentary Competitions as the best from the independent film community this year.
World Cinema Grand Jury Prizes
The highest award for international films, the World Cinema Grand Jury Prize recognizes the best dramatic and documentary work in international independent filmmaking this year.
Special Jury Awards
Jurors give a number of Special Jury Awards recognizing excellence in the craft of filmmaking. Inspired by the Art of Film Weekend, these prizes are chosen by their respective juries as they deem appropriate. The Waldo Salt Screenwriting Award will still be given given to a U.S. Dramatic film for excellence in screenwriting.
NEXT Innovator Award
This award recognizes the most innovative and forward-thinking film screened in the NEXT category. The prize is awarded by an iconic figure regarded as an important innovator in their respective field. This single juror will choose one film that they believe to be the most innovative.
Alfred P. Sloan Feature Film Prize
Provided by the Alfred P. Sloan Foundation, this juried award is presented to the writer and director of an outstanding feature film focusing on science or technology as a theme or depicting a scientist, engineer, or mathematician as a major character.
Jury Prizes and Awards in Short Filmmaking
The following prizes and awards are bestowed on short films in the Festival that exemplify outstanding vision and creativity in their respective categories:
Composer Huang Ruo, director Matthew Ozawa, and filmmaker Bill Morrison craft a clear-eyed tribute to the rebellion and resilience of the Chinese immigrants who passed through and perished at Angel Island.
The Colorado Office of Film, Television and Media (COFTM) attracts and facilitates content creation in the state to generate economic growth. It promotes the state's film and television industry locally, nationally, and internationally while highlighting Colorado's unique rural areas.
Colorado Film Crew and Support Services Directory
This directory helps our state's film industry workforce showcase their skills and services to producers who are considering filming here.
The 2023-24 Banff Centre Mountain Film Festival World Tour brings a curated lineup of the best in mountain and adventure films to theatres around the globe! This year's tour has licensed 37 films from around the world, including films from Canada, USA, Switzerland, France, Sweden and more!
Thank you for joining us in Banff for the 48th annual Festival, which featured adventurers, authors, and filmmakers sharing their stories; epic films from around the world; the Festival Marketplace with the new Rab Stage with free presentations; happy hours with music; downtown and partner events, mountain art exhibitions; and much more! Join us next year in Banff from Oct. 26 - Nov. 3, 2024! Tickets on sale early August 2024.
Official Selection of the 80th Venice International Film Festival: the films screening in the sections Venezia 80 Competition, Out of Competition, Orizzonti, Orizzonti Extra, Venice Classics, Special Screening, Venice Immersive, and Biennale College Cinema.
Film Fatales supports an inclusive community of women feature film and television directors who meet regularly to share resources, collaborate on projects and build an environment in which to make their films.
Founded by Leah Meyerhoff in 2013, Film Fatales has expanded to include over 500 women directors in Los Angeles and New York, and hundreds more in a dozen cities around the world. Film Fatales advocates for gender equality within the film industry by hosting panel discussions, educational workshops, networking events and screening series to promote the work of women filmmakers to a wider audience.
In an entertainment industry where women direct less than 5% of the top box office films and less than 20% of episodic television shows, Film Fatales provides a structure that enables women directors to get their films made and seen. By offering space for mentorship, peer networking and direct participation, Film Fatales is expanding the landscape of storytelling to bring exciting new films to the screen.
The Jacob Burns Film Center (JBFC) is a nonprofit cultural arts center dedicated to presenting the best of independent, documentary, and world cinema; teaching literacy for a visual culture; and making film a vibrant part of the community.
Film Streams is a 501(c)3 nonprofit organization in Omaha, Nebraska. Our mission is to enhance the cultural environment of the Omaha-Council Bluffs metropolitan area through the presentation and discussion of film as an art form.
ATTEND & PARTICIPATE IN CANNES
Unlock your film market opportunities through a variety of exhibition options to promote your company, your institution or your country, all within the heart of the film industry!tag_hash_115
The TCM Classic Film Festival invites you and the usual suspects to the big movie house, for a lineup of films that not only bring the heat but reflect and inspire new ways of thinking about what defines true justice, straight down the line.
The Human Studies Film Archives (HSFA) provides access to over 8 million feet of ethnographic film. Started in 1975, we have been part of the Smithsonian Department of Anthropology since 1981, and hold films from filmmakers such as Timothy Asch, Jorge Preloran, David MacDougall, and John Marshall. The film archives supports research on visual culture, humans in the natural world, and the development of ethnographic film.
USC Cinematic Arts crosses the spectrum of media creation from film and television to games and interactive
 experiences, giving students the skills and vision to become tomorrow's creative leaders.
Get in the Mardi Gras spirit with the definitive film on the history of the toe-tapping, foot-stomping music of French Southwest Louisiana. I Went to the Dance features Cajun and Zydeco greats including Michael Doucet & BeauSoleil, Clifton Chenier, and D.L. Menard.
Whether students seek to create the next indie or blockbuster hit or dive deep into the historical, cultural, industrial and global contexts surrounding film and media, our programs prepare them to succeed by helping them discover and gain confidence in their knowledge, skills and abilities. e24fc04721
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