Download Film Prenjak In The Year Of Monkey ##HOT##

Wregas, a 23-year-old film director, was also involved in making behind-the-scenes videos of the country's much-anticipated drama Ada Apa Dengan Cinta 2. Prenjak was filmed in February this year in Yogyakarta by teaming up with his former high school friends, such as Henricus Pria as his line director, Rosa Winenggar and Yohanes Budyambara as cast members, as well as his movie-maker girlfriend Ersya Ruswandono as photography director.

This is the crucial scene in the movie Prenjak (In the Year of Monkey), which won the Leica Cine Discovery Prize for Best Short Film at the Cannes Film Festival last year. The prize is awarded each year for a short or medium-length film made by a promising filmmaker.

Download Film Prenjak In The Year Of Monkey

Download 🔥 https://tlniurl.com/2y7MYL 🔥

In 2015, Wregas' short film Lembusura (2014), about the eruption of Mount Kelud, made into selection in the 65th Berlin International Film Festival 2015, competing in the section of Berlinale Shorts Competition.[7][8] Wregas was named the youngest director in the festival at only 22 years old.[5] After Berlin, he made another short film called The Floating Chopin (2015), an interpretation of the song Chopin Larung by Guruh Soekarno Putra.[9]

Wregas told Jakarta Globe that he enjoys making short films. Last year, Wregas won best short film at the 21 Short Film Festival in Jakarta for "Lemantun," a short film that he made as a final assignment to graduate from Jakarta Institute of Arts (IKJ) in 2014.

Dewi pulang (Dewi goes home), the 2016 short film by Candra Aditya, offers a means to redefine the meaning of independence for contemporary Indonesian screen production. In the years of Reformasi following the end of the New Order, to be independent was to be in solidarity with the reform movement, and to express a DIY sensibility that did not rely on big production companies or the state. In recent years, the meaning of independence has been complicated by a changing cultural economy of film, including the accommodation of many previously independent filmmakers into the mainstream. Rather than seeing independence embodied in the film or filmmaker, this essay considers the history of short film and the foundational role of komunitas (communities) as the location for independent media practice. Independence is theorized as a characteristic of the assemblage of organizations, events, and infrastructures that facilitate the production, circulation, and consumption of short film.

What is significant about Dewi pulang, and other shorts like it, is not its length or whether Candra Aditya wants to make a feature film (he does) but, rather, how it reveals the infrastructure of communities, events, and platforms across the archipelago that support and sustain short film. Candra Aditya had worked in these networks for several years before conceptualizing Dewi pulang and securing funding. Once completed, the film then moved through a network of festivals, including Purbalingga in 2017, and communities such as Boemboe Forum, which organized Gemar Film Pendek #3 (at Kineforum, Jakarta in January 2018) and Sinema Rabu in South Jakarta (March 2018), before being hosted on Viddsee, a Singapore-based video streaming platform. Together these can be conceived of as nodes within the assemblage of short film.

Prominent komunitas organizers Lulu Ratna (2007) and Tintin Wulia (2019 [2005]) note the plethora of komunitas which emerged in the late 1990s in the tumult and opportunity of the Asian financial crisis and the end of the New Order regime. Such networks supported feature filmmakers in the early years of Reformasi who readily adopted the indie or independent label to describe their intent, politics, and practice contra the state and commercial production companies. As feature films have returned to mainstream pop culture (Barker 2019), many Reformasi-generation indie filmmakers have been incorporated into the production processes of the largescale production houses. They maintain whatever creative autonomy they can. But the meaning of independent has become more complicated and contested.

Short films and their komunitas continued to proliferate as others around the archipelago began to take up media production to create community, tell stories, and express ideas. Of these, Minikino, established in Denpasar in 2002, and Jakarta-based Boemboe Forum, established in 2003, were two of the most prominent, organizing screenings, workshops, talks, exhibitions, and networking opportunities with others domestically and internationally. Shorts featured at the independently operated Jakarta International Film Festival (JIFFEST), first held in 1999, and in dedicated festivals such as Purbalingga, which was established in 2006.10 The official Festival Film Indonesia (FFI) was relaunched in 2004 with a short film category, won that year by Djedjak darah: Surat teruntuk Adinda (Blood print: A letter to the beloved), directed by M. Aprisiyanto from Yogyakarta, marking an aesthetic break with the FFI winners under the New Order.

Prenjak / In the year of monkey (Wregas Bhanuteja, 2016) for example, despite containing an uncensored explicit scene, was screened to government officials including the president and went on to win both the national Citra Award for Best Short film and the Leica Cine Discovery Prize for Short Film at Cannes Film Festival in 2016. 006ab0faaa