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BAMPFA, the UC Berkeley Art Museum and Pacific Film Archive, is the visual arts center of the University of California, Berkeley. Our mission is to inspire the imagination and ignite critical dialogue through art and film.

A young boy named Mahito yearning for his mother ventures into a world shared by the living and the dead. Opening film of the 2023 Toronto Film Festival. Nominated for Best Animated Feature and Best Original Score at the 2024 Golden Globe Awards. | Country: Japan | Language: English; Japanese with English subtitles

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Do you think you have what it takes to withstand the Horror-thon? Can you stay awake for the entire 24 hours? Who will survive, and what will be left of them? Join us at The Colonial Theatre on October 22 to find out!

The Jacob Burns Film Center is a nonprofit cultural arts center dedicated to: presenting the best of independent, documentary, and world cinema; promoting 21st century literacy; and making film a vibrant part of the community!

The Jacob Burns Film Center (JBFC) is a nonprofit cultural arts center dedicated to presenting the best of independent, documentary, and world cinema; teaching literacy for a visual culture; and making film a vibrant part of the community.

We are committed to preserving the theatrical movie-going experience in Salt Lake City, even with our venues temporarily closed. With diverse, inclusive, and international films, SLFS features women both in front of and also behind the camera.

Online by browsing the interactive film guide on our schedule page. Online sales continue through the Festival weekend to allow ticket purchases up to two hours prior to each film.

All full-time UVA students can receive one complimentary ticket to all films, as available, made possible by the Art$ program. These student tickets must be reserved in advance and are not available the day of a film or at the door of an event.

In the interest of greater safety for our patrons and staff, effective September 3, 2021, MSP Film Society will require, at the time of entry, either proof of complete COVID-19 vaccination or negative results from a COVID-19 test performed within 72 hours of the screening. At home tests will not be accepted.

MSP Film Society is a 501(c)(3) non-profit membership-based organization with a rich 50-year history of exhibiting the very best of contemporary and classic independent, local, national and international cinema to Minnesota audiences. We present daily screenings, regular film series and events, and our centerpiece, the annual Minneapolis St. Paul International Film Festival, informing our audiences about the culture, histories, cutting-edge news and the art of filmmaking from around the world.

Composer Huang Ruo, director Matthew Ozawa, and filmmaker Bill Morrison craft a clear-eyed tribute to the rebellion and resilience of the Chinese immigrants who passed through and perished at Angel Island.

"Supporting footage," or footage shot or created BEFORE the Official Time Period (including stock footage that is partof a special effect) may be placed over or under the core footage, as long as every frame of your film contains someamount of core footage and the assembling of the core footage with the supporting footage occurs during the OfficialTime Period.

The required Character must be seen on-screen and it must be clear--either directly shown or by context--who the required character is. The Character name does not have to be said out loud or written on-screen.The required Prop must be seen on-screen. A picture of the required prop is also allowed.The required Line of Dialogue must be used verbatim. It may be spoken, sung and/or written. It may be in any language, though if it is unclear that it is the required Line, there must be a translation.To qualify as an Official Entry, each group's film must be in the genre it selects and must contain all required elements within the official time limit and prior to the credits.

First Time Cities only: Each film must include a landmark (building, monument, etc.) or identifying characteristic (e.g., bus, city office) of the competition city. (Note: The landmark or characteristic must exist inside city limits.) This rule applies only the first time the 48HFP visits a city.

Participating groups are encouraged to work with a composer and/or musicians to write and record music for the films. It is permissible for a participating group to use pre-recorded music; however, the participating group must have the rights to any music used in its film and must provide releases for all music used. As with music, pre-recorded sound effects are allowed, but you must have rights to use them.

Note: Song parodies (i.e., use of identifiable pre-existing compositions with new or altered lyrics or music) may not be included in the film without a signed release from the composition's rights holder. This rule applies without regard to whether the song parody arguably constitutes fair use under US or international copyright law.

After the 2 seconds of black, some films start with opening credits. These are not encouraged, but if you use them, opening credits are considered to be part of the film, and therefore count against the seven-minute maximum. Additionally, if your film has opening credits other than simply the film's title (for example, the names of directors, actors, etc.), you must include one of the following: the text YOUR TEAM NAME presents immediately followed by a 48 Hour Film Project or the text a 48 Hour Film Project immediately following the title of your filmNote: a 48 Hour Film Project may be entirely lowercase (i.e., a 48 hour film project).

Credits at the end of each film are limited to a maximum of 60 seconds. The 60 seconds is considered additional to the length of the film, as stated above. (That is, a film may be 7 minutes long, with an additional 60 seconds of credits, for a total running time of 8 minutes.) 48HFP reserves the right to shorten any end credits that exceed the maximum length for screening purposes.

Each team must secure releases for talent, crew, music and locations (and any other applicable releases), which must be turned in to the project organizers with the finished film/video. The film/video will not be screened before the 48 Hour Film Project Organizers receive the signed releases.

Entries containing prohibited or inappropriate content as determined by the 48HFP, in its sole discretion, to be inappropriate will be disqualified. 48HFP reserves the right to make the final determination as to which Entries are eligible. 48HFP reserves the right to refuse to screen a film or to make an announcement at the screening regarding the content of the film. 48HFP reserves the right to alter a film in order to remove or delete offensive or defamatory content.

To be certified as an Official Film Entry, each participating group's film/video production must follow all rules herein. The 48 Hour Film Project Organizers reserve the right to screen only certified Official Film Entries.

You may only use AI in ways that are legal in your jurisdiction. You may not use AI to create any part of your entry prior to the Official Time Period. You must have the rights to all work including work created with AI. In other words, any AI generated material that uses copyrighted material for which the filmmaker does not have a release is not permitted. (As an example, using a screenshot from the movie Pulp Fiction to create a new image is prohibited.) Any footage created using AI is subject to both: copyright requirements and Rule D regarding footage (above). That is, not only must the filmmaker have rights to the footage, but any footage shot prior to the competition weekend, may only be used as outlined in Rule D.

If you are not a passholder, you may purchase individual tickets online starting Monday, February 19 (10am). A ticket is issued for one screening of a film or concert, and, providing you show up on time, guarantees your space up to 15 minutes before start time.

First, check online or at the Box Office to see if tickets are available. If tickets are available, they can be purchased online or at the Box Office until 30 minutes prior to the screening. After that, admission is managed at the venue. If a film goes NRT, empty seats will be filled at the venue via the Q.

The Stay Up Late pass gets you a taste of all the fun after dark without paying top dollar. Stay Up Late offers admission (space available) to all festival concerts, free admission via the Q to any films that start at 9pm or later on Thursday, Friday, and Saturday, AND films that start 3pm or later on Sunday, as well as admission to the @CTION Party and Buskers Last Stand. (It does not allow free ticket pickup at the Box Office.)

Prior to ticket reservations opening in February, we can refund 50% of your pass purchase. No refunds will be issued after reservations have begun for your pass type. If the Fest is canceled due to events outside of our reasonable control, 50% of the pass price is non-refundable. Buying a pass for 2023 is, in part, a commitment to supporting the long-term survival of RFS! Refunds will not be given for ticket purchases online, at the Box Office, or via the Q. e24fc04721