Download Film My Tomorrow Your Yesterday ((LINK))

I recently watched a movie called "My tomorrow, your yesterday" and I LOVEDD it sooo much! It was very heartwarming, hearttouching, emotional and really good. So I would like recommendations on movies like that. P. S. I don't care about the language.

Finally, the heart-pinching, teary moment comes when the truth is revealed during halfway through the film. After the revelation, it feels that your heart keeps aching as you watch the couple going through an unchangeable cruel fate as each moment passing by each day.

Download Film My Tomorrow Your Yesterday

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Both leads did their utmost best by delivering outstanding performances, showing their chemistry for each other while delivering their lines. While I'm trying my best not to spoil the entire plot of the film, but I have to say a few things to express why it pains your heart so much as you're watching it:

The world of tomorrow, of course, is actually the world of yesterday. Drained of almost all color, the story of a mercenary flying ace, Joe "Sky Captain" Sullivan (Law), and his intrepid gal reporter ex-flame Polly Perkins (Paltrow) in pursuit of a Teutonic villain has the look of an antique, hand-painted sepia-print photograph, with hazy coronas of light around the edge of every frame. Meant to evoke the inferior camera lenses of yore, I suppose, it's a clever touch, especially in a film that hardly required any real lenses.

True to form, many of the characters, inexplicably, appear to be Brits, even the German bad guy. Polly's rival in love, for example, an eye-patched aviatrix named Franky Cook (Angelina Jolie) and Polly's editor (Michael Gambon) both have English accents -- in that way that American actors of the 1930s so often did, demonstrating, you know, something like class. And when fanciful beasties appear, as they inevitably must in a film that takes as much of its inspiration from comics as from cinema, you might almost convince yourself that special effects wizard Ray Harryhausen were still alive.

This course will investigate films and television shows that don't follow a single standard chronology but instead have innovative approaches to chronology: Time that runs backward. Looping time. Time that extends. Time that speeds up. Two time periods that are tracked simultaneously. Two times that slowly or quickly. Elliptical time. Ambiguous/unclear time. Our questions: How does the treatment of time reflect the story's theme and deepen the terrain being explored? Do such works still adhere to a four-act structure or hero's journey structure, even though that structure might be manipulated or hidden? Or does each work have a unique design that resists reference to more conventional screenplay structures? How do time experiments work differently in drama, comedy, or horror/science fiction? Is there a reason that more films/tv shows appear to be experimenting with time? Or have there always been such experiments? If 4-act and hero's journey structures are often criticized for being male/heterosexual, can other treatments of time offer paths to (better) representing different genders and sexual orientations? What are the challenges for a screenwriter in creating such a work? What might be the benefits be? What treatment of time hasn't been attempted that you might try in your screenplay or teleplay? e24fc04721