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Aki Kaurismki, who had worked as Mika's assistant and a screenwriter, began his career as a director when Mika produced his film Crime and Punishment (1984). During the active Villealfa years, Mika co-founded the Midnight Sun Film Festival (1986) and the distribution company Senso Films (1987), and the Andorra cinemas in Helsinki.

The 1990s saw the gradual fading of the Villealfa spirit; Mika and Aki started to produce their films separately, through their own production companies. Mika had founded Marianna Films in 1987 and its first independent production was Zombie and the Ghost Train (1991).

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Over the course of the 1990s Mika established his base and second home in Rio de Janeiro, and started to concentrate more in international co-productions. He made several Brazilian-themed films, including Amazon, Tigrero, Samblico, Rytmi, and Moro no Brasil.[citation needed] His film Brasileirinho is a 2005 musical documentary about traditional Brazilian choro music. In 1995 in Philadelphia he directed the no-budget thriller Condition Red with James Russo, Cynda Williams and Paul Caldern. Condition Red was entered into the 19th Moscow International Film Festival.[3] His biggest production so far is the comedy L.A. Without a Map (1998), with David Tennant, Julie Delpy, Vincent Gallo, Johnny Depp, James LeGros, Anouk Aime, Joe Dallesandro , etc.

During the production of Moro no Brasil (2002) Kaurismki opened a live music club, Mika's Bar, in Rio de Janeiro, but gave it up later and decided to concentrate primarily on film making. In 2003 he was a member of the jury at the 25th Moscow International Film Festival.[4]

ABOUT THE DIRECTORS

Argentina-born, New York-based artist Mika Rottenberg is devoted to a rigorous practice that combines film, architectural installation, and sculpture to explore ideas of labor and the production of value in our contemporary hyper-capitalist world.

Mahyad Tousi is a multidisciplinary writer, producer, cinematographer, and director working across story formats, genres, and platforms; his projects span network television to the modern art world. He was the executive producer of CBS primetime comedy UNITED STATES OF AL. He is currently writing and producing 1001, a sci-fi adaptation of THE TALES FROM A THOUSAND AND ONE NIGHTS, and co-directing REMOTE, a film created with his long-time collaborator and renowned video artist Mika Rottenberg.

Hey guys. I've not been on here for two years now. I was watching a film last night and I heard Mika's music in the Monte Carlo film. It was so nice to hear him again. Has anyone seen it? It's worth a watch.

I'm pretty sure it's not been done before. I know myself I did a thread about him being played on Emmerdale before now, but this one is to cover anything and everything his songs are played on, tv shows, adverts, trailers for tv shows and films, whatever.

The UC Berkeley Center for the Study of Sexual Culture will feature the filmmaker Mika Imai from Japan, the creator of the LGBTQ/Deaf films Ginger and Honey Milk and Until Rainbow Dawn. Imai will screen the two films and participate in Q&A sessions.

This event is free and open to the public.

ASL & Japanese Sign Language (JSL) interpretation provided.

This event is wheelchair accessible.

We ask that all attendees wear high quality masks and avoid wearing fragrances for this event whenever possible.

Please visit the CSSC NEWS page for film trailers and the Mika Imai LGBTER interview excerpts.

Karen Nakamura is the Haas Distinguished Chair of Disability Studies and Professor of Anthropology. She is a cultural and visual anthropologist and filmmaker whose research focuses on disability, sexuality, and minority social movements in contemporary Japan. Her first book, Deaf in Japan, was on sign language, identity, and deaf social movements. Her second book on schizophrenia and mental illness in Japan, entitled, A Disability of the Soul, was published in 2013 and was also accompanied by two films entitled Bethel: Community and Schizophrenia in Northern Japan and A Japanese Funeral. Her new project explores the intersections of disability, gender, and sexuality.

My research and teaching focus on topics that are socially and politically urgent with crisis, vulnerability, justice and futures being key to my pedagogy and my wider work in disaster studies, environmental humanities and postcolonial studies. I work across literature, film, and visual art and see creativity and imagination as central to the how we make sense of the world around us.

In her absurdist films, Mika Rottenberg views the systems of capital through the lens of the offbeat, the exaggerated, and the gaudy. Her vision combines a penchant for the visceral, be it expressed through languid foodstuffs or bodily emanations, with a desire to express the physical realities of labor and the vexed systems by which goods are produced.

Frosted Film was created to achieve a "frosting" effect. If there are glass elements in your company, for example walls separating workstations, or glass doors of your studio, it is worth to choose frosted film solution as an impressive form of advertising. We will cut out any design, logo, sign, inscription or print the foil with your graphic design.

Join in for the screening of REMOTE, the debut feature-length film by Mika Rottenberg and Mahyad Tousi at Broadway Cinema. The duration of the film is 85 minutes and will begin with an introduction by artist and lecturer Candice Jacobs.

MM: Believe in your own vision, even stubbornly. No one can really help you and no one can make the film for you, not fundamentally. Take all the advice and help you can get, but in the end make sure that you keep your own vision intact, no matter how experienced or prestigious the source of advice might be.

In their extraordinary first feature film, Mika Rottenberg and Mahyad Tousi create a strangely credible solar-punk world. Set in a near future, REMOTE follows Unoaku, an expat architect living and working in an apartment in Kuala Lumpur, and four other women living on their own in Iran, Argentina, Puerto Rico, and South Africa.

Contemporary video artist and filmmaker Mika Rottenberg and multidisciplinary artist, storyteller and film producer Mayhad Tousi came together to produce their first joint feature film with Remote. Read on to find out more about each artist's practice.

Artist Mika Tajima reads promotional copy from a Herman Miller furniture catalog (Bushwick, Brooklyn, 12.20.10). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Artist Mika Tajima reads promotional copy from a Herman Miller furniture catalog (Bushwick, Brooklyn, 03.05.11). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Artist Mika Tajima gives an interview (Bushwick, Brooklyn, 03.05.11). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Artist Mika Tajima and curator Tim Saltarelli disassemble a Herman Miller Action Office cubicle in her studio (Bushwick, Brooklyn, 12.20.10). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Curator Tim Saltarelli and artist Mika Tajima and disassemble a Herman Miller Action Office cubicle in her studio (Bushwick, Brooklyn, 12.20.10). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Curator Tim Saltarelli and artist Mika Tajima assemble a Herman Miller Action Office cubicle in her studio (Bushwick, Brooklyn, 12.20.10). Production still from the New York Close Up film Mika Tajima Versus the Cubicle. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Sculptures in progress by artist Mika Tajima in her studio (Bushwick, Brooklyn, 12.20.10). Production still from the New York Close Up film Mika Tajima Wants to Hire Contortionists. Art21, Inc. 2011. Cinematography by Andrew David Watson.

Artist Mika Tajima with contortionist Tony Mitchell at Elizabeth Dee Gallery (Chelsea, Manhattan, 01.29.11). Production still from the New York Close Up film Mika Tajima Wants to Hire Contortionists. Art21, Inc. 2011. Cinematography by Jarred Alterman. 17dc91bb1f