Rubn Romero Santos of Cinemana rated the film 3 out of 5 stars, rallying laggards to join the Mario Casas bandwagon, highlighting the transformation experienced by the actor from Three Steps Above Heaven to The Paramedic, in which he plays a "wheelchair-bound inhuman sociopathic demon".[6]

Raquel Hernndez Lujn of HobbyConsolas rated the film with 80 points ('very good'), deeming it to be "a very successful film with strong performances and a great ending", also praising Casas' acting transformation, while warning that the film is not precisely reinventing the wheel.[1]


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El practicante (The Paramedic)  un thriller spagnolo, prodotto e pubblicato da Netflix il 16 settembre 2020[1]. Il film  diretto da Carles Torras, scritto da David Desola e Hctor Hernndez Vicens e interpretato da Celso Bugallo, Mario Casas e Dborah Franois[2].

Even though I saw The 33, I didn't catch on to who Casas was. He didn't really enter my radar until I saw The Invisible Guest (Contratiempo) (2017). That film was a dark thriller, a crime drama that follows a police investigation after a terrible act was committed and how the consequences are handled. This film, directed and co-written by Carles Torras, is about the lead up to a terrible act and what might drive a man to commit the act in the first place. In this case, the terrible act is stalking and kidnapping. There are escalations, but stalking and kidnapping are at the core of what occurs. A man stalks and kidnaps a woman.


Torras' film doesn't take the same tone as those problematic films. This film leans into the horror genre. The film makes it clear that the man committing the violence and crimes toward the woman is not a man to be romanticized or even eroticized. That's baseline though. It wouldn't be enough to make this film rise above what are tons of stalking and kidnapping films. Nowadays, the film has to have a narrative hook that leans more on the bizarre or maybe supernatural. Films like 10 Cloverfield Lane (2016) or Split (2017) have those supernatural hooks. This film doesn't have a supernatural hook. Its hook is having its stalker and kidnapper or villain essentially be disabled.

It wants to end with Vane rescuing herself and fighting back. In that, its climactic scene, that of the penultimate scene, is itself clever, as we get an unlikely action scene, involving a disabled person. Casas isn't disabled in real-life, so it's not as thrilling as having an actual disabled person in that scene, but again the scene is clever in its execution. I would recommend the film for that scene alone, to show the power of disabled people and how they are capable of a lot, even fighting, despite whatever physical limitations they might have.

It is attractively filmed however it is not a showcase of Barcelona or Catalonia. Appropriately they used areas that evoke a kind of aged, dated urban anonymity. There seems to be a lot of tile in Spain. ?

The film begins with an all too common occurrence, a tragic car accident with the surviving passengers wailing in agony. Angel, played by Mario Casas, barely bats an eye as he hoists the patient into the ambulance. After the title, we find him and Vane, played by Dborah Franois, making another attempt at conceiving a child. Even with his supposed fianc, Angel is hardly compassionate. He brushes off her concerns and only acts romantic only after insulting her to the point of tears.

While the film as a film presents itself as a typical dark-thriller film, Mario Casas' performance is what makes it unique and worthwhile watching. I have never hated a character as much as I have hated Angel. The only setback is the ending. With such a villain doing so much harm to those around him, a better payoff is definitely warranted, but the journey is still a heart-stopping ride.

Once he traps her in his home, he kills to make Vane suffer. Instead of making up excuses, Angel allows a neighbor into his home when he has Vane captive. He kills the old man in front of her. He also kills Vane's new boyfriend, just in case he figures out where she is. It was an unnecessary step, but Angel needed her to suffer. He didn't think it was fair that someone else was able to live life happily when he was miserable. Angel essentially sacrificed everything to ensure Vane would be just as miserable as him. He even injected drugs into her legs so she would become temporarily paralyzed to experience what he's gone through. Angel was a miserable and arrogant man before the events of the film, and the accident only heightened those feelings. This sequence of events would make it seem like there's no good reason for Vane to stay with Angel, and yet she does.

Overview - El Practicante is a Spanish thriller with components of romance and violence. The film is directed by Carles Torras (Callback, Open 24h). The Filmmaker himself composed the screenplay with Hctor Hernndez Vicens and David Desola. El Practicante manages a man endures auto collision that leaves him a paraplegic and from that point forward, he has lived fixated on desire. The movie has not been in theaters and is distributed legitimately through Netflix.

Carles Torras proceeds with The Paramedic, his specific fixation on male characters who draw out the most noticeably awful in themselves in light of their disappointments. An intrigue that started with Open 24 h, a dry and tragic film about a person who tackles his issues through brutality, and proceeded with the honor winning Callback, an account of a fruitless entertainer who turns into a killer. The third title of this specific cycle, shown through the Netflix stage, is maybe the most available to the greater part open. Here he acquaints us with a sociopathic paramedic named ngel (Mario Casas) who, in the wake of enduring a mishap that leaves him disabled in a wheelchair, turns into a killer moved by dread of his better half Vane's (Dborah Franois) betrayal and his specific resentment at being genuinely restricted.

The film has the achievement of its brief time, which is valued, since more minutes would have been significantly more torment for the watcher. At any rate they have had regards in such manner, albeit even so the filler is allowed to play (the character of the medical caretaker, and her scenes). The filmmaker's in the background work can't be lauded either, as it is an intimate product (nearly everything occurs in a similar space) and it doesn't stand apart by any means. It could have been coordinated by any other person who might not see the distinction, being a simple work and lacking punch. The dominant part of the Spanish thriller is profoundly unsurprising from the trailer itself. I was seeking for a twisty closure or an exciting plotline, notwithstanding, nothing occurred. The consideration of Othello syndrome or morbid envy in films isn't the first case. Here and there the principle plot evades the ordinary course of events of the portrayal.

And this brings us to The Paramedic (El practicante), another recent Spanish thriller that is also about an aggrieved man driven to violence because he feels he is not getting what he deserves, and it has exactly the opposite problem as The Occupant. While the plot remains functional and engaging, the central character is such a one-note psycho from the get-go that he sustains very little interest as the film progress; simply put, there is really nowhere for him to go except to spiral deeper into his own amoral recesses. The draw of The Occupant was in wondering how far the protagonist would go to reclaim what he believes he has been denied; in The Paramedic, we have a pretty good sense from the first few scenes that the protagonist would maim and kill to get what he wants, and that is precisely what he does.

The ParamedicOriginal TitleEl PracticanteOriginal Language SpanishDubbing Studio Post Haste DigitalVoice DirectorDavid ZellnerTranslation & AdaptationSierra SmithRecorded2020Dub Country United StatesOriginal Country SpainYear2020The Paramedic (El Practicante) is a 2020 Spanish thriller film directed by Carles Torras, written by David Desola and Hctor Hernndez Vicens and starring Celso Bugallo, Mario Casas and Dborah Franois.

Netflix revealed the most watched content of 2020 on its platform in different territories. In the case of the United States, the appearance of the Spanish film El Hoyo stood out as the most watched foreign-language film.

The synopsis would have you believe that our main protagonist loses the plot after the accident that leaves him confined to a wheelchair.

But just a few minutes into the film and we're given a glimpse into the true nature of our paramedic. This is someone with a tendency to take personal items from injured victims from the scene of an accident, either to sell or keep as trophies.

If that glowing red flag wasn't enough, then his manner towards his live-in partner certainly confirms his hidden sociopathic character, no matter how subtle it might appear.

If you don't want to spend 100 minutes with an evil, despicable character and need a protagonist to care for, then skip it. If you don't care about that and like to view film with a more detached, bird's eye view, then this is really well made. Plus you'll be able to see two people coming out of their wheelchairs and fight, a scene I'd never thought of as a possibility, but is actually pretty exciting.

El practicante  il film pi visto in queste settimane su Netflix. L'oscuro e perverso thriller diretto dallo spagnolo Carles Torras, al suo quinto lungometraggio, domina le Top 10 della piattaforma streaming in diversi paesi, e chi l'ha visto ne capisce subito il motivo.

#El practicante non infrange soltanto gli stereotipi dei tanti infermieri, ambulanzieri e medici che "sono degli eroi" o di una giovane donna che cerca di diventare madre, ma mette anche in discussione l'amore (e i suoi limiti) in una trama tanto morbosa quanto intrigante. e24fc04721

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