Clash of the Titans is a 1981 fantasy adventure film directed by Desmond Davis and written by Beverley Cross, loosely based on the Greek myth of Perseus. Starring Harry Hamlin, Judi Bowker, Burgess Meredith, Maggie Smith and Laurence Olivier, the film features the final work of stop-motion visual effects artist Ray Harryhausen.

Co-produced between the United States and United Kingdom, it was theatrically released on June 12, 1981 and grossed $41 million at the North American box office,[6] making it the eleventh-highest grossing film of the year.[7] A novelization by Alan Dean Foster was also published in 1981. A 3D remake of the same name was released by Warner Bros. on April 2, 2010.[8][9]


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The film was the idea of writer Beverley Cross.[10] In 1978, Andor Films submitted a copy of the script to the British Board of Film Classification, seeking advice on how to secure either a "U" or an "A" certificate. The draft script included scenes that the BBFC considered would be unacceptable under those certificates, including the Kraken tearing Pegasus to pieces and Andromeda appearing naked during the climax of the film. Changes to the script and, on submission, some cuts to Perseus's final battle with Calibos were made and the film secured the "A" certificate: "Those aged 5 and older admitted, but not recommended for children under 14 years of age".[11]

Ray Harryhausen used stop-motion animation to create the various creatures in the film, including Calibos, his vulture, Pegasus, Bubo the mechanical owl, Dioskilos, Medusa, the scorpions and the Kraken. Harryhausen was also co-producer of the film, and retired from film-making shortly after it was released. Despite Bubo's similarities to the droid R2-D2 of the 1977 film Star Wars, Harryhausen claimed Bubo was created before Star Wars was released.[12] The BBFC, reviewing the film for certification in 1981, said Harryhausen's effects were well done and would give entertainment to audiences of all ages, but might appear a little "old hat" to those familiar with Star Wars and Superman.[11]

Columbia Pictures were initially set to distribute the film having made most of Harryhausen and producer Charles H. Schneer's films, but after a change of guard at the studio, they dropped the project during pre-production, saying it was too expensive. Schneer took it to Orion Pictures who insisted on Arnold Schwarzenegger playing the lead but the producer refused as the role involved too much dialogue. He then tried Metro-Goldwyn-Mayer who agreed to finance. "They loved the material, they loved the picture, and they were wonderful to us," said Schneer. "As I put the film together and the castings came up, they approved the additional castings and added that expense to the budget."[13]

Schneer deliberately sought better known actors to play the Gods to improve the film's chances at the box office. "If we had played this picture with no recognised actors it might be assumed to be what it isn't. It might suffer the fate of an Italian Western."[4] The scenes involving the Gods only took eight days. Claire Bloom said she only agreed to make it "because I was told Olivier was doing it and it only lasts a week."[4]

The film's screenwriter, Beverley Cross, was married to Maggie Smith, who played Thetis, until his death in 1998. Cross worked with producer Charles H. Schneer before, writing the screenplay for Schneer's production of Jason and the Argonauts.

Clash of the Titans was released on June 12, 1981 and grossed $6,565,347 from 1,127 theaters in its opening weekend, second behind Raiders of the Lost Ark at the U.S. box office, which was released on the same date.[14][15] By the time it finished its theatrical run, it had grossed $41 million in North America.[16] The film had a worldwide gross of over $70 million and was one of 1981's biggest hits.[5]

On review aggregator website Rotten Tomatoes, the film holds an approval rating of 64% based on 50 reviews, and an average rating of 6/10. The website's critical consensus reads, "A goofy, old-school sword-and-sandal epic, Clash of the Titans mines Greek mythology for its story and fleshes it out with Ray Harryhausen's charmingly archaic stop-motion animation techniques."[17]

Roger Ebert of the Chicago Sun-Times gave the film three and a half out of four stars and called it "a grand and glorious romantic adventure, filled with brave heroes, beautiful heroines, fearsome monsters, and awe-inspiring duels to the death. It is a lot of fun."[18] Gene Siskel of the Chicago Tribune also gave the film three and a half stars out of four and called it "a special effects spectacular that succeeds brilliantly as an old-fashioned adventure film based on the legends of Greek mythology."[19] Variety called it "an unbearable bore of a film that will probably put to sleep the few adults stuck taking the kids to it. This mythical tale of Perseus, son of Zeus, and his quest for the 'fair' Andromeda, is mired in a slew of corny dialog and an endless array of flat, outdated special effects that are both a throwback to a bad 1950's picture."[20] Vincent Canby of The New York Times wrote, "Though not very witty, the adventures are many and involve a lot of Mr. Harryhausen's specialities," though he thought the monsters were "less convincing than interesting."[21] Kevin Thomas of the Los Angeles Times stated that the film "has charm, it has imagination, but it is also too often stodgy. It is an instance of the whole not being nearly as good as its parts. However, Harryhausen's contributions do delight, and this may be more than enough for his ardent admirers and most youngsters."[22] Gary Arnold of The Washington Post wrote that Hamlin was "always a magnetic presence" but the film's appeal was "quaint and stilted."[23] Geoff Brown of The Monthly Film Bulletin wrote that the film "unfortunately fails to shake much dust off the genre ... Despite the producers' protracted labours, there's a real possibility that some audiences will be turned to stone before Medusa shows up."[24] Time stated "The real titan is Ray Harryhausen."[citation needed]

Christopher John reviewed Clash of the Titans in Ares Magazine #9 and commented that "Clash of the Titans is still one of Harryhausen's best works. It has a decent script, a fine cast, and a lot of good effects. The problem lies in the little things. If, in truth, it was to be a clash of the titans, then that is who should have been featured; it should have been either the gods' or Perseus' story, not both. The film falls between two schools... and even Harryhausen can't save it no matter how excellent his magic."[25]

The four-issue comic book miniseries Wrath of the Titans (2007), released by TidalWave Productions as part of their Ray Harryhausen Signature Series, picked up the story 5 years after the events of the film.[27]

Clash of the Titans is a 2010 action fantasy film and remake of the 1981 film of the same name produced by Metro-Goldwyn-Mayer (the rights to which had been acquired by Warner Bros. in 1996 through its purchase of Turner). The story is very loosely based on the Greek myth of Perseus.[2][3][4] An Australian-American production directed by Louis Leterrier from a screenplay by Travis Beacham, Phil Hay, and Matt Manfredi, starring Sam Worthington, Gemma Arterton, Mads Mikkelsen, Alexa Davalos, Ralph Fiennes, and Liam Neeson, the film was originally set for standard release on March 26, 2010.[3][4] However, it was later announced that the film would be converted to 3D and was released on April 2, 2010.[5][6]

Clash of the Titans grossed $493 million worldwide, though it received generally negative reviews from critics and received two Golden Raspberry Awards nominations. The film's success led to a sequel, Wrath of the Titans, released in March 2012.

Pete Postlethwaite and Elizabeth McGovern appear in the opening scenes of the film as Spyro and Marmara, who find the infant Perseus and become his adoptive parents. Both characters do not appear in classical Greek mythology, where Perseus was instead raised by his mother Danae, who did not die during their voyage in the coffin. Vincent Regan and Polly Walker play King Kepheus and Queen Cassiopeia, the arrogant rulers of Argos and parents of Andromeda. In the original myths, Cepheus and Cassiopeia are king and queen of Aethiopia instead.

Louis Leterrier, during an interview, revealed that he is a big fan of Masami Kurumada's Saint Seiya manga (also known as Knights of the Zodiac) and its anime adaptation. He specifically cited the armor that the Gods wear in his film remake as a sign of homage and respect to Saint Seiya. Masami Kurumada, the author of Saint Seiya, was even asked to collaborate with the production team on poster designs.[18]

According to actress Emma Thompson, she almost made an accidental uncredited cameo in the film while visiting her friend Liam Neeson on the set. Thompson, who had been filming Nanny McPhee and the Big Bang in an adjacent studio, went to visit Neeson during a break, just as Neeson was about to shoot a scene with Ralph Fiennes and Danny Huston. Unable to exit the set fast enough as the cameras began to roll, Thompson, in her clumsy Nanny McPhee costume, had to hide behind Huston's throne during the take so she would not be picked up by the cameras.[20]

For the 2D to 3D conversion, Leterrier approached the studio early on about a 3D conversion, but it was expensive and very new technology.[21] After Avatar, the studio put pressure on Leterrier to convert the film. He was worried because of his previous concerns but was convinced after seeing the View-D conversion process.[22] Leterrier considered the 3D conversion to improve the viewing experience, and states that it should not be seen as a gimmick.[21] In 2013, Leterrier called the 3D conversion "famously rushed and famously horrible" and "a gimmick to steal money from the audience".[23] ff782bc1db

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