Download Film Bad Boy Vs Crazy Girl Full Movie

Production began with Busby Berkeley as director, but he was soon replaced by Norman Taurog. The film used all six songs from the original stage musical, plus another Gershwin song, "Fascinating Rhythm".[3][4]

Dan Churchill, Jr., a young playboy, is a headache for his concerned tycoon father. In hopes that isolation from girls will help Junior concentrate on his studies, Churchill senior takes Danny out of Yale University and packs him off to the all-male Cody College of Mines and Agriculture somewhere deep in the saguaroed American West.

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Choreography for the musical numbers is by Jack Donahue, with Charles Walters responsible for "Embraceable You".[1] An additional production number, "Bronco Busters", which was sung by Garland, Rooney and Nancy Walker, was cut from the film.[1]

Production began in early January 1943 with Busby Berkeley as director. Berkeley had previously directed Rooney and Garland in Babes in Arms (1939), Strike Up the Band (1940) and Babes on Broadway (1941), their biggest hits together, but he was fired for a number of reasons. He and Edens conflicted over Berkeley's staging of I Got Rhythm, with Edens complaining later about Berkeley's "big ensembles and trick cameras [...] with people cracking whips and guns and cannons going off all over my arrangements and Judy's voice". M-G-M was also not happy with the amount of money Berkeley spent on the elaborate production number. The final straw may have been conflicts with Garland, who bridled under Berkeley's demanding style of direction. "I used to feel as if he had a big black bull whip and he was lashing me with it", she wrote. "Sometimes I used to think I couldn't live through the day".[4] "I Got Rhythm" was to be Berkeley's only major contribution to the final film.[6][1]

Norman Taurog took over for Berkeley in early February.[1] His calmer style of direction contrasted sharply with Berkeley's. Film historian Frank N. Magill wrote that Taurog's work "reflected the beginnings of a new style in film musicals", in which the musical numbers were used for the development of the film's characters.[4]

The DVD was released as part of The Mickey Rooney & Judy Garland Collection on September 25, 2007. A fifth bonus disc includes one number ("I Got Rhythm") in stereo, although stereo tracks exist for all the film's musical numbers. MGM technicians transferred the original multi-channel optical film tracks to 1/4" audiotape when ordered to destroy all the elements in the early 1950s; these surviving tracks were released on a stereo CD in 1995.

The 1943 film was the second adaptation of the stage musical. The earlier, also called Girl Crazy, was released by RKO in 1932, and starred Bert Wheeler, Robert Woolsey and Dorothy Lee. Another version, with Connie Francis and Herman's Hermits, was released by MGM in 1965 as When the Boys Meet the Girls.

I'm looking for films with strong female lead going crazy or getting more disturbed as the film progresses. I've already thought of midsommar hereditary, and the witch which are obvious at this point.

This is the story of Audrey (Ashley Park) and Lolo (Sherry Cola), two best friends who struck up a relationship because they were the only two Asian American girls in their elementary school. Audrey grows up to become a lawyer when the main story gets going.

Hollywood long ago latched on to the idea that a crazy woman is a good plot piece for a thriller. That's not to say all women are crazy; many are in fact quite nice! It does however make for an interesting counterpoint to the legions of male centric slashers we have running out there.

Despite her off screen antics, Madonna's character Rebecca Carlson had many signs of insanity. 1. They suspected her of choking her boyfriend to death during sex. 2. She wanted to have sex with Willem Dafoe. 3. Hot wax during crazy sex!

When I think 'crazy sex fiend', I always turn to Drew Barrymore in "Poison Ivy". Quite possibly a favorite of every teen boy that grew up in the early nineties and most of them are probably like me; I still have no clue what the movie was about. It was good though!

I'll just say it up front; I never saw this crap. I can include it in this list cause I'm positive none of you went to see this crap either! The trailer showed a lot of crazy Ali Larter though, so that has to count for something...right?

Falling in love with the sounds of his own voice, Casey can be found co-hosting the Bloody Good Horror Podcast, the spinoff Instomatic Podcast as well as the 1951 Down Place Podcast dedicated to Hammer Horror. Casey loves horror films of every budget and lives by his battle cry of 'I watch crap, so you don't have to.'

I loved all the sections that featured the dancers. Anyone expecting to see vacuous, oversexed airheads who simply sashay up and down will quickly realise their mistake. The girls appear grounded, thoughtful, disciplined and mindblowingly agile; they meet the strenuous demands of their job with humour and dedication. It is also interesting and pleasing to see them treated with respect and equality by Decoufl and other members of the team. He engages and involves them in open, frank conversation, and Fifi Chachnil takes the time to explain her changes and decisions to a dancer during a fitting.

I also felt that some of the close up filming of certain acts was a little too prolonged; I found myself wanting the camera to pan back out so that I could see the overall visual effect and choreography, but again, this is just personal preference.

The film is well worth seeing, and I will definitely purchase the film on DVD when it becomes available, to add to my collection of Crazy Horse footage (I will shortly receive more information about DVD release, which I will share with you.) It is an intriguing world to explore, and every aspect of it is considered at some point in the film. There is much that many of us, as performers, can appreciate and find familiar, and much more that is unique to Crazy Horse that we can admire and take interest in. If you are discovering Crazy for the first time, it provides an intimate introduction to a fascinating world, and for those of us who are already fans, it allows us to explore and discover even more, from new angles and perspectives, and remind ourselves why we love it.

Producer: Arthur Freed

Director: Norman Taurog

Screenplay: Fred F. Finklehoffe, Dorothy Kingsley, William Ludwig, Sid Silvers, from play by Guy Bolton and Jack McGowan

Art Direction: Cedric Gibbons

Cinematography: William H. Daniels, Robert H. Planck

Costume Design: Irene Sharaff

Editing: Albert Akst

Original Music: George and Ira Gershwin

Choreographer: Busby Berkeley

Principal Cast: Mickey Rooney (Danny Churchill Jr.), Judy Garland (Ginger Gray), Gil Stratton (Bud Livermore), Robert E. Strickland (Henry Lathrop), Rags Ragland (Rags), June Allyson (Specialty Solo), Nancy Walker (Polly Williams), Tommy Dorsey (Himself).

BW-99m. Closed captioning.

by Roger Fristoe Girl Crazy (1943) Two sensational bundles of pure talent, Mickey Rooney and Judy Garland formed a perfect screen team with their engaging personalities, abundant energy and obvious devotion to each other. Fast friends for most of their lives, the pair became one of America's most-loved screen couples in a series of "Let's-put-on-a-show" musicals for MGM. Girl Crazy (1943) is the ninth of 10 movies in which both Rooney and Garland appear, and the last in which they were co-starred. (A final film appearance together was as guest stars in 1948's Words and Music.)Originally a George and Ira Gershwin stage hit, Girl Crazy had been filmed by RKO in 1932, starring Bert Wheeler and Robert Woolsey in a version that put the emphasis on comedy and gave short shrift to the show's wonderful songs. MGM bought the property in 1939 and considered using it as a follow-up vehicle for Fred Astaire and Eleanor Powell after Broadway Melody of 1940 (1940). But music supervisor and Garland mentor Roger Edens had other plans, convincing his reluctant star (who was impatient to move on to adult roles) that this was a perfect vehicle for one more re-teaming of her and Mickey as rambunctious teens. Girl Crazy casts Rooney as an irresponsible young playboy who's sent to a Western mining school where Garland, as the dean's daughter, helps straighten him out. Together they save the financially strapped college by staging a rodeo/beauty contest/musical extravaganza. Garland's character, called Ginger Gray, was played onstage by Ginger Rogers.The Mickey-Judy version of Girl Crazy, produced by MGM's prestigious Arthur Freed unit, restores the show's entire score and adds "Fascinatin' Rhythm" from another Gershwin musical, Lady Be Good. Rooney and Garland are at their irrepressible best on "Could You Use Me?" and "I Got Rhythm," while Garland solos (or sings with the chorus) on "Bidin' My Time," "Embraceable You" and a heart-rending "But Not For Me." June Allyson, then at the beginning of her MGM career, energetically partners Rooney on "Treat Me Rough." Rooney, quite impressively, plays piano with the Tommy Dorsey Orchestra during "Fascinatin' Rhythm."Busby Berkeley, who had previously directed Rooney and Garland in their biggest co-starring hits, Babes in Arms (1939), Strike Up the Band (1940) and Babes on Broadway (1941), also was signed to direct Girl Crazy. But he was removed from the film after staging only one number, a typically elaborate finale built around "I Got Rhythm." Berkeley clashed over staging ideas with Edens, who complained of the director's "big ensembles and trick cameras... with people cracking whips and guns and cannons going off all over my arrangements and Judy's voice." Garland also had grown resentful of Berkeley's demanding ways and would later say, "I used to feel as if he had a big black bull whip and he was lashing me with it. Sometimes I used to think I couldn't live through the day."Happily, the director brought in as Berkeley's replacement, Norman Taurog, had a calmer approach that allowed more attention to be focused on the talent at hand and less on frenetic production numbers. Film historian Frank N. Magill has written that "Taurog's direction and staging of the musical numbers" in Girl Crazy "reflected the beginnings of a new style in film musicals." This new, "integrated" approach allowed the songs and dances to express character development. The performing room given Rooney and Garland was reflected in the reviews, including Theodore Strauss's comment in The New York Times that "the immortal Mickey... is an entertainer to his fingertips. And with Judy, who sings and acts like an earthbound angel, to temper his brashness, well, they can do almost anything they wish, and we'll like it even in spite of ourselves." Producer: Arthur Freed Director: Norman Taurog Screenplay: Fred F. Finklehoffe, Dorothy Kingsley, William Ludwig, Sid Silvers, from play by Guy Bolton and Jack McGowanArt Direction: Cedric Gibbons Cinematography: William H. Daniels, Robert H. Planck Costume Design: Irene Sharaff Editing: Albert Akst Original Music: George and Ira GershwinChoreographer: Busby Berkeley Principal Cast: Mickey Rooney (Danny Churchill Jr.), Judy Garland (Ginger Gray), Gil Stratton (Bud Livermore), Robert E. Strickland (Henry Lathrop), Rags Ragland (Rags), June Allyson (Specialty Solo), Nancy Walker (Polly Williams), Tommy Dorsey (Himself).BW-99m. Closed captioning.by Roger Fristoe Quotes Trivia Notes Charles Walters' onscreen credit reads: "Dance Direction and Solo Dance with Miss Garland by Charles Walters." In addition to the above-listed numbers, excerpts from George Gershwin's Girl Crazy score are also heard, including "Broncho Busters," "Sam and Delilah," "When It's Cactus Time in Arizona," "Barbary Coast" and "Boy! What Love Has Done to Me." According to modern sources, a "Broncho Busters" production number, sung by Judy Garland, Mickey Rooney and Nancy Walker, was cut from the final film.

Rooney plays the piano with Tommy Dorsey's orchestra during the "Fascinating Rhythm" number. Although CBCS lists Sidney Miller in the role of "Ed," he did not appear in the final film. Hollywood Reporter news items add the following information about the production: In August 1939, M-G-M announced that Fred Astaire and Eleanor Powell would star in the picture. Later, Richard Quine, Virginia Weidler, Ray McDonald and Van Johnson, who was to make his singing debut, were announced as cast members. None of these actors appeared in the final film, however. Busby Berkeley began as the film's director but was replaced by Norman Taurog in early February 1943. According to a February 1, 1943 Hollywood Reporter news item, Berkeley left the production due to illness, but modern sources contend that he was fired by producer Arthur Freed because of excessive spending on the "I Got Rhythm" number. Modern sources add that Freed later claimed that Berkeley, who received an onscreen credit for his direction of the "I Got Rhythm" number, was dismissed due to a personality clash with Garland. According to Hollywood Reporter, Jack Donohue worked on the film as dance director, and Sheila Rae was his assistant. Although not credited onscreen, it is possible that Donohue and Rae worked on the film while Berkeley was directing. In mid-January 1943, Hollywood Reporter announced that dancer Jack Boyle was "helping with the dance routines," but the exact nature of his contribution has not been determined.

Girl Crazy was the last film in which Garland and Rooney, a popular M-G-M team, appeared together. Prior to being cast in the film, Garland made a best-selling recording of "Embraceable You." Showgirl Kathleen "Kay" Williams, who some years later married Clark Gable, made her screen debut in the film. Gil Stratton, a former Broadway musical player, also made his debut in the picture. In later years, Stratton worked as a television sports announcer in Los Angeles. Frances Ward and Aileen Morris were announced as cast members in December 1942, but their appearance in the final film has not been confirmed. According to Hollywood Reporter, the Leo Diamond Harmonia Band accompanied Garland and The King's Men on the "Bidin' My Time" number, but their appearance in the completed film has not been confirmed. Some scenes in the film were shot in the desert, 150 miles from Los Angeles. According to modern sources, Girl Crazy was one of the top box office films of 1943.

The Gershwins' musical was first adapted for the screen in 1932. William A. Seiter directed Bert Wheeler, Robert Woolsey and Dorothy Lee in the RKO Radio picture, also titled Girl Crazy. Norman Taurog directed retakes for the earlier film (see AFI Catalog of Feature Films, 1931-40; F3.1587). In 1965, Alvin Ganzer directed Connie Francis and Herman's Hermits in When the Boys Meet the Girls, M-G-M's second version of the musical (see AFI Catalog of Feature Films, 1961-70; F6.5521). 2351a5e196