Produced by Dave Fortman, their debut studio album, Fallen (2003), spawned the singles "Bring Me to Life", "Going Under", "My Immortal", and "Everybody's Fool". Evanescence's second studio album, The Open Door (2006), yielded the singles "Call Me When You're Sober", "Lithium", "Sweet Sacrifice", "Good Enough". Released in 2011, their self-titled third studio album was produced by Nick Raskulinecz, with the songs "What You Want", "My Heart Is Broken", and "Lost in Paradise" released as singles. Evanescence marked the first time an album was co-written as a band.[1]

In March 2014, Evanescence parted ways with record label Wind-Up Records and became an independent band. In 2017, the band released their fourth studio album, Synthesis, an orchestral and electronic re-imagining of past songs alongside two new songs,[2] "Imperfection" and "Hi-Lo". The band released their fifth studio album, The Bitter Truth, in 2021, preceded by the songs "Wasted on You", "The Game is Over", "Use My Voice", and "Better Without You".

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As famous as they are for gut-punching rock songs, Evanescence also know their way around a ballad. "Lost in Paradise," a standout from their 2011 self-titled album, draws inspiration from Lee's idol, Icelandic avant-pop maestro Bjrk, to create a swell of regal strings that accompany the singer's soaring vocal performance. It's a stunner.

This bubbling shimmer throughout Evanescence, though, also makes the title appropriate in more than one way. It's not gossamer in the slightest, songs like 'Automata' and 'Dreamspace' are hardly about to disappear in the breeze. But it puts me in mind of a term I read somewhere - a friend, a review, somewhere - about "rainy day psychedelia" being what the English can do best. The exact reference was to the late sixties/early seventies work of Pink Floyd, something inevitably understated, downbeat, created in and around rising damp (and not just the TV series). The feeling of slow downgrade and heavy sighs that swirl in songs like 'Falling', the almost romantic tangle of the guitars throughout the album - not to mention that silver rain at the start of it all - bespeak grey skies, trudges along puddle-filled streets, slickness down the sides of abandoned buildings. It's something that could be 'simply' magical in lighter moods but feels more oppressive here, yet never to the point of complete crushing - an album of internal moods matching external circumstances.

When Evanescence's debut album "Fallen" came out on March 4, 2003, I took the album everywhere with me, letting it guide me. The songs on the album dealt with "longing, sadness, solitude, anger, and pain," as Amy Lee said in a Rock Sound interview. For me, "Going Under" spoke to the shame of swallowing the life others forced me into.

The media did not know what to do with a woman who played piano in rock music. Radio stations wouldn't play Evanescence until fans like me wrote or called local radio stations and demanded to hear them. The band's record label tried to force a man to rap in the band full-time, and when Amy refused, the label sent the band home, but agreed to reinstate their contract if a man could rap on "Bring Me to Life." When co-founder Ben Moody left the band mid-tour, the record label tried to bring in men to write songs for the band and to guide Amy since a woman couldn't lead a successful rock band. "I had to fight for everything I wanted and got treated like a child," Amy Lee said in an interview for MetalHammer. "All anybody saw me was a girl in front of a band; a girl with some man behind her doing all the work."

Then in 2021, the band released "The Bitter Truth." The album had a clear message about resisting, creating together, finding solidarity in being different, in standing up for the right to exist. "I'm not gonna worry and change what I believe or who I am because somebody might misunderstand," Amy Lee said in an interview with NME. I became more determined to represent my life against the forces that want to silence transgender voices. I wrote a book that features Evanescence, the online community I found because of them, and that young version of me who knew the person she wanted to be, the person I am still trying to become. I knew how to open myself emotionally and find the courage to write her story because I had a blueprint. And it all started in the mall theater, with two songs on the soundtrack of a terrible superhero movie that led me to a space and a fan community that helped me find and use my trans voice.

List of the best Evanescence songs, ranked by fans like you. The Grammy Award winning band took goth rock into the mainstream with their powerful tracks. Just like Paramore, Evanescence features a female lead singer. They are famous for "Bring Me To Life" and "My Immortal," but which is your favorite?

Maybe it's just me and my weirdness, but I spent the better part of sixth grade (badly) singing along to Evanescence's debut album, Fallen. I knew all the words to all the songs and had no idea what any of the lyrics actually meant because yo, I was 11, give me a break.

It's been over a decade since that classic album dropped in 2003 and with the band now ~reuniting~, it's time to revisit the songs that had us doodling on our Chuck Taylors and worshipping Amy Lee's haunting vocals. I'm internally sobbing right now because they aren't hitting up the east coast. If they were, I'd drop everything immediately and get my ass to that show, because I never got the chance to see them perform. ?

In the meantime, I'm making due by ranking Fallen's songs by how much they bring you to life -- that is, how much they make you want to get out of your seat and jam out -- and listening to the album on repeat. Now it's your turn...

It's time for another mailbag episode, as Kirk takes on questions about Evanescence piano, Kelis bells, and counting in songs by Phish, Vessels, Ten Years After, and Kishi Bashi. All that, and a friendly dispute about a Taylor Swift song.

Evanescence are in the midst of celebrating the 20th anniversary of their chart-smashing debut album Fallen, and frontwoman/band leader Amy Lee has revealed one of the songs from the record that she has slightly mixed feelings on.

Evanescence filled a niche few knew existed: the need for operatic goth pop, soul-baring introspection paired with churning metallic guitars. Singer/pianist Amy Lee cut such a figure fronting the group that it was easy to not think of Evanescence as a band, but rather a support group for her songs. After some lineup shifts, however, including the departure of founding member Ben Moody, the band consolidated and remained one of the most popular post-alternative American bands of the 2000s. 0852c4b9a8

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