John's mother, though strict with her son, was more vivacious than her husband, and something of a free spirit. With Stanley Dwight uninterested in his son and often absent, John was raised primarily by his mother and maternal grandmother. When his father was home, the Dwights had vehement arguments that greatly distressed John.[39] When he was 14, they divorced. His mother then married a local painter, Fred Farebrother, a caring and supportive stepfather whom John affectionately called "Derf" ("Fred" backwards).[39] They moved into flat No. 3A in an eight-unit apartment building called Frome Court, not far from both previous homes. There John wrote the songs that launched his career as a rock star; he lived there until he had four albums simultaneously in the American Top 40.[44]

At age 15, with his mother's and stepfather's help, John was hired as a pianist at a nearby pub, the Northwood Hills Hotel, playing Thursday to Sunday nights.[45][46] Known simply as "Reggie", he played a range of popular standards, including songs by Jim Reeves and Ray Charles, as well as his own songs.[47][48] A stint with a short-lived group called the Corvettes rounded out his time.[39] Although normal-sighted as a teenager, John began wearing horn-rimmed glasses to imitate Buddy Holly.[49][50]


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The team of John and Taupin joined Dick James's DJM Records as staff songwriters in 1968, and over the next two years wrote material for various artists, among them Roger Cook and Lulu.[55] Taupin would write a batch of lyrics in under an hour and give it to John, who would write music for them in half an hour, disposing of the lyrics if he could not come up with anything quickly.[55] For two years they wrote easy-listening tunes for James to peddle to singers. Their early output included a contender for the UK entry for the Eurovision Song Contest 1969, for Lulu, called "I Can't Go On (Living Without You)". It came sixth of six songs. In 1969, John provided piano for Roger Hodgson on his first released single, "Mr. Boyd" by Argosy, a quartet that was completed by Caleb Quaye and Nigel Olsson.[56][57]

On the advice of music publisher Steve Brown, John and Taupin began writing more complex songs for John to record for DJM. The first was the single "I've Been Loving You" (1968), produced by Caleb Quaye, Bluesology's former guitarist. In 1969, with Quaye, drummer Roger Pope, and bassist Tony Murray, John recorded another single, "Lady Samantha", and an album, Empty Sky. For their follow-up album, Elton John, John and Taupin enlisted Gus Dudgeon as producer and Paul Buckmaster as musical arranger. Elton John was released in April 1970 on DJM Records/Pye Records in the UK and Uni Records in the US, and established the formula for subsequent albums: gospel-chorded rockers and poignant ballads. The album's first single, "Border Song", peaked at 92 on the Billboard Hot 100. The second, "Your Song", reached number seven in the UK Singles Chart and number eight in the US, becoming John's first hit single as a singer.[58] The album soon became his first hit album, reaching number four on the US Billboard 200 and number five on the UK Albums Chart.[58][59]

John and Taupin wrote the soundtrack to the 1971 film Friends and the album Madman Across the Water, which reached number eight in the US and included the hit songs "Levon" and the album's opening track, "Tiny Dancer". In 1972, Davey Johnstone joined the Elton John Band on guitar and backing vocals. Released in 1972, Honky Chteau became John's first US number one album, spending five weeks at the top of the Billboard 200, and began a streak of seven consecutive US number-one albums.[62] The album reached number two in the UK, and spawned the hit singles "Rocket Man" and "Honky Cat".[63]

A disco-influenced album, Victim of Love, was poorly received. In 1979, John and Taupin reunited, though they did not collaborate on a full album until 1983's Too Low For Zero. 21 at 33, released the following year, was a significant career boost, aided by his biggest hit in four years, "Little Jeannie" (number 3 US), with the lyrics by Gary Osborne.[90] In May 1979, John played eight concerts in the Soviet Union; four dates in Leningrad (now Saint Petersburg) and four in Moscow.[91] At the same time, John collaborated with the French couple France Gall and Michel Berger on the songs "Donner pour donner" and "Les Aveux", released together in 1980 as a single.[92]

Along with Tim Rice, John wrote the songs for the 1994 Disney animated film The Lion King. At the 67th Academy Awards, three of the five nominees for the Academy Award for Best Original Song were from The Lion King soundtrack. John won the award for "Can You Feel the Love Tonight".[115] Both that and "Circle of Life" became hits.[116][117] "Can You Feel the Love Tonight" also won the Grammy Award for Best Male Pop Vocal Performance at the 37th Annual Grammy Awards.[118] The soundtrack for The Lion King remained at the top of the Billboard 200 for nine weeks. On 10 November 1999, the RIAA certified The Lion King "Diamond" for selling 15 million copies.[119]

On 15 September 1997, John appeared at the Music for Montserrat charity concert at the Royal Albert Hall, performing three songs solo ("Your Song", "Don't Let the Sun Go Down on Me" and "Live Like Horses") before finishing with "Hey Jude" alongside Paul McCartney, Eric Clapton, Phil Collins, Mark Knopfler and Sting.[131] Two months later he performed on the BBC's Children in Need charity single "Perfect Day", which reached number one in the UK.[132] John appeared as himself in the Spice Girls film Spice World, released in December 1997.[133]

John performed a piano duet with Lady Gaga at the 52nd Annual Grammy Awards, which consisted of two songs of Gaga's, before culminating in "Your Song".[162] On 17 June, and 17 years to the day after his previous performance in Israel, he performed at the Ramat Gan Stadium; this was significant because of other then-recent cancellations by other performers in the fallout surrounding an Israeli raid on Gaza Flotilla the month before. In his introduction to that concert, John said that he and other musicians should not "cherry-pick our conscience", in reference to Elvis Costello, who was to have performed in Israel two weeks after John did but cancelled in the wake of the aforementioned raid, citing his conscience.[163][164]

John has written with Bernie Taupin since 1967, when he answered an advertisement for talent placed in the popular UK music publication New Musical Express by Liberty Records A&R man Ray Williams.[52] The pair have collaborated on more than 30 albums to date.[327] Their method involves Taupin writing the lyrics on his own and sending them to John, who then writes music for them before recording the songs; the two are never in the same room during the process.[328] In November 2017, John said of their 50-year partnership:

We've never ever had an argument professionally or personally, which is extraordinary because most songwriters sometimes split up because they get jealous of each other. And it's exciting because it's never changed from the first day we wrote songs. I still write the song when he's not there and then I go and play it to him. So the excitement is still the same as it was from day one and that's kept it fresh and it's kept it exciting.[329]

After the highly ambitious Madman Across the Water in 1971, Elton decided to strip things back for the foll0w-up, Honky Chateau. The strings are mostly gone in favor of his core touring band. "Mona Lisas and Mad Hatters" wasn't a single, but over the years it's become one of his most beloved songs. Elton has frequently cited it as one of his own favorites. Bernie wrote the song as a loving tribute to New York City, and Elton performed a beautiful rendition of it at the Concert for New York a few weeks after 9/11. In 1988 Elton released a sequel entitled "Mona Lisas and Mad Hatters (Part Two.)" To put it mildly, it doesn't match up to the original.

There aren't a lot of Elton John songs that seamlessly fit into Dream Theater's set list, but "Funeral for a Friend/Love Lies Bleeding" is one. The song (or rather the pair of songs) run for over 11 minutes as the kick-off to Goodbye Yellow Brick Road. "Funeral for a Friend" is an instrumental Elton wrote when he tried to imagine what he'd like to hear at his funeral. It fit nicely into "Love Lies Bleeding," so the two songs were combined into one grand suite. It's one of his best live songs, and it's been played at countless concerts even though it was never a single. Axl Rose is also a huge fan, and its influence on Use Your Illusion songs like "November Rain" is crystal clear.

Some of Elton John's songs are shown in Rocketman as full on musical numbers, while others are merely short bursts of a few bars. But all the Elton John songs are instantly recognizable and enjoyable. Here's a list of all the songs included in the Rocketman soundtrack, whether they're full numbers or little clips:

Elton John is known and loved for his captivating blend of rock, pop, and slow, sad songs. He's arguably one of the biggest music icons of the 20th century and continues to build on his popularity with the younger generations.

Whether it's in a private karaoke room or living room, we're here to help you prepare for your next Elton John karaoke night. We created a list of the top Elton John karaoke songs. These choices were selected based on global data of Singa singers.

It may surprise you that Elton John once released over four different albums in a year. The albums were released between 1970 to 1971 and featured one of his all-time best songs, Tiny Dancer. If you're ready to take the stage and steal the crowd's hearts with an Elton John classic, this is the tune for you.

Whether you're hosting an Elton John-themed party or obsessed with his music, you've come to the right place. At Singa, we offer an extensive library of Elton John singles and other hits. Our user-friendly platform makes it easy to sing along to your favorite songs and to find what you want to sing. 006ab0faaa

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