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Is it Barresi's mic technique? Is it Dave Fridmann's producing? Jack Joseph Puig's mixing? Is it a Pultec eq and heavy-handed compression? Serious question though, how do I get as close to this sound as possible?

UPDATE: Found this. Dave Fridmann speaks specifically on 'Tired of Sex' as the last question at 1:40. It's a fairly relaxed response, he doesn't remember the recording, sounds as though JJP really leant into it when mixing. I think it's a golden combination of Barresi, Fridmann and JJP.

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Also called a bass drum, an acoustic kick is struck by a pedal with a beater attached, and is played by the drummer's foot. Electronic versions of this sound are sometimes made to sustain much longer than the relatively short sound produced by a physical drum.

A snare drum is struck with a drum stick, and produces a short, bright sound. A set of wires (called snares) is stretched across a drum head at the bottom of the drum. The vibration of the bottom drum head against the snares produces the drum's characteristic "cracking" tone.

These are two different sounds created by an instrument called the hihat. Hihats are a pair of small cymbals mounted on a stand. The top cymbal is attached to a rod that is raised and lowered with a foot pedal. Hihats are "closed" when the drummer's foot is down, which presses the cymbals together. They are "open" when the drummer's foot is raised and the cymbals are not touching. On an acoustic drumset, there is a huge range of states in between the open and closed position, and each state creates a different type of sound.

If you play a closed hihat while an open hihat sound is still being heard, the closed sound will "win," and stop the open sound immediately. This matches the way hihats behave in the real world; the hihat can't be open and closed at the same time. Hihats work this way throughout these lessons.

My Mac randomly plays a repeating drum sound...as if a key is held down in error.....It comes on when the machine is not in use - or even sleeping. If I unplug the keyborad, it stops, but will come back again later. I've taken to shutting the machine down altogether to avoid. Could this be a virus? Any ideas/things that I sould do to investigate?

Having exact same problem as the OP. Definitely sounds like the keyboard error sound. Cannot discover any rhyme or reason to what starts it- It'll happen with no programs open, but sound will stop when I close a program or a webpage, and sometime noise will re-occur very soon, or later on. Tried the keyboard viewer suggestion: no keys were indicated. Also tried deselecting the Sound Effects: it had no effect. Thanks for any help or insight.

right now, i have a pearl set (i don't know what series or anything like that) with an average size bass drum. i find that it sounds too crappy, like it doesnt sound very bassy. the resonant head doesnt have a hole in it, and inside is an average size cotton pillow. can anyone give me pointers on how to make my bass drum sound better?

"sounds too crappy" This made me laugh, so thanx for that. How old are the heads? If you bought it used or you've had it for a long time, I'd at least change the batter head. I've been very happy with my choice of Evans EQ2 batter head and EQ1 resonant head. Deep punchy sound is what I get when I tune the batter head just past the wrinkle point and the res head a bit higher than that. And it doesn't even come close to sounding "too crappy".

I use Evans EQ1 on batter and Coated Ambassador reso (actually, I just like white bass drum heads). 5" offset port on the resonant head. Tune the batter past wrinkles, maybe a 1/4 or 1/2 turn. Resonant head 3 or 4 pitches above that. No muffling, just a great, punchy kick.

What I've learned is being patient is key when tuning any drum. Make turns in very small increments, even 1/8 or 1/16 turns, and the sound changes sometimes dramatically. So, take your time, it make take an hour or more to get your kick to sound right.

Put out the cotton pillow, tune the heads very low. Both heads with the same tension. For a real bassy sound you should use a resonant head WITHOUT a basshole. So that's good. If your bass drum gives to much overtones buy a mufflering. This is the best way to damp a bassdrum withhout losing bassresponse.

This way a 20x16" bass sound very low too. I recorded mine, calculated bassdrum frequency was around 60Hz. You don't need a double plied head, with a single plied head you can get a lot of pure boomy bass sound as well. Doens't make really much difference.

An even more simple way is buying a bassdrum head with a dampening ring inside it. I bought an Evans EQ3 for my bassdrum, EQ3's have these rings. Now I don't use anything in or on my bassdrum. What do I get, the deepest basssound possible with this bassdrum.

i second what agogobill said! pwerstroke 3, with the falam patch or really any impact pad, no pillow or just maybe a remo Muff'l ring or SMALL pillow, with a solid resonant head. Tuned both heads as tight as possible without losing the deepness and low sound. possibly, have a relatively loose batter with a relatively tight resonant. with no muffling you will have an instand SUPER BASS DRUM. too much sound for me personally. I use the powerstroke/remo muff'l/ebony 8" hole combo, and powerstroke/muffl/big pillow/thick resonant head combo. personally i like the closed BD more... better thump.

I use a REMO PowerStrokeIII batter head with a patch, wooden beater, and a REMO FiberSkyn3 resonant head with no hole in it....there is no muffling on the inside of the drum, which is a 22" Slingerland....I took the mounted tom OFF of the bass drum too.....

this type of head/tuning will give you a room filling, deep, long sustaining bass drum sound.... when you play live you'll have to use a GATE on the kick mic(usually standard practice anyways)..but it'll sound HUGE thru the PA....

sure you could have looser heads, but why not keep them tighter without loosing low end sound? then you will have better beater bounce and BD response, making for faster double BD pedal rolls and tricks. it seems to be a bit better and more powerful when the head is not loose. if it is too tight that is bad, but just a tad tight, just slightly tighter than the edge of "loose" whatever... it makes my room shake. i put a pillow in there, i tune the batter head higher, and i get great bounce, great thump, great EQ. A loud BD really cuts thru total isolation headphones... so quieter is better.

Both of you are right, in the bass pedal and MS box ideas, that basically I guess I'm looking for is a way to play a MIDI note (presumably a Note On on depression and a Note Off on release) by tapping my foot, where that note is a bass drum sound (so I somehow need to specify the Note number and its MIDI channel). I also had the thought of using a footswitch to start a sequence which consists of nothing but a bass drum hit, but I don't know whether I can keep "restarting" that sequence without also "stopping" it first, whether that would work if the sequence was so short that it would end after one note anyway? Somehow using a foot controller to trigger a sample in my iPad could work too, if anything supports that.

I have compared the sounds I get from firing off the same patch by pressing a key with my finger on a normal MIDI keyboard, with what I get from pressing my foot on a key of the PK5a. I am playing the sax and standing at the same time, so there is no subtlety in how my foot presses the key on my PK5a - the MIDI velocity is very high - sledgehammer is about right.

Though as for others sounding like crap, I saw a show where the guy played a Porchboard, it sounded great. Though this was a pro setup through a great sound system run by a professional sound guy, too.

Many years ago I was producing a CD for a guitarist who wanted to record real drums on one track, only my studio was a small bedroom that couldn't accomodate an actual drum set. There was no budget for a real studio.

I had the original Roland Octapad (Pad-8), which had trigger inputs. At Radio Shack I bought a little piezo transducer (similar to the one in the pic below, which sells for $1.49 at DigiKey), soldered the connectors onto a 1/4" guitar cable and plugged it into the Octapad. The drummer came over with a snare, hi-hat and cymbal, and his kick drum pedal. We placed the pedal against an old Calzone road case. I used artist's putty to stick the piezo element to it, and fed the midi from the Octapad into my Akai S900 sampler (I did say many years ago!) loaded with a kick drum sample. The Octapad trigger-to-midi was decent and gave a good range of velocities depending on how hard the pedal was played.

The jingle ring sound is produced by a ...... by a ...... JINGLE RING! ;-= Something like this! I just put it on a piece of carpet and rest my left foot on it. Lifting heel or toes and softly kicking it makes it sound as you hear on my video. I record/amplify it using a Shure Beta 91 mic.

Our aim was to create the easiest virtual drum sampler with the versatility to also meet the needs of professionals. Finally we have drums with ML Sound Lab's secret sauce: capturing the sound perfectly at the source without relying on mixing or post-processing gimmicks. The end result is natural drum sounds that work great in the mix.

ML Drums is a modular drum sampler platform where the initial release comes with a free drum kit. Continue expanding the kit to your liking by purchasing add-ons. Start expanding the kit with ML Drums Essentials, ML Drums Luxe, ML Drums Meld and ML Drums Grit.

Behind the bare bones ML Drums user interface is a sampler engine that has taken four years of development. We set out to resolve some of the biggest frustrations in drum samplers - actions like setting up multi-out routing in a DAW only takes a few clicks.

One of the biggest bottle-necks for drum samplers is the lack of realism. The ML Drums engine combines as many velocity layers and samples as needed for realistic round-robin playback. The sampler features a HUMAN mode that masks velocity layers and adds realistic drummer fatigue that adjusts multiple things including velocity and micro-latency. e24fc04721