Mardin worked with artists including The Rascals, Queen, Melissa Manchester, John Prine, the Bee Gees, Hall & Oates, Anita Baker, Aretha Franklin, Dionne Warwick, Donny Hathaway, Roberta Flack, Bette Midler, Michael Crawford, Chaka Khan, Howard Jones, Laura Nyro, Ringo Starr, Carly Simon, Phil Collins, Daniel Rodriguez, and Norah Jones.[2] Mardin was awarded eleven Grammy Awards and has eighteen nominations.[3]

Mardin was born in Istanbul into a renowned family that included statesmen, diplomats and leaders in the civic, military and business sectors of the Ottoman Empire and the Turkish Republic. His father was co-owner in a petroleum gas station chain.

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Mardin grew up listening to the likes of Bing Crosby and Glenn Miller. Through his sister he met jazz critic Cuneyt Sermet, who turned him onto this music and eventually became his mentor. After graduating from Istanbul University in Economics and Commerce, Mardin studied at the London School of Economics. Influenced by his sister's music records and jazz, he was also an accomplished orchestrator and arranger, but he never intended to pursue a career in music.

However, his fate changed in 1956 after meeting the American jazz musicians Dizzy Gillespie and Quincy Jones at a concert in Ankara. He sent three demo compositions to his friend Tahir Sur who worked at a radio station in America. Sur took these compositions to Quincy Jones and Mardin became the first recipient of the Quincy Jones Scholarship at the Berklee College of Music in Boston. In 1958 he and his fianc Latife moved from Istanbul to Boston. After graduating in 1961, he taught at Berklee for one year and then moved to New York City to try his luck. Arif Mardin was later made a trustee of Berklee and was awarded an honorary doctorate.

Mardin began his career at Atlantic Records in 1963 as an assistant to Nesuhi Ertegn.[4] A fellow Turkish migr, Nesuhi was the brother of Ahmet Ertegn, Atlantic's co-founder and a jazz enthusiast when they met at the Newport Jazz Festival. Mardin rose through the ranks quickly, becoming studio manager, label house producer and arranger. In 1969, he became the Vice President and later served as Senior Vice President until 2001. He worked closely on many projects with co-founders Ertegn and Jerry Wexler, as well as noted recording engineer Tom Dowd; the three legends (Dowd, Mardin, and Wexler) were responsible for establishing the "Atlantic Sound". Arif Mardin retired from Atlantic Records in May 2001 and re-activated his label Manhattan Records. He maintained ties to the Turkish music industry.[5]

He produced many hit artists including Margie Joseph, Thereza Bazar, The Rascals, Carly Simon, Petula Clark, Bette Midler, Barbra Streisand, the Bee Gees, Diana Ross, Queen, Patti LaBelle, Aretha Franklin, Lulu, Anita Baker, Judy Collins, Phil Collins, Scritti Politti, Culture Club, Roberta Flack, Average White Band, Hall & Oates, Donny Hathaway, Jeffrey Osborne, Norah Jones, Daniel Rodriguez, Chaka Khan, George Benson, Melissa Manchester, The Manhattan Transfer, Modern Jazz Quartet, Willie Nelson, John Prine, Leo Sayer, Dusty Springfield, David Bowie, Jewel and Ringo Starr.[6]

Arif Mardin, when producing the Bee Gees' 1975 Main Course album track "Nights on Broadway" discovered the distinctive falsetto of Barry Gibb, which became a familiar trademark of the band throughout the disco era.

In his career of more than 40 years, he collected over 40 gold and platinum albums, over 15 Grammy nominations and 12 Grammy Awards. In 1990, Arif Mardin was inducted into the National Academy of Recording Arts and Sciences Hall of Fame.[9]

Mardin considered All My Friends Are Here his life's work. He wrote or co-wrote all but one of the 13 tracks. The album features performances by Bette Midler, Chaka Khan, David Sanborn, Norah Jones, Carly Simon, Phil Collins, among the artists whom he produced over the years.[10][11] Recording sessions and interviews were filmed for the companion documentary The Greatest Ears in Town: The Arif Mardin Story.

His son, Joe, created a documentary about his father called The Greatest Ears in Town: The Arif Mardin Story which was released on June 15, 2010. The documentary was directed by Doug Biro. It was premiered at several screenings at different chapters of The Recording Academy. The first screening took place in New York on June 15, 2010.

Ahmet Ertegun, Founder of Atlantic Records and former Chairman of The American Turkish Society remarked "Arif Mardin has been one of the most prolific board members of The American Turkish Society and a great friend. We are deeply grateful for his service."[17]

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Arief is an accomplished pop musician from Indonesia who is well-known for his entrancing Asian pop songs. His music is a tasteful fusion of modern pop and traditional Asian music, giving it a distinctive and unmistakable sound. The energetic music of Arief features memorable beats and lyrics that will stick in your head. 

Arief is a rising sensation in the Asian pop scene thanks to his strong vocals and charismatic stage presence. He naturally connects with his listeners and uses music to express his emotions. Arief's music offers an experience that is upbeat and inspirational in addition to being pure entertainment. Every note he sings reflects his love of music, and his commitment to his art is genuinely admirable. 

Arief has succeeded in staying true to his roots while still pushing the envelope in a world where music is continuously changing. He is a gifted musician with a promising future in the Asian pop music industry. Look no further than Arief if you want a new and intriguing sound.

The Indonesian and Asian pop musician Arief has a lot of songs that have become increasingly successful with his followers. "Emas Hantaran," one of his most well-known songs, is renowned for its infectious beats and distinctive lyrics. Another song that has drawn a lot of attention is "Luka Sekerat Rasa," which demonstrates Arief's vocal range and capacity to arouse strong feelings in his listeners.

Arief has more well-known songs that fans adore besides these two tunes. Heartfelt ballad "Hanya Insan Biasa" demonstrates Arief's capacity to relate to his audience on a human level. Another song by Arief that demonstrates his songwriting prowess and capacity for catchy melody is "Cinta Kau Tukar Luka". The song "Nuriladi Arjasama" is more upbeat and ideal for dancing on a night out. Last but not least, the original song "Ederlepsy" fuses electronic and pop elements.

In general, lovers of Pop and Asian Pop music have grown very fond of Arief's songs. He has developed a devoted fanbase because to his ability to produce melodic beats and lyrics that stick in the mind. Arief is certain to continue creating music that connects with his listeners now that he has a handful of well-known songs under his belt.

With his most recent albums, Indonesian Pop and Asian Pop musician Arief has been making waves in the music business. His most recent album, "Aku ingin Bahagia (Remix) (2022)", features his recognizable brand of peppy and catchy music. The album includes a variety of original and remixed songs that are appropriate for any celebration or dance floor. Fans of Arief won't be let down by this most recent album, which is evidence of his artistic development.

Arief has released numerous singles that have been remastered in 2023 in addition to his most recent album. "I Can't Help My Self," "Over Thinking," "Life Is Drama," and "Romantic Seoul" are a few of these. Each song displays Arief's range as an artist, moving from peppy and vibrant and mellow and sultry. For aficionados of Arief's music, the remastered versions give these songs a brand-new sound and are a must-listen.

Arief's music combines elements of traditional Indonesian music with influences from contemporary pop and Asian pop. He stands out from other musicians in the field thanks to his distinctive tone. Fans may anticipate more fascinating music from Arief in the future. His most recent releases are evidence of his artistic development. Check out his most recent album and hits if you haven't already; they will get you dancing and moving.

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