Bane stages an attack on the Gotham Stock Exchange and uses a stolen set of Bruce's fingerprints to place a number of risky investments in his name, bankrupting Bruce and forcing him to relinquish control of Wayne Enterprises. Correctly suspecting that his business rival, John Daggett, has employed Bane to aid in an aggressive take-over of the company, Bruce entrusts businesswoman Miranda Tate to keep full control out of Daggett's hands.
Following a trail left by cat burglar Selina Kyle, Batman confronts Bane in the sewers, who says that he is there to fulfill Ra's al Ghul's destiny. He reveals that he was using Daggett's construction firms to stage a heist on Wayne Enterprises' Applied Science Division. He steals Batman's arsenal before crippling him by slipping one of his spinal discs and sending him to an ancient prison, the Pit, from which escape is virtually impossible. The other inmates relate the story of the only person to ever successfully escape from the prison, a child driven by necessity and the sheer force of will, said to be the child of Ra's al Ghul.
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Bane lures the vast majority of Gotham's police force underground and sets off a chain of explosions across the city which simultaneously trap the officers, kill Mayor Garcia at football game, and taking out almost every bridge to the city, turning Gotham City into an isolated city-state. Any attempt to leave the city will result in the detonation of a nuclear bomb, that was once the Wayne Enterprises fusion reactor converted by Pavel. Addressing the citizens, Bane executes Pavel at a football field, reveals the cover-up of Dent's death outside Gotham City Hall, and releases the prisoners locked up under the Dent Act. The rich and powerful are dragged from their homes and put before a show trial presided over by Jonathan Crane. After an attempt to sneak Special Forces soldiers into the city fails, the government blockades Gotham and the city further regresses into a state of anarchy.
Wayne Enterprises is on the point of becoming bankrupt after Bruce wasted almost all of the companies money on a fusion reactor project when he learns that the core could be weaponized. Later, Bane attacks the Gotham Stock Exchange, using Bruce's fingerprints to bankrupt Wayne Enterprises. Alfred Pennyworth, concerned that Bruce has not moved on from being Batman, reveals to him that Rachel Dawes had intended to marry Dent before she died, and resigns in an attempt to dissuade him. Fearing that Daggett, Bane's employer, would gain access to the reactor, Bruce and Lucius Fox asks board member Miranda Tate to take over his company. Bane later kills Daggett. After being promised to erase her records, Selina agrees to take Batman to Bane, but instead betrays him to a trap. Bane appears and reveals that he intends to fulfill Ra's al Ghul's mission to destroy Gotham with the League of Shadows. He breaks Batman's back and takes him to a foreign, well-like prison where escape is impossible. The inmates tell Bruce the story of Ra's al Ghul's child, born in the prison and cared for by a fellow prisoner before escaping, the only prisoner to have ever done so; Bruce thinks the child is Bane.
After the passing of Rachel Dawes, Bruce Wayne (Christian Bale) retreats into seclusion, and Wayne Enterprises suffers from inactivity. Bane (Tom Hardy) conscripts businessman John Daggett (Ben Mendelsohn) to help him obtain Bruce's fingerprints. To this end, Catwoman Selina Kyle (Anne Hathaway) is hired by Daggett to steal Bruce's print from Wayne Manor.
Organized crime in Gotham City has been wiped out by implementing the "Dent Act," which grants additional authority to the police force. Even though District Attorney Harvey Dent (Aaron Eckhart) went on a killing spree, taking on the mantle of "Two-Face," Police Commissioner James Gordon (Gary Oldman) has kept this a secret and placed the blame on Batman (Christian Bale). Bruce Wayne, still deeply saddened by the loss of Rachel Dawes, has secluded himself, leading to a lack of progress at Wayne Enterprises.
Wayne Tower is shot at the Trump Tower in New York. It is a luxurious skyscraper located in Midtown Manhattan. Built in 1983, the tower rises 664 feet over 58 floors and features a beautiful bronze facade that makes it stand out among other buildings in the city. The tower's location in the city's heart makes it very accessible and convenient for both residents and visitors. Since the tower's construction, it has become synonymous with the wealthy elite.
The Dark Knight Rises is an ambitious movie that left no stone unturned in its worldwide quest to find the perfect locations to bring the dark story to life. From the hustle and bustle of New York City to the ancient city of Jodhpur, India, and from the backdrop of London's iconic skyline to the vibrant city of Pittsburgh, USA, each location was carefully selected for its unique features.
The result, in Christopher Nolan's conclusion to his Batman trilogy, is an ambitious superhero movie with two surprises: It isn't very much fun, and it doesn't have very much Batman. I'm thinking of the over-the-top action sequences of the earlier films that had a subcurrent of humor, and the exhilarating performance of Heath Ledger as the Joker. This movie is all serious drama, with a villain named Bane whose Hannibal Lecterish face-muzzle robs him of personality. And although we see a good deal of Bruce Wayne, his alter-ego Batman makes only a few brief appearances before the all-out climax.
One of the women is the always enigmatic Catwoman (Anne Hathaway), and the other is Miranda Tate (Marion Cotillard), a millionaire who may be able to rescue Wayne Enterprises after Bane's stock market mischief wipes out Wayne financially. Catwoman is a freelance burglar who's always looking out for number one, and Miranda is a do-gooder environmentalist; both are drawn irresistibly to Bruce, who is not only still a bachelor but has spent the last eight years as a hermit, walled up in Wayne Manor with the loyal Alfred.
This is a dark and heavy film; it tests the weight a superhero movie can bear. That Nolan is able to combine civil anarchy, mass destruction and a Batcycle with exercise-ball tires is remarkable. That he does it without using 3D is admirable. That much of it was shot in the 70mm IMAX format allows it to make that giant screen its own. That it concludes the trilogy is inevitable; how much deeper can Nolan dig? It lacks the near-perfection of "The Dark Knight" (2008), it needs more clarity and a better villain, but it's an honorable finale.
The Dark Knight Rises has terrific moments, and if it lacks a force like Heath Ledger's Joker, it isn't as assaultive as The Dark Knight. Nolan fans should be pleased, at least until the terribly coy ending. But with all the murk and solemnity, there's no exhilarating pop. You might say it never quite rises.
But what makes a good Batman movie? Faithfulness to the ever-changing source material, compelling villains, and ambitious production values contribute to a successful adaptation, but the Dark Knight invites intricacy. Dating back to the 1960s, fans have seen all manner of takes on Batman, from the pulpy and colorful to the aggressively dark, from merely decent to quite good. Each Batman movie is memorable in its own way, but a few rise above the genre's conventions, redefining what audiences expect from a comic book movie -- and Batman himself. ff782bc1db