Download Country Side Music Video

But seriously: country music isn't all pickups, whiskey, fights, American flags and men wearing extremely big hats. Sure, some of it is, but at its core, country's all about overcoming hardship, familial pride and heartbreak. Those values span the legacy of the genre, from Hank Williams to Willie Nelson to Dolly Parton and all the way up to Lil Nas X's breakout and Orville Peck's alt-country anthems. There's pop country and disco country, traditional country and outlaw country. But at its heart, all country is intertwined.

I'm looking for the closest thing to the Japanese equivalent of American Country music. Not Japanese people playing American Country, but a genre originating from or strongly associated with the Japanese countryside, preferably one more modern than traditional Japanese music, in the same way American Country isn't Classical Music.

Download Zip 🔥 https://tiurll.com/2y4P3U 🔥

My lense of Japan is highly filtered and mostly focused on urban Japan and historical and religious monuments, so I know little of the standard countryside. For all I know the answer IS traditional music or something else entirely. I just realized if I went to a game location inspired by the modern Japanese countryside, I have no idea what music would play to capture the location, whereas I know exactly what would play in the America countryside. Does that make sense?

Country (also called country and western) is a music genre originating in the Southern and Southwestern United States. First produced in the 1920s, country music primarily focuses on working class Americans and blue-collar American life.[2]

The term country music gained popularity in the 1940s in preference to hillbilly music; it came to encompass western music, which evolved parallel to hillbilly music from similar roots, in the mid-20th century. Contemporary styles of western music include Texas country, red dirt, and Hispano- and Mexican American-led Tejano and New Mexico music,[10][11] all extant alongside longstanding indigenous traditions.

The main components of the modern country music style date back to music traditions throughout the Southern United States and Southwestern United States, while its place in American popular music was established in the 1920s during the early days of music recording.[13] According to country historian Bill C. Malone, country music was "introduced to the world as a Southern phenomenon."[14]

Migration into the southern Appalachian Mountains, of the Southeastern United States, brought the folk music and instruments of Europe, Africa, and the Mediterranean Basin along with it for nearly 300 years, which developed into Appalachian music. As the country expanded westward, the Mississippi River and Louisiana became a crossroads for country music, giving rise to Cajun music. In the Southwestern United States, it was the Rocky Mountains, American frontier, and Rio Grande that acted as a similar backdrop for Native American, Mexican, and cowboy ballads, which resulted in New Mexico music and the development of western music, and its directly related Red Dirt, Texas country, and Tejano music styles. In the Asia-Pacific, the steel guitar sound of country music has its provenance in the music of Hawaii.[15][16]

The U.S. Congress has formally recognized Bristol, Tennessee as the "Birthplace of Country Music",[17] based on the historic Bristol recording sessions of 1927.[18][19][20] Since 2014, the city has been home to the Birthplace of Country Music Museum.[21][22] Historians have also noted the influence of the less-known Johnson City sessions of 1928 and 1929,[23][24] and the Knoxville sessions of 1929 and 1930.[25] In addition, the Mountain City Fiddlers Convention, held in 1925, helped to inspire modern country music. Before these, pioneer settlers, in the Great Smoky Mountains region, had developed a rich musical heritage.[26]

The first commercial recordings of what was considered instrumental music in the traditional country style were "Arkansas Traveler" and "Turkey in the Straw" by fiddlers Henry Gilliland & A.C. (Eck) Robertson on June 30, 1922, for Victor Records and released in April 1923.[33][34] Columbia Records began issuing records with "hillbilly" music (series 15000D "Old Familiar Tunes") as early as 1924.[27]

The first commercial recording of what is widely considered to be the first country song featuring vocals and lyrics was Fiddlin' John Carson with "Little Log Cabin in the Lane" for Okeh Records on June 14, 1923.[35][36]

Vernon Dalhart was the first country singer to have a nationwide hit in May 1924 with "Wreck of the Old 97".[37][38] The flip side of the record was "Lonesome Road Blues", which also became very popular.[39] In April 1924, "Aunt" Samantha Bumgarner and Eva Davis became the first female musicians to record and release country songs.[40] Many of the early country musicians, such as the yodeler Cliff Carlisle, recorded blues songs into the 1930s.[41] Other important early recording artists were Riley Puckett, Don Richardson, Fiddlin' John Carson, Uncle Dave Macon, Al Hopkins, Ernest V. Stoneman, Blind Alfred Reed, Charlie Poole and the North Carolina Ramblers and the Skillet Lickers.[42] The steel guitar entered country music as early as 1922, when Jimmie Tarlton met famed Hawaiian guitarist Frank Ferera on the West Coast.[43]

Jimmie Rodgers and the Carter Family are widely considered to be important early country musicians. From Scott County, Virginia, the Carters had learned sight reading of hymnals and sheet music using solfege.[citation needed] Their songs were first captured at a historic recording session in Bristol, Tennessee, on August 1, 1927, where Ralph Peer was the talent scout and sound recordist.[44][45] A scene in the movie O Brother, Where Art Thou? depicts a similar occurrence in the same timeframe.

Rodgers fused hillbilly country, gospel, jazz, blues, pop, cowboy, and folk, and many of his best songs were his compositions, including "Blue Yodel",[46] which sold over a million records and established Rodgers as the premier singer of early country music.[47][48] Beginning in 1927, and for the next 17 years, the Carters recorded some 300 old-time ballads, traditional tunes, country songs and gospel hymns, all representative of America's southeastern folklore and heritage.[49] Maybelle Carter went on to continue the family tradition with her daughters as The Carter Sisters; her daughter June would marry (in succession) Carl Smith, Rip Nix and Johnny Cash, having children with each who would also become country singers.

Record sales declined during the Great Depression, but radio became a popular source of entertainment, and "barn dance" shows featuring country music were started by radio stations all over the South, as far north as Chicago, and as far west as California.

The most important was the Grand Ole Opry, aired starting in 1925 by WSM in Nashville and continuing to the present day.[50] Some of the early stars on the Opry were Uncle Dave Macon, Roy Acuff and African American harmonica player DeFord Bailey. WSM's 50,000-watt signal (in 1934) could often be heard across the country.[51] Many musicians performed and recorded songs in any number of styles. Moon Mullican, for example, played western swing but also recorded songs that can be called rockabilly. Between 1947 and 1949, country crooner Eddy Arnold placed eight songs in the top 10.[52] From 1945 to 1955 Jenny Lou Carson was one of the most prolific songwriters in country music.[53]

In the 1930s and 1940s, cowboy songs, or western music, which had been recorded since the 1920s, were popularized by films made in Hollywood. Some of the popular singing cowboys from the era were Gene Autry, the Sons of the Pioneers, and Roy Rogers.[54] Country music and western music were frequently played together on the same radio stations, hence the term country and western music, despite country and western being two distinct genres.

Cowgirls contributed to the sound in various family groups. Patsy Montana opened the door for female artists with her history-making song "I Want To Be a Cowboy's Sweetheart". This would begin a movement toward opportunities for women to have successful solo careers. Bob Wills was another country musician from the Lower Great Plains who had become very popular as the leader of a "hot string band," and who also appeared in Hollywood westerns. His mix of country and jazz, which started out as dance hall music, would become known as western swing. Cliff Bruner, Moon Mullican, Milton Brown and Adolph Hofner were other early western swing pioneers. Spade Cooley and Tex Williams also had very popular bands and appeared in films. At its height, western swing rivaled the popularity of big band swing music.

Drums were scorned by early country musicians as being "too loud" and "not pure", but by 1935 western swing big band leader Bob Wills had added drums to the Texas Playboys. In the mid-1940s, the Grand Ole Opry did not want the Playboys' drummer to appear on stage. Although drums were commonly used by rockabilly groups by 1955, the less-conservative-than-the-Grand-Ole-Opry Louisiana Hayride kept its infrequently used drummer backstage as late as 1956. By the early 1960s, however, it was rare for a country band not to have a drummer.[55] Bob Wills was one of the first country musicians known to have added an electric guitar to his band, in 1938.[29] A decade later (1948) Arthur Smith achieved top 10 US country chart success with his MGM Records recording of "Guitar Boogie", which crossed over to the US pop chart, introducing many people to the potential of the electric guitar. For several decades Nashville session players preferred the warm tones of the Gibson and Gretsch archtop electrics, but a "hot" Fender style, using guitars which became available beginning in the early 1950s, eventually prevailed as the signature guitar sound of country.[55][56]

Country musicians began recording boogie in 1939, shortly after it had been played at Carnegie Hall, when Johnny Barfield recorded "Boogie Woogie". The trickle of what was initially called hillbilly boogie, or okie boogie (later to be renamed country boogie), became a flood beginning in late 1945. One notable release from this period was the Delmore Brothers' "Freight Train Boogie", considered to be part of the combined evolution of country music and blues towards rockabilly. In 1948, Arthur "Guitar Boogie" Smith achieved top ten US country chart success with his MGM Records recordings of "Guitar Boogie" and "Banjo Boogie", with the former crossing over to the US pop charts.[57] Other country boogie artists included Moon Mullican, Merrill Moore and Tennessee Ernie Ford. The hillbilly boogie period lasted into the 1950s and remains one of many subgenres of country into the 21st century. e24fc04721