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Highlife is a music genre that started in West Africa, along the coastal cities of present-day Ghana in the 19th century, during its history as a colony of the British and through its trade routes in coastal areas. It describes multiple local fusions of African metre and western jazz melodies.[1] It uses the melodic and main rhythmic structures of traditional African music, but is typically played with Western instruments. Highlife is characterized by jazzy horns and multiple guitars which lead the band and its use of the two-finger plucking guitar style that is typical of African music. Recently it has acquired an uptempo, synth-driven sound.[2][3]

A style of highlife that resembled western brass bands in European forts across West Africa. The military would use local musicians in their brass band regiments and taught them linear marching music. After these musicians saw how the West Indian regimental bandsmen practiced traditional music in their spare time it inspired them to do the same. The fusion of linear marching music with polyrhythmic local music created a danceable style called adaha, as well as a style with cheaper, local instruments called konkoma. This fusion was similar to the birth of jazz in New Orleans.[1]

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In the 1940s, the music diverged into two distinct streams: dance band highlife and guitar band highlife. Guitar band highlife featured smaller bands and, at least initially, was most common in rural areas. Because of the history of stringed instruments like the seprewa in the region, musicians were happy to incorporate the guitar. They also used the dagomba style, borrowed from Kru sailors from Liberia, to create highlife's two-finger picking style.[4] Guitar band highlife also featured singing, drums and claves. E.K. Nyame and his Akan Trio helped to popularize guitar band highlife,[7] and would release over 400 records during Nyame's lifetime.[4] Dance band highlife, by contrast, was more rooted in urban settings. In the post-war period, larger dance orchestras began to be replaced by smaller professional dance bands, typified by the success of E.T. Mensah and the Tempos. As foreign troops departed, the primary audiences became increasingly Ghanaian, and the music changed to cater to their tastes. Mensah's fame soared after he played with Louis Armstrong in Accra in May 1956, and he eventually earned the nickname, the "King of Highlife".[4] Also important from the 1950s onward was musician King Bruce, who served as band leader to the Black Beats. Some other early bands were, the Red Spots, the Rhythm Aces, the Ramblers and Broadway-Uhuru.

During the Gold Coast era lexie, the Gold Coast was a hotbed of musical syncretism. Rhythms especially from gombe and ashiko, guitar-styles such as mainline and osibisaba, European brass bands and sea shanties, were all combined into a melting pot that became high-life.

By the beginning of the 1970s, traditionally styled highlife had been overtaken by electric guitar bands and pop-dance music. Since 1966 and the fall of President Kwame Nkrumah, many Ghanaian musicians moved abroad, settling in the US, and UK. High-life bands arose like Sammy Kofi's (also known as Kofi Sammy). In 1971, the Soul to Soul music festival was held in Accra. Several legendary American musicians played, including Wilson Pickett, Ike and Tina Turner and Carlos Santana. With the exception of Mexican-American Santana, these American superstars were all black, and their presence in Accra was seen as legitimizing Ghanaian music. Though the concert is now mostly remembered for its role as a catalyst in the subsequent Ghanaian roots revival, it also led to increased popularity for American rock and soul. Inspired by the American musicians, new guitar bands arose in Ghana, including Nana Ampadu& the African Brothers, The City Boys and others. Musicians such as C. K. Mann, Daniel Amponsah and Eddie Donkor incorporated new elements, especially from Jamaican reggae. A group called Wulomei also arose in the 1970s, leading a cultural revival to encourage Ghanaian youths to support their own countryman's music. By the 1980s, the UK was experiencing a boom in African music as Ghanaian and others moved there in large numbers. The group Hi-Life International was probably the most influential band of the period, and others included Jon K, Dade Krama, Orchestra Jazira and Ben Brako. In the middle of the decade, however, British immigration laws changed, and the focus of Ghanaian emigration moved to Germany.

Although singers like Aretha Franklin had introduced Gospel style songs to the pop charts with songs like "Think" in 1968, church-centric Gospel music began to cross over into the mainstream following the release in 1969 of the recording of "O Happy Day" by the Edwin Hawkins Singers, a mixed-gender Gospel chorus based in the San Francisco Bay area. The song, which was based on a mid-eighteenth century English hymn sold more than a million copies in two months (well above average for a Gospel recording) and earned its composer, Edwin Hawkins (born 1943) his first of four Grammy Awards.

Receive state of the art training in multiple West African musical forms, including drumming, Ghanaian xylophone, and other instruments. You will be working and living at a music center on the outskirts of Accra, the capital city. In addition to small group and one-on-one instruction, you may have the opportunity to lead workshops in music styles from your home country, as well as visit local communities to experience the power of performance in West African culture. There will be plenty of time to explore Ghana, including the historic transatlantic slave trade castles of nearby Cape Coast and the ancient city of Kumasi. Housing and all meals are included, as well as workshops in traditional handicrafts such as tie-dye, batik, weaving, and kente cloth making. The minimum duration for this training program is one week, and the maximum will depend on the visa regulations based on your nationality.

Named after the Ghanaian area code, +233 Jazz Bar is local bar that hosts bands six days a week. The bar is two stories and has outside seating as well. Music styles include jazz, blues, highlife, and, rarely, some hip hop. This is a great place to listen to live music, meet locals, and try Ghanaian cuisine.

All components of your accommodations are included on the program, including shared housing in dormitory style rooms with bunk beds, shared bathrooms (Western-style flush toilets and overhead showers), running water and electricity, and meals. These accommodations are located within the walls of the music center, so no travel to the site is necessary! Your meals will be cooked by the family who runs the center, and you will be invited to share meals with the family. There is also a bus stop near the center for easy access to the center of Accra.

Audiences get into the spirit and stamp and cheer to the sounds of the pipes and drums, clap to the Highland Dancers and watch in awe at some of the daredevil feats of accomplished motorcyclists or intricate marching formations. The sounds of the bands can be heard throughout the city, followed by the cheers of the audience, the roar of military jets flying over the city, and finally the glorious fireworks that colour the night sky. Tickets for the 2024 Tattoo show Journeys are now on sale HERE. 2351a5e196