It is the grid origin. You can move it with: PCB Editor / Place / Grid Origin [S], or with PCB Editor / View / Grid Properties. If you set the grid origin to (0, 0), then the cross disappears.

I come across this while while I was debugging an issue that only repros on IE. (FYI the issue is that the JSON in the response fails to bind to my knockout model on IE... but it is working fine on Chrome...). I have tried replaying that request (Replay > Reissue Requests) and I am seeing that the second request returns a '{json}' icon.


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I have generated cross sections along an alignment for an existing surface. For some reason, the cross sections are generated with a small magenta circle appearing at the alignment crossing (offset of 0). I can't figure out how to turn these off.

Unfortunately, the drawing is much too large to attach. I have attached a picture. The magenta circle in the middle is what I'm referring to. It seems to be connected to the grid, not the section itself (when I freeze the section layer, the circle is still present).

The thing that is really getting to me is that the surfaces, alignments, profiles, and sample lines all have the same style for both the existing and finished grades. Yet this is only occuring on the existing grade sample line in the cross section view.

The ringed cross is a class of Christian cross symbols featuring a ring or nimbus. The concept exists in many variants and dates to early in the history of Christianity. One variant, the cruciform halo, is a special type of halo placed behind the head of Jesus in Christian art. Other common variants include the Celtic cross, used in the stone high crosses of Ireland and Britain; some forms of the Coptic cross; and ringed crosses from western France and Galicia.

The nimbus or ringed shape was appended to the Christian cross and other symbols relatively early. In these contexts it apparently derived from the earlier Roman garland of victory. The Chi Rho-in-circle motif was widespread in the Roman Empire by the late 4th century, and garlanded and ringed crosses were popular in imperial Ravenna by the 5th century, influencing the later versions.[1] The cruciform halo or cross halo, a halo incorporating a cross, emerged as a distinctive type of halo painted behind the head of members of the Holy Trinity, especially Jesus, and occasionally others.[2] In other cases, the combination of cross and nimbus symbolized the presence of Christ throughout the cosmos, with the nimbus representing the celestial sphere. Notable early examples include the cosmological ringed cross in the 5th-century Mausoleum of Galla Placidia, and the 6th-century Crux Gemmata in the Basilica of Sant'Apollinare in Classe.[3]

The Celtic cross is a variant of the ringed cross that emerged in Ireland and Britain in the Early Middle Ages. It is a Latin cross featuring a nimbus surrounding the intersection of the stem and arms. The Celtic cross became widespread through the distinctive stone high crosses erected across the islands beginning in the early 8th century; most, but not all, of these monuments take the form of the Celtic cross. Scholars debate the origins of the type, but it is related to earlier types of ringed crosses such as the "cosmological cross" used in Ravenna.[3] St. John's Cross at Iona, an Irish monastery off the coast of Scotland and a major pilgrimage center, may be the prototype for all other high crosses.[4] Most high crosses were made between the 8th and 10th centuries, with a briefer revival occurring in Ireland in the late 11th and 12th centuries.[5]

The Celtic cross saw a resurgence in the mid-19th century, following new studies and reconstructions of the medieval high crosses. They subsequently became common objects in art, architecture, and merchandise during the Celtic Revival. They have since remained popular symbols of Ireland and "Celtic" identity.[6]

A type of ringed cross, called the croix nimbe ("cross with nimbus") is found in France. Their design is different from the Celtic cross, but all the French examples are quite analogous in shape to each other. They are found mainly in the western part of France: in Normandy, Limousin as far as Auvergne in the centre. Most of them were made around the 16th century. One can be seen on the spire of Orlans Cathedral, in the Loire valley.

A distinct form of ringed cross similar to Celtic variant is found in Galicia in Spain, often topping horreos (granaries) as a protective measure against any kind of evil.[9] They can also be found atop churches and, since the beginning of the 20th century, in cemeteries, but they are unusual in cruceiros (high crosses). There is a very characteristic Galician Medieval style[10] that combines a Celtic cross with a Celtic simple knot; it is similar to the St Maur cross at Glanfeuil Abbey.[11][12]

Old Coptic crosses often incorporate a circle, as in the form called a "Coptic cross" by Rudolf Koch in his The Book of Signs (1933). Sometimes the arms of the cross extend through the circle (dividing it into four quadrants), as in the "Celtic cross". The circle cross was also used by the early Gnostic sects.

Cross-Chain Transfer Protocol (CCTP) is a permissionless on-chain utility that facilitates USDC transfers securely between blockchains networks via native burning and minting. Circle created it to improve capital efficiency and minimize trust requirements when using USDC across blockchain networks. CCTP enables developers to build multi-chain applications that provide secure, 1:1 transfers of USDC across blockchains for their users.

Disparate blockchain networks operate in siloed environments and are unable to communicate with one another. While some networks have built-in protocols to transmit data across their constituent blockchains (e.g. Cosmos uses the Inter-Blockchain Communication (IBC) protocol to send information between its appchains), it is not possible for isolated networks, such as Ethereum and Avalanche, to communicate directly.

CCTP is based on generalized message passing and built for composability to open up a wide design space. Developers can readily extend its functionality beyond just moving USDC from one blockchain to another. For example, it's possible to create a flow that sends USDC across chains to be automatically deposited into a DeFi lending pool to begin generating yield. This experience can even be designed to feel like one seamless transaction to the end user.

Developers can tap into CCTP to build novel cross-chain apps that stack together the various functionalities of trading, lending, payments, NFTs, gaming, and more, all while keeping things simple for users.

Users can perform cross-chain swaps with digital assets that live on disparate chains, even across L2 rollups (e.g. swapping ARB on Arbitrum for OP on OP Mainnet). In a completely automated way, ARB can be swapped for USDC on Arbitrum, routed by CCTP to OP Mainnet, and swapped for OP. Routing and execution are hidden from the user to deliver a seamless user experience.

Explore our open-source Sample App powered by CCTP, which demonstrates how a user can transfer USDC across supported blockchains from a simple interface. The app uses development frameworks and libraries such as React and Material-UI for the front end, web3-react for wallet integration, ethers.js for interacting with EVM blockchains, and our public API for fetching attestations that validate USDC burn events.

Instead of just erasing where my pencil tip is on the screen, I see this weird circle/cross cursor. There is a circle where the pencil tip is, a cross that lags about 1/4 second behind, and a pink line between them [image attached]. Aside from being distracting, the eraser erases where the cross is, on a 1/4 second lag. This makes the Eraser Brush borderline unusable.

The Tiffany Circle takes its name from the historic stained glass windows in the Board of Governors Hall at Red Cross national headquarters in Washington, D.C. Installed in 1917, the windows were commissioned from the Louis Comfort Tiffany Studios. The windows cost $10,000 and were jointly purchased by women of the north and women of the south, as an act of reconciliation and hope. Tiffany Circle members from across the country, each donate $10,000 or more annually to support the American Red Cross.

It consisted of three rings (similar to the Swing Circle, except the rings were much smaller), and two ropes (each rope was placed between the rings). In this obstacle, competitors must build enough swing and momentum to across the obstacle, by grabbing a ring and making the transition to a rope, and repeat those two processes until competitors could reach a small platform, and then to the landing platform.

I have a brand new charge 4 and can not get it to pair with android, windows or apple. I get as far as getting a pin number then it shows the circle with a x. It then goes back to the fitbit logo and set up. Windows seems to think its paired but the FitBit itself is not registering at all.

Rotational grazing works best when drinking water is available at multiple locations. With financial and technical assistance from the Utah Department of Agriculture and Food, and the USDA Natural Resource Conservation Service, the Paces are harnessing solar energy to make it happen. Water is moved through 30 miles of pipeline from six solar pumps to holding tanks and troughs across the ranch.


In addition to their 2,700-acre ranch, the Paces lease, manage and graze cattle on tens of thousands of acres elsewhere, including 12,000 acres across Davis, Salt Lake and Tooele counties. These properties are critical wetlands and uplands within the Great Salt Lake ecosystem. The Paces also manage a 70,000-acre Cooperative Management Wildlife Unit in cooperation with the Utah Department of Wildlife Resources. 


I spent 3 winter months in Sweden (Kiruna) for work about 15 years ago. The grey din of perpetual twilight in your pictures brings back fond memories. I have a similar picture of a Norwegian border crossing sign from a road trip to Narvik. ff782bc1db

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