((FREE)) Download Breakfast Song

Hi friends. This week, with family home and holidays all around us, I\u2019m thinking about gatherings \u2014 the times, ways, and places where we are together. Whether butter biscuits, fresh scones, hoecakes, or these crispiest sourdough waffles (recipe below), I hope you find a moment in the coming days and weeks to sing sweet songs with extra syrup. \u2014 Martin

Take two: a deep breath -- my ribs expand, my jaw opens -- and, as though singing over an orchestra, projecting all the way to the cheap seats in the rafters, I call: \u201CBreeeeeeeeeeeeakfast!!!\u201D The ring wakes a banjo on the wall. \u201CIIIIIIIIIIII want breakfast!,\u201D it hums, in C modal tuning.

Download Breakfast Song

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This is my Sunday song. In a work week bent to fit busy days, early starts, and school schedules, it\u2019s one of few mornings with time for singing. So, on Sunday, to the accompaniment of steam kettle and sputtering pancakes, I holler wake-up songs.

Actually, when you think about it, his theology is spot on. He never said we're gonna have a big breakfast in heaven. He said there'll be no more need for breakfasts since God's Word (John 1:1) will be all that's needed to feed us. Like he said: we won't need breakfast anymore because we'll be reborn in heaven where our bodies that won't age, grow ill, hunger, or die. After a while, the video does kind of grow on you, doesn't it? I think my family and I will be singing this from now on every time we have one of those things for breakfast. =)

Japanese Breakfast is an American indie pop band headed by musician Michelle Zauner. Zauner started the band as a side project in 2013, when she was leading the Philadelphia-based emo group Little Big League. She has said that she named the band after seeing a GIF of Japanese breakfast[1] and deciding that the term would be considered "exotic" to Americans; she also thought it would make others wonder what a Japanese breakfast consists of.[2]

In 2014, she returned to her hometown of Eugene, Oregon, to care for her ailing mother. She continued to record music and songs, first to cope with stress, then, after her mother died, with grief. The songs eventually became Japanese Breakfast's debut studio album: Psychopomp (2016), released by Yellow K Records. Its critical and commercial success led Japanese Breakfast to sign with the record label Dead Oceans, which released the band's second and third studio albums: Soft Sounds from Another Planet (2017) and Jubilee (2021). Jubilee was nominated for Best Alternative Music Album and Japanese Breakfast for Best New Artist at the 64th Annual Grammy Awards[3] and became the band's first album to chart on the Billboard 200, where it peaked at 56.[4]

The first Japanese Breakfast release was June (2013), the result of a month-long project in which Zauner and Rachel Gagliardi recorded one song a day and posted them on the Tumblr blog rachelandmichelledojune.[5]

In 2014, Zauner participated as Japanese Breakfast in a song project with musicians Gabrielle Smith, Florist, Frankie Cosmos, and Small Wonder, who posted songs daily on the Tumblr blog may5to12songs. She released her songs from the project on Bandcamp as two digital albums: Where Is My Great Big Feeling?, released on June 6; and American Sound on June 24. Both were released weeks later as the cassette tape American Sound/Where Is My Great Big Feeling.[6][7]

In 2015, while working at an advertising agency, Zauner recorded her first studio album as Japanese Breakfast: Psychopomp, named for the mythological creature.[9] She said her "dark and heavy-handed" record dealt with her mother's death, although she tried to make the music urgent and "sonically upbeat."[10][11] The album's rollout on Yellow K Records began in January 2016 with the release of the single "In Heaven" via Stereogum.[12][13] A second single, titled "Everybody Wants to Love You" was released on February 18, 2016,[14] and the album itself was released on April 1, 2016. Around this time, Japanese Breakfast signed with Dead Oceans, which on June 23, 2016, announced the signing and said Psychopomp would be re-released internationally. A music video for "Jane Cum" was also released the same day. To promote the album, the band opened for Japanese-American singer-songwriter Mitski alongside American musician Jay Som[15] and released a music video for the song "Everybody Wants to Love You"[16] which was later ranked as the 154th best song of the 2010s decade by Quinn Moreland of Pitchfork.[17]

On May 4, 2017, Japanese Breakfast released the single "Machinist"[18] and announced the upcoming release of a second studio album, Soft Sounds from Another Planet, whose lyrics are largely concerned with Zauner's detachment and trauma.[19] The song "Boyish" was released as a single on June 7, 2017.[20] A third single from the album, "Road Head", was released on July 6, 2017.[21] The full album was released on July 14, 2017.[22] To promote the album, the band released a video game, "Japanese BreakQuest",[23] in which the main character, "J-Brekkie", gathers a band to prevent an alien invasion. The game was developed by Zauner and game designer Elaine Fath, and uses songs from the album, rendered as 8-bit MIDI tracks by Peter Bradley.[23] To support the album, Japanese Breakfast toured Oceania, Asia and North America[24] from 2017 to 2019.[25] Along the way, the band opened for English shoegaze band Slowdive, American musician (Sandy) Alex G, and Canadian duo Tegan and Sara.[26]

In 2018, indie game developer Shedworks sent Zauner preliminary images from their video game Sable and commissioned her to write its soundtrack.[31] Unlike the pop songs she writes for Japanese Breakfast, the Sable soundtrack is mostly ambient music. Zauner took inspiration from other game soundtracks, notably the soundtracks to the Final Fantasy games, Secret of Mana (1993), Chrono Cross (1999) and two games in The Legend of Zelda series: Majora's Mask (2000) and Breath of the Wild (2017). Her commission was announced during E3 2018. The game was to be released in 2019, but was delayed twice.[32] In 2020, during the COVID-19 lockdown, Zauner began reworking the songs after playing updated versions of the game.[33] The game and its soundtrack were released on September 23, 2021.[34][35]

In 2019, Japanese Breakfast released two singles under the W Hotels music label: "Essentially" and a cover of the Tears for Fears song "Head over Heels." Zauner recorded the singles in Bali, which she described as a "glamorous change" because she had typically recorded in "cold studios."[36] Proceeds from the latter single were donated to the American Civil Liberties Union.[37] That year, Zauner told Flood Magazine that she aimed to make a "fun album" for Japanese Breakfast's third album.[38] This would manifest as Jubilee, her second studio album for the Dead Oceans label.[39]

In mid-2022, Japanese Breakfast and Chicago-based Goose Island Brewery teamed up to produce a limited-edition lager named "Be Sweet" after the song. The beer was sold at the Pitchfork Music Festival in July 2022; proceeds were donated to Heart of Dinner, a charity that helps elderly Asian-Americans who struggle with food insecurity in New York City.[51]

The band has re-recorded and re-released songs to give them wider audiences. Psychopomp includes songs from American Sound and Where Is My Great Big Feeling.[64] Soft Sounds includes "Boyish", originally released as "Day 6" on June. Jubilee includes "In Hell", originally a bonus track on the Japanese deluxe edition of Soft Sounds.[45][65]

"Breakfast at Tiffany's" is a song by American alternative rock band Deep Blue Something. Originally appearing on their 1993 album 11th Song, it was later re-recorded and released on their 1995 album Home. Released as a single in July 1995 by Interscope and Rainmaker, the song was the band's only hit in the United States,[1] peaking at number five on the US Billboard Hot 100 in January 1996. Outside the United States, "Breakfast at Tiffany's" topped the UK Singles Chart and peaked within the top ten on the charts of Australia, Flanders, Canada, Denmark, Germany, Iceland, Ireland, and Sweden.

Todd Pipes said in a Q magazine article about the promotion of "Breakfast at Tiffany's", "As the song had 'breakfast' in the title, radio stations thought it would be genius to have us on at breakfast time. We'd be up 'til 3 am and they'd wonder why we were pissed off playing at 6 am."[2] Follow-up singles failed to match the success of "Breakfast at Tiffany's", hence the reason for the band's classification as a one-hit wonder.

Brian Wahlert called "Breakfast at Tiffany's" "a cute, catchy song that should fit in well on adult contemporary, Top-40 and alternative radio" with memorable melody that makes it "a perfect single, along with the mildly repetitive, conversational lyrics of the chorus and the bright, acoustic guitar".[4] However, Tom Sinclair of Entertainment Weekly was unimpressed. He called it "possibly the year's most innocuous single, 'Breakfast at Tiffany's' is distressingly prosaic pop from a wimpy-sounding Texas quartet"; he added that it lacked any "musical piquancy".[5] The Houston Press listed the song as the second worst by an artist from Texas, after Vanilla Ice's "Ice Ice Baby".[6] Kevin Courtney from Irish Times said, "Deep Blue Something are responsible for the tawdry "Breakfast in Tiffany's" single, and their album is home to much of the same style of overblown, rainswept sentiment."[7] British magazine Music Week gave the song top score with five out of five, naming it Single of the Week, writing, "Radio-friendly rock at its best from the Texan trio. A mighty, bright chorus, quirky lyrics and some great guitar work should enable it to come close in the UK to matching its Top Five placing Stateside."[8] VH1 and Blender ranked the song number six on their list of the "50 Most Awesomely Bad Songs Ever".[9] e24fc04721