Feel free to tell me I forgot something. I'm working on Empty and had to track down quite a few sound effects. After looking for a while I found out there's a lot of places to go. I thought I'd compile them for you all.

As much as I can, I try to record my own sounds but for a number of reasons I'd like to download and use some available effects. Don't mind paying a little for a good service - but obviously free is good too!


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Sound libraries can be enormous timesavers for audio professionals and amateur sound designers alike. While it can be fun to create your own sounds, creating hundreds if not thousands of individual sounds for a single project is simply not realistic in most cases. 


99Sounds does the most when it comes to providing a high-quality, royalty-free sound library that covers everything from handclaps to electromagnetic hums and whines. Best of all, every sound is 100% free. 


SoundBible is another free sound effect library that includes an impressive amount of royalty-free sounds available to download for free. Sound recordings are available in wav files or mp3 format. 


The description is in the name: Freesound provides a vast library of free royalty-free sound samples that can be used for nearly limitless applications. The catch is that the site can be a bit tricky to navigate, and not all sounds are cinema-quality, but for novice designers or designers on a budget, this is a fantastic resource. 


Ready to dip your toes into immersive 360 degree sound? RDE has made its entire royalty-free ambisonic sound library available for free. Ambisonic recordings are designed to perfectly replicate the location of a sound in relation to the listener, which makes them great for VR experience design. 


Epidemic is most well-known for its royalty-free music library specifically designed to cater to YouTubers and other new media content creation, however, they have also developed a sizeable sound effect library that spans over 90,000 high-quality sound effects. 


This is one of the priciest investments on our list, but for a good reason. SoundStorm is an Academy Award-winning sound design studio whose credits include Tomb Raider, The Fast and the Furious, Elf, and many more. They have compiled more than 50,000 royalty-free, cinema-quality sound effects into this library 


The Academy Award for Best Sound is an Academy Award that recognizes the finest or most euphonic sound mixing, recording, sound design, and sound editing. The award used to go to the studio sound departments until a rule change in 1969 said it should be awarded to the specific technicians. The first were Murray Spivack and Jack Solomon for Hello, Dolly!.[1] It is generally awarded to the production sound mixers, re-recording mixers, and supervising sound editors of the winning film. In the lists below, the winner of the award for each year is shown first, followed by the other nominees. Before the 93rd Academy Awards, Best Sound Mixing and Best Sound Editing were separate categories.[2]

Discover incredible free sound effects from our growing audio library to use in your next video editing project. All sound clips are royalty-free and can be used without attribution, plus no sign up is required. Our free sound effects license means you can use these sounds in both commercial and personal projects.

Yes, you can use Mixkit Sound Effects for commercial and personal projects. For example you can download and use sound effects in projects you create for YouTube, Social Media and Online Marketing ads.

Attribution is appreciated but not required. We love seeing what you create with Mixkit sound effects and video assets, so if you would like to share the love you can tag @mixkit_co on Instagram & Twitter or feature a link back to mixkit.co.

What (singular, or your own top ten list of) film/s do you think have the best sound effects (or the most brilliant combo of both sound effects and sound) so far and why ? Please say why, rather than just naming the film.

"A Man Escaped" directed by Robert Bresson in 1956. the entire movie is shot inside a prison cell with no shots of the outside until the actual escape at the end (that's not a spoiler, it's right there in the title...). because of the visual limitation, the movie is told exclusively through sound. footsteps, conversations, ambience, the entire environment was created in audio and is so well done that it immediately convinces the viewer of its reality. anyone who doubts the importance of post-audio should watch this film. the plot ain't half bad either...

Recently I was impressed with "Signs" use of sound. Normally in sci-fi/suspence movies you have alot of non-diegetic sound thats supposed to build suspence or highten tension. Movies in this genre have followed the same formula for too many years. The same sounds and where they appear have been rehashed again and again.

This film evokes emotion through the soundtrack, or lack of it. After seeing it a second time, it seems that M. Night Shyamalan began this movie with a wonderful understanding of the phychology of sound on film. It is not just what we hear that is frightening. It is the way Shyamalan has us listening intensely when there is nothing to be heard. It was refreshing to see movie where visuals and sound have equal parts in creating the suspence.

As always I love the use of sound design in Docs like Mr. Death. I know it is tooting my own horn but it was so fun to make a film where everything was made. "The Black Stallion" great sounding film.

find the "Signs" thread interesting. All the sound folks I know, including someone who had alot to do with the Lynch films and Black Stalion, realy hated the sound. But pretty much everyone realy disliked the film so maybe that has colored the perception, I may have to look at it again?

On a positive note I loved "Road to Perdition". I would have liked a little more "sound" and a little less music but the music was so good its hard to complain. But the use of quiet to set up loud was great. The film may have more dynamic range than anything I have seen.

My own impression of _Road to Perdition_ was that the sound at times was so well worked that it broke my heart when the music slopped in and tried to choose how we would emotionally respond to that movie

For my money, some of the more INTERESTING film sound is coming out of Asia--films like director Kurosawa's Cure (this is NOT Akira Kurosawa). I think in Japan audiences may be more willing to listen to environmental recordings rather than needing film music all the time.

A film like Cure "hears" its environment in a very different way. I think there are only about two music cues in the entire show and you'd never notice -- you are listening not only to what the environment around the characters is doing, you are experiencing how the sounds are being presented. In one scene -- a suspects is taken up to be presented before a panel of heads of police, it really feels like they contact miked the floors and bodies of the leads (even if the effect was accomplished by a "mistake" with setting up wireless body mics -- heartbeat etc--it is still brilliant.)

The deep hits of the ambience and slightly off-kilter "feel" to the sound of the room is right: something is going horribly wrong right in front of everyone. And if the filmmaker called for a lot of anxious music to by plastered over everything, he would have shown his hand way too early.

Jacques Tati's films, "Playtime" for instance, have incredible foley sound effects, as the whole films are based on different sound levels within very complex scenes with several dozens of actors identified within the scene only through the particular noises they make... (am i making myself clear, here?).

Also, this science-fiction movie from the fifties, "Forbidden Planet", feat. Leslie Nielsen before his "funny guy" period, has very funny electronic sound stuff to offer. You may catch this movie around 2 A.M. on TCM...

Are you looking for meme sounds to download? Discover the best meme sounds at Voicemod, play, download or share them with your friends on social networks or WhatApp. You can also upload your own audio clip directly from your computer and we will add it to our Meme Soundboard to share it with our community.

One of the first major breakthroughs in the realm of sound effects and design, the famous sound designer Murray Spivack was responsible for creating some of the first technical achievements in movie sound effects.

With the help of the famous score by composer Bernard Hermann (regarded as perhaps the greatest film composer of all time), The Birds is a master class into how to blend diegetic and non-diegetic sounds to create an auditory cacophony to simultaneously startle and mesmerize your audience more than even visuals could.

Streisand famously lobbied director Wyler to let her perform the songs live on set, instead of going with pre-recorded tracks. The decision ultimately aided the film, as well as notably helped the sound recording and design community forward in their abilities to capture quality audio on set over in studio.

Many, if nearly all, of these sound effects came from sound designer Ben Burtt, who spent years perfecting the various effects for the film as he came up with ingenious, and often quite practical, ways to record and create effects for the lightsabers, R2-D2, Chewbacca, and tons of the other sound effects still in use today.

One of my favorite films on our list, David Lynch spent several years perfecting every single detail of his experimental (first) horror film Eraserhead. Working with sound designer Alan Splet, Lynch would experiment heavily with how abstract sound design and effects could help shape his haunting, yet beautiful, industrial cityscape, as well as to develop his complex themes and motifs throughout the film.

Finally, perhaps considered the new pinnacle in technical achievement in sound effects and design, the Wachowskis (Lana and Lilly) brought a wide array of sophisticated visual and audio effects to the table with their breakout 1999 sci-fi hit The Matrix. 2351a5e196

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