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Background: In Nigeria, similar to many leprosy-endemic countries, leprosy is highly stigmatized. High levels of stigma among community members as well as internalized stigma among persons affected by leprosy often result in negative psychosocial consequences for those affected. To break this vicious cycle, it is important to conduct context-specific behavioral change activities. Although written material has been successful in improving knowledge and perception, it is not suitable for populations with low educational levels. Audio-delivered interventions are likely to be more suitable for people who are illiterate. This study proposes to assess the impact of an audio-delivered intervention on the perception (knowledge, attitudes, and beliefs) of community members with regard to leprosy in Nigeria.
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Objective: This study aims to assess the impact of audio-delivered and written health education on the perception of leprosy. Specific objectives are to (1) investigate the perception (local beliefs, knowledge, and attitudes) of community members toward leprosy and persons affected by leprosy; (2) investigate whether there is a difference in impact on perception between participants who have received audio-delivered health education and those who have received written health education, with specific reference to gender differences and differences between rural and urban areas; and (3) assess the impact of the participatory development of the audio-delivered and written interventions on empowerment and internalized stigma of persons affected by leprosy who developed the interventions. Additionally, we will translate and cross-culturally validate 4 study instruments measuring outcomes in 2 major Nigerian languages.
Methods: We will use a mixed methods, cross-sectional study design for the intervention development and a 3-arm cluster randomized controlled trial for its implementation and evaluation, comprising (1) baseline assessments of knowledge, attitudes, perceptions, and fears of community members, to develop the audio-delivered content and written material, and the self-esteem and internalized stigma of persons affected by leprosy; and (2) participatory development of the audio-delivered content and written material by persons affected by leprosy and the pilot and implementation of the interventions. This will be done among different groups (selected using cluster randomization) that will be compared (control group, audio-intervention group, and written material group) to evaluate the intervention and the impact of developing the intervention on the persons affected.
Results: This study was funded in June 2022, and community member participant recruitment started in January 2023. Baseline data collection was completed by May 2023 (n=811). Participatory cocreation of the audio and written health education content began in July 2023, and the materials are currently under development. Study results are expected in September 2024.
Conclusions: Study findings will contribute to developing evidence-based, context-specific behavioral change interventions, which are critical to addressing stigma in many leprosy-endemic communities where leprosy is highly stigmatized, and contribute toward global triple zero leprosy efforts.
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The exhibition audio guide highlights personal connection and knowledge of textiles created by Yoruba weavers in southwestern Nigeria for celebratory and ceremonial occasions from the early 19th to late 20th century.
This exhibition features aso oke cloth dating from the 19th through 20th centuries. Aso oke are textiles created by Yoruba weavers in southwestern Nigeria that are fashioned into clothing for celebratory and ceremonial occasions.
This exhibition includes one painting by Nengi Omuku, a studio-based artist working today in Lagos, Nigeria. Omuku has been inspired by aso oke, sourcing the cloth in Nigerian marketplaces and creating paintings on aso oke that asserts presence for both her painted compositions and the cloth itself.
This audio guide features Nengi Omuku, who speaks about her painting Mar Loj, on view here, and the voices of several members of the Yoruba community in St. Louis, who share their experiences resonating with examples of aso oke on view here.
According to section 88 of the Nigerian Copyright Act, 2022, any public use of a copyright protected audiovisual works require a license. When such work is played in public, Screenwriters, Directors, Actors and Producers are entitled to remuneration. Without AVRS, businesses that use audiovisual works in their premises/facilities will have to get permission from every individual rightsholder for every audiovisual works they use, and they would have to pay each of them directly.
This permission is not granted through the purchase of a audiovisual work, whether it is through a DVD, Hard or flash drives or any other device which only allows for private use of the purchased audiovisual works. AVRS simplifies this complex process through audiovisual copyright licenses obtainable from AVRS only. Research has proven that customers spend more time and money in bars, restaurants, lounges, barbing & hair dressing salons and other such business premises where they watch movies and other videos.
These are people, businesses or companies who use audiovisual works in a public or commercial setting in the course of doing business, these include; hotels, commercial buses, salons, offices, airplanes e.t.c
AVRS collects money from public/commercial users such as Hotels, Salons, Restaurants, Airlines, Halls, Transport Facilities and many others. We then distribute this money to audiovisual works creators in form of royalties.
On this auspicious occasion of World Intellectual Property Day 2024, the Audio Visual Rights Society of Nigeria (AVRS) Chairman, Mr. Mahmood Ali-Balogun, extends warm greetings to all stakeholders in the...
The Audio-Visual Rights Society (AVRS), on Wednesday, November 22, 2023, convened its 7th Annual General Meeting in Lagos during which it adopted and approved its audited financial statement for the...
An Eid-el-Fitr message from ailing Nigerian President Muhammadu Buhari, congratulating Muslims for ending the annual Ramadan fasting ritual, has turned into controversy and created more concern about his health.
The one-minute audio message was reportedly arranged by aides to debunk social media rumors that Buhari, who is in London for receiving medical treatment for an unspecified illness, has suffered a speech impairment.
Hassan Maina Kaina, a reporter for VOA's Hausa Service in Abuja, reports that many Nigerians do not even believe that the voice belongs to Buhari. Some are now demanding photos and videos of the president to assure the country that he is alive.
Buhari, 74, has been in London for medical treatment since May 7, after a seven-week stay there earlier this year. Officials have refused to disclosed the nature of his illness or say where he is hospitalized.
Despite assurances by his wife, Aisha Buhari, that he was gaining strength and would soon return," Nigerians have remained largely skeptical. Buhari has looked gaunt in his occasional photos and public appearances, and has done little official business, letting his deputy, Yemi Osinbajo, handle business as acting president.
The Audio Advertising market in Nigeria is experiencing significant growth and development due to various factors.
Customer preferences: Customers in Nigeria are increasingly turning to audio advertising as a way to reach their target audience. This is because audio advertising allows for a more personalized and engaging experience, as it can be tailored to specific demographics and interests. Additionally, audio advertising is often less intrusive than other forms of advertising, making it more appealing to consumers.
Trends in the market: One of the key trends in the audio advertising market in Nigeria is the rise of streaming services. With the increasing popularity of music streaming platforms, such as Spotify and Apple Music, advertisers are recognizing the potential to reach a large and engaged audience through audio ads. These platforms offer targeted advertising options, allowing advertisers to reach specific demographics based on their music preferences and listening habits. Another trend in the market is the integration of audio advertising into podcasts. Podcasts have gained significant popularity in Nigeria, with a wide range of topics and genres available. Advertisers are leveraging this trend by incorporating audio ads into podcasts, allowing them to reach a highly engaged and loyal audience. This form of advertising is often seen as more authentic and trustworthy, as listeners have developed a relationship with the podcast hosts and are more receptive to the ads.
Local special circumstances: Nigeria has a large and diverse population, with different languages and cultural preferences. This presents a unique challenge for advertisers in creating audio ads that resonate with the local audience. Advertisers need to consider the cultural nuances and preferences of the Nigerian population to effectively communicate their message and connect with consumers.
Underlying macroeconomic factors: The growing economy in Nigeria is contributing to the development of the audio advertising market. As the country experiences economic growth, there is an increase in disposable income and consumer spending. This provides advertisers with more opportunities to invest in audio advertising and reach a larger audience. In conclusion, the Audio Advertising market in Nigeria is experiencing growth and development due to the preferences of customers, trends in the market such as streaming services and podcasts, local special circumstances, and underlying macroeconomic factors. Advertisers are recognizing the potential of audio advertising to reach a highly engaged and receptive audience in Nigeria. 152ee80cbc
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