"Jingle Bell Rock" has been performed by many, but Helms' first version from 1957 produced by Paul Cohen[10] is arguably the best known.[11] The song's title and some of its lyrics are an extension of the old Christmas standard, "Jingle Bells". It makes brief references to other popular songs of the 1950s, such as "Rock Around the Clock", and mentions going to a "Jingle hop". There are two recorded versions of Jingle Bell Rock. An electric guitar played by Hank Garland can be heard playing the first notes of the chorus of "Jingle Bells" in one version. In the other version, a steel guitar played by Henry Ade can be heard playing those jazzy jingle twangs. Backup singers were the Anita Kerr Singers.[12]
The song was republished in 1859 by Oliver Ditson and Company, 277 Washington Street, Boston, with the new title "Jingle Bells; or, The One Horse Open Sleigh". The sheet music cover featured a drawing of sleigh bells around the title.[11] Sleigh bells were strapped across the horse to make the jingle, jangle sound.
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Music historian James Fuld notes that (as opposed to an adjective), "the word jingle in the title and opening phrase is apparently an imperative verb."[19] In the winter in New England in pre-automobile days, it was common to adorn horses' harnesses with straps bearing bells as a way to avoid collisions at blind intersections, since a horse-drawn sleigh in snow produces almost no audible noise. The rhythm of the tune apparently mimics that of a trotting horse's bells; however, "jingle bells" is commonly interpreted to mean a certain kind of bell.
Dashing through the bush, in a rusty Holden ute,
Kicking up the dust, esky in the boot,
Kelpie by my side, singing Christmas songs,
It's Summer time and I am in my singlet, shorts and thongs
Oh! Jingle bells, jingle bells, jingle all the way,
Christmas in Australia on a scorching summers day, Hey!
Jingle bells, jingle bells, Christmas time is beaut!,
Oh what fun it is to ride in a rusty Holden ute.[29]
According to History.com, the jingling bells refer to the New England sleigh races that were popular in the 1800s. After Pierpont performed the song during a Thanksgiving concert, it was officially published in 1857.
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I can't wait to see the smiles this year
Let's go search for presents in the city
When the door decorated with a silver ribbon opened
You were there--we had the same idea
We were found out (by each other) and start to laugh
Tell me what you want
I'm happy (I'm happy) we all get along
Sharing the happy feelings
Yeah! Happy Christmas!!
Because what's important is spending time with you always,
It's a promise, save some time for me
Gather your courage and call this out
I wish merry merry Christmas
Now, call out everybody, don't you want to party?
Cheers to jingle bells!
It's a special day, shall we make a big cake?
A feeling that it'll be a failure, you can't speak of that!
Snow (it better fall) I get it, but
I hope for something romantic
Let's play (let's play) even if we make too much noise, since it's this day
We'll be forgiven
Yeah! Dancin' Christmas!!
Who is it that you want to see? If you want to be with them
Let's go invite them, we'll have fun dancing
We'll frolic around, while clinging to each other
I wish merry merry Christmas!
So, everyone's plans, I want to decide them on this night
The jingle bells won't stop
Because what's important is spending time with you always,
It's a promise, save some time for me
Gather your courage and call this out!
Who is it that you want to see? If you want to be with them
Let's go invite them, we'll have fun dancing
We'll frolic around, while clinging to each other
I wish merry merry Christmas!
So, everyone's plans, I want to decide them on this night
The jingle bells won't stop
But, if you're going to be a one-hit wonder, "Jingle Bells" is the one hit to have. That merry jingle you hear this time of year isn't sleighbells but cash registers ringing up Christmas albums from country to rap, almost all of which contain some version or other of James Pierpont's 150-year-old hit. He didn't live to benefit from the recording age, and by the time of his death in 1893, he was more or less penniless. Instead, he came from a wealthy family, and worked his way down to impoverishment.
How gentlemanly he was is a matter of speculation. Accepting a position as organist at his brother's church, James took up with a Southern belle who became his second wife. Unfortunately, he's believed to have taken up with her before his first wife had departed this mortal coil. At any rate, Millie passed on in 1856, and a year later James married Eliza Jane, an occasion followed very swiftly by the birth of a child and also by the birth of a new song:
Whereupon Mrs Waterman pronounced it "a very merry jingle". At which point Pierpont got the idea to add words, and turn his jingle into a song about the jingly bells on the "cutters" - the one-horse open sleighs - that the local lads liked to race along Salem Street from Medford Square to Malden Square a century and a half ago. Hence:
A couple of decades on, however, Savannah decided it'd like to cut itself a piece of the jingle action. Savannah doesn't really need another native-son songwriter: it's the birthplace of Johnny Mercer (see Song of the Week #89, #96 and #101), which is why Clint Eastwood's film of the Savannah-set Midnight In The Garden Of Good And Evil has an all-Mercer score. Nonetheless, Georgia jingle scholars pointed out that James Pierpont was certainly living down south at the time "Jingle Bells" was published.
"Upsot?" queries Barbra in best Brooklynese. In fact, Pierpont wrote it as "upset", which is the kind of non-rhyme poets of the day favored. I'm not sure I entirely get the point of the Streisand version. I dig Sammy Davis' nightclubby take and over the years I've warmed up to Sinatra's arrangement with a goofy Gordon Jenkins background spellalong shoehorned in - "I love those j-i-n-g-le bells" - but, Rat Pack-wise, I reckon Dino has the edge.
But ask not for whom the bell jingles, it jingles for thee. In 1859, the same year Oliver Ditson republished "The One-Horse Open Sleigh" as "Jingle Bells", the Unitarian Church in Savannah closed. James Pierpont's brother, like his father, was an ardent Abolitionist and, as the country headed toward war, the Reverend Pierpont found fewer takers for his message in Georgia. He returned to Massachusetts to join his pa. James, on the other hand, remained down south, and, when war came, not only joined the Confederate army but endeavored to provide it with an entire catalogue of marching songs, including "Strike For The South" and "We Conquer Or Die". His father, the Reverend John Pierpont, was by then working for the Treasury Department, and had taken his grandchildren - James' children by his first marriage - to Washington with him. Years later, Mary Pierpont recalled how kindly she'd been treated by President Lincoln on her visits to the White House as the granddaughter of a celebrated Abolitionist and daughter of a secessionist in the Confederate cavalry.
Marisa (she/her) has covered all things parenting, from the postpartum period through the empty nest, for Good Housekeeping since 2018; she previously wrote about parents and families at Parents and Working Mother. She lives with her husband and daughter in Brooklyn, where she can be found dominating the audio round at her local bar trivia night or tweeting about movies.
In the second verse, the lyrics paint a picture of a lively scene, with jingle bells chiming in time and people dancing and prancing in the frosty air. It conveys a sense of celebration and togetherness during the holiday season.
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