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Eyes Wide Shut is a 1999 erotic mystery psychological drama film directed, produced, and co-written by Stanley Kubrick. It is based on the 1926 novella Traumnovelle (Dream Story) by Arthur Schnitzler, transferring the story's setting from early twentieth-century Vienna to 1990s New York City. The plot centers on a physician (Tom Cruise) who is shocked when his wife (Nicole Kidman) reveals that she had contemplated having an affair a year earlier. He then embarks on a night-long adventure, during which he infiltrates a masked orgy of an unnamed secret society.

After leaving Marion's, Bill meets a prostitute named Domino. When Alice calls, he pays Domino for a non-sexual encounter and meets Nick at a jazz club. Nick describes a masked orgy in a mansion outside New York City at which he will play piano blindfolded, and gives Bill the password to enter the party. Bill goes to a costume store owned by a patient of his in order to buy an outfit to fit in at the masked orgy. Finding the costume store now owned by a man named Milich, he offers money to rent a costume from the shop, where he and Milich finds Milich's young daughter with two men.

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The novella is set during the Carnival, when people often wear masks to parties. The party that both husband and wife attend at the opening of the story is a Carnival Masquerade ball, whereas the film's story begins at Christmas time.[14]

Given Kubrick's fear of flying, the entire film was shot in England.[36] Sound-stage works were completed at London's Pinewood Studios which included a detailed recreation of Greenwich Village. Kubrick's perfectionism went as far as sending workmen to Manhattan to measure street widths and note newspaper vending machine locations.[37] Real New York footage was also shot to be rear projected behind Cruise. Production was followed by a strong campaign of secrecy helped by Kubrick always working with a short team on set.[26] Outdoor locations included Hatton Garden for a Greenwich Village street,[38] Hamleys for the toy store from the film's ending,[39] and Mentmore Towers and Elveden Hall in Elveden, Suffolk, England for the mansion.[40] Larry Smith, who had first served as a gaffer on both Barry Lyndon and The Shining, was chosen by Kubrick to be the film's cinematographer. Wherever possible, Smith made use of available light sources visible in the shots such as lamps and Christmas tree lights, but when this was insufficient he used Chinese paper ball lamps to softly brighten the scene and/or other types of film lighting. The color was enhanced by push processing the film reels (emulsion) which helped bring out the intensity of the color and emphasize highlights.[41] This effect is evident in the Christmas party scene at Ziegler's house, with Smith noting that the push processing "made the lights appear to be much brighter than they were" and created a "wonderful warm glow."[42]

Historians, travel guide authors, novelists, and merchants of Venetian masks have noted that these have a long history of being worn during promiscuous activities.[80][81][82][83] Authors Tim Kreider and Thomas Nelson have linked the film's usage of these to Venice's reputation as a center of both eroticism and mercantilism. Nelson notes that the sex ritual combines elements of Venetian Carnival and Catholic rites, in particular, the character of "Red Cloak" who simultaneously serves as Grand Inquisitor and King of Carnival. As such, Nelson argues that the sex ritual is a symbolic mirror of the darker truth behind the faade of Victor Ziegler's earlier Christmas party.[84] Carolin Ruwe, in her book Symbols in Stanley Kubrick's Movie 'Eyes Wide Shut', argues that the mask is the prime symbol of the film. Its symbolic meaning is represented through its connection to the characters in the film; as Tim Kreider points out, this can be seen through the masks in the prostitute's apartment and her being renamed as "Domino" in the film, which is a type of Venetian Mask.[85] Unused early poster designs for the film by Kubrick's daughter Katharina used the motif of Venetian masks, but were rejected by the studio because they obscured the faces of the film's two stars.[86]

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