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Dream Theater is the twelfth studio album by American progressive metal band Dream Theater, released worldwide in September 2013, through Roadrunner Records. The album was written, recorded, mixed, and mastered between January and May 2013 at Cove City Sound Studios in Long Island, New York, the same studio as the band's previous album, A Dramatic Turn of Events (2011). It is the first Dream Theater album to include drummer Mike Mangini in the songwriting process.

The band made Dream Theater a self-titled album to emphasize that they were moving forward in their career and to make it a reference point for fans. The album's songs are shorter on average than most Dream Theater songs, with the exception of the 22-minute closer, "Illumination Theory". Some songs utilize organic strings, which were arranged by Eren Babu, a Berklee College of Music student. The album features two instrumentals, "False Awakening Suite" and "Enigma Machine", which were the first instrumentals that the band had written for a studio album since Train of Thought (2003). Many of the album's lyrics were motivated by real-life events, such as the Boston Marathon bombings.

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Dream Theater moved 34,000 units in the United States during its debut week, charting at number seven and becoming the band's second highest charting album behind 2009's Black Clouds & Silver Linings. For its lead single, "The Enemy Inside", the band received their second consecutive Grammy nomination in the Best Hard Rock/Metal Performance category. In early 2014, Dream Theater toured Europe and America in support of the album, and recorded their performance at the Boston Opera House for a live release.

Preliminary writing for Dream Theater's twelfth album commenced on the A Dramatic Turn of Events Tour in April 2012.[1] During soundchecks, the band would jam and record their ideas, and guitarist John Petrucci would try out independently composed material.[2] They did not enter the recording studio until January 2013,[3] returning to Cove City Sound Studios in Glen Cove, New York, where they recorded their previous album, A Dramatic Turn of Events (2011).[4] The first song that the band wrote was "Surrender to Reason",[5] which bassist John Myung credited with setting the pace for the remainder of writing.[6]

In calling the album Dream Theater, the band tried to define who they were and emphasize that they were moving forward.[9] Reflecting on the decision for Guitar World, Petrucci said, "We wanted to make this album a reference point for [fans] as far as what Dream Theater is all about. That was the goal and the mission, and it set the tone for the entire project."[12] In an article for Grantland, Steven Hyden noted the album's stylistic similarities to Rush, writing, "There are songs on Dream Theater that are just straight-up Rush imitations, most notably 'The Looking Glass,' which crossbreeds 'Limelight' with 'Freewill' while leaving out Neil Peart's misanthropic individualism."[13]

The songs on Dream Theater are shorter and more compact on average than on other Dream Theater albums, a conscious decision made by the band during writing that Petrucci later admitted was a challenge for them.[15] Two songs on the album made use of a string ensemble conducted by Berklee College of Music student Eren Babu,[16] including the 20-minute closer "Illumination Theory", which keyboardist Jordan Rudess called the band's opportunity to go "crazy" after writing so many concise songs.[17] Split into five sections, the track goes through many style and time signature changes, with Loudwire observing, "Jam-packed with a head-spinning mix of quiet interludes, face melting jams and, courtesy of bassist Myung and Mangini, forests full of rhythmic majesty, this suite plays like a mini album in itself."[18]

Dream Theater features two instrumentals, "False Awakening Suite" and "Enigma Machine", the former of which was written specifically to open the band's live shows.[19] They were the first instrumentals that the band had written for a studio album since "Stream of Consciousness" on 2003's Train of Thought.[12] Many of the album's lyrics are based on real events; for example, "The Enemy Inside", which deals with post-traumatic stress disorder (PTSD), was written in response to the Boston Marathon bombings,[20] and "Behind the Veil" references the Elizabeth Smart kidnapping.[21]

In June 2013, Dream Theater announced that their upcoming studio album would be self-titled and released in September.[22] The album's first single, "The Enemy Inside", was made available for streaming by USA Today on August 5,[23] and its second single, "Along for the Ride", was made available for streaming the following month.[24] The album was premiered by Rolling Stone on September 16 via a free online stream,[25] and was officially released one week later, on September 23.[4] In its debut week, Dream Theater sold over 34,000 copies in the United States to land at number seven on the Billboard 200 chart,[26] making it the band's third-consecutive top ten debut and second-highest charting album ever behind 2009's Black Clouds & Silver Linings, which debuted at number six.[27] During the album's release week, the band released a music video for "The Enemy Inside", which drove awareness for Save a Warrior, a foundation dedicated to helping veterans heal from the effects of combat.[28] Dream Theater remained on the charts until November 9,[29] and as of January 2016, it has sold 87,000 copies total in the United States.[30] In February 2014, the album's second and final music video was released, this time for "The Looking Glass".[31]

Critics reacted favorably to Dream Theater's attempt at writing more concise songs. In their review, Loudwire commented, "The band also seems to be expanding their appeal beyond the faithful with some punchy, stylish and tuneful songs that seduce immediately. Good thing, too. Because the more people that can hear an album like this, the more faithful there will be."[18] RT.ie had a similar reaction, writing, "Sure, the did-they-really-just-play-that? double takes arrive by the half-minute on their latest magnum opus (self-titled for extra definitiveness), but chances are you will come away from Dream Theater singing a chorus rather than throwing air guitar/bass/drums/keyboards/violin/conductor's baton shapes."[35]

In promotion of the album, Dream Theater toured Europe and North America in early 2014.[38] The tour's setlist featured both old and new material, including nine songs off of Awake (1994) and Metropolis Pt. 2: Scenes from a Memory (1999), which were celebrating anniversaries.[39] On March 25, the band performed at the Boston Opera House with the Berklee Concert Choir and Berklee World Strings in an event that was dubbed their "homecoming".[14] The concert was recorded and eventually released on September 30 as part of the Breaking the Fourth Wall live collection.[40] It debuted at number one on various music video charts, and the band donated part of the proceeds to the Dream Theater Scholarship Fund at Berklee.[41]

It Was All a Dream is the debut studio album released by American girl group Dream. It was released on January 23, 2001 by Bad Boy Records. The album garnered a mixed reception from critics. It Was All a Dream debuted at number 6 on the Billboard 200 and spawned two singles: "He Loves U Not" and "This Is Me". The album sold over 1.5 million copies in the United States and was certified Platinum by the Recording Industry Association of America. To promote the album, the group toured across North America and the UK with appearances at award shows and talk shows. It remains Dream's only major album release after 2003's "Reality" was shelved and the group was dropped by Bad Boy Records.

Shortly after being formed, Dream's former manager, Judith Fontaine, signed them to Clockwork Entertainment so they could begin working on their debut album. There, they recorded several tracks for the album. Subsequently, Dream parted ways with Fontaine and Clockwork Entertainment. Shortly thereafter, the group signed a record deal with Bad Boy Records. This meant that much of what was recorded at Clockwork Entertainment would be excluded from the album. In January 1999, original member Alex Chester left the group and was replaced by Diana Ortiz.

It Was All a Dream received mixed reviews from music critics. Arion Berger of Rolling Stone commended the girl group for delivering an album that contains a charm that's both fierce and adorable, concluding that it "sounds good, and, if you're under eighteen, very good for you, too."[4] David Browne, writing for Entertainment Weekly, was lukewarm on the album, praising the first couple of tracks and the girls' competent vocal delivery but criticized the rest of the album's overlong, generic teen pop content and sounding similar to other girl groups.[2] AllMusic's Stephen Thomas Erlewine gave a mixed review of the record, praising the good-sounding production and decent vocal performances but felt that it overstayed its running time and made the girls feel like non-entities on their own record, concluding that "what separates the good from the great is personality, which is lacking on the otherwise adequate It Was All a Dream."[1] A writer for People found the album's adult content off-putting due to the band members' ages and preferred the tracks "Mr. Telephone Man" and "How Long" for being more age-appropriate for the girl group.[3]

In their look at the Least Essential Albums of 2001, The A.V. Club awarded the record with the title of Least Essential Album By A Protg Of An Inessential Artist, with Stephen Thompson saying "[I]f taken objectively, It Was All A Dream sounds no less essential than any of the countless teen-courting albums released in recent years. But two qualities set Dream's debut apart from the crowd: a lack of timeliness and the involvement of Sean "P. Diddy" Combs."[5] e24fc04721