Contact is a 1997 American science fiction drama film directed by Robert Zemeckis, based on the 1985 novel by Carl Sagan. Sagan and his wife Ann Druyan wrote the story outline for the film. It stars Jodie Foster as Dr. Eleanor "Ellie" Arroway, a SETI scientist who finds evidence of extraterrestrial life and is chosen to make first contact. It also stars Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hurt, Angela Bassett, Rob Lowe, Jake Busey, and David Morse. It features the Very Large Array in New Mexico, the Arecibo Observatory in Puerto Rico, the Mir space station, and the Space Coast surrounding Cape Canaveral.
Hadden, now residing on the Mir space station and dying of cancer, reveals to Arroway that the U.S. government had secretly contracted his company to build a second Machine in Japan. Arroway, the only American remaining among the candidate pool, will be the one to go. Equipped with multiple recording devices, Arroway enters a pod, which is dropped into the Machine and seemingly travels through various wormholes. Arroway observes a radio array-like structure at Vega, signs of civilization on an alien planet, and a celestial event that makes her ecstatic. She then finds herself on a beach, similar to a childhood drawing she made of Pensacola, Florida. A figure approaches, taking on the appearance of her deceased father, whom Arroway recognizes as an alien. Humanity contacted his people through our radio emissions and were judged a species worthy of being shown a first step into the cosmos.
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Arroway loses consciousness, and upon regaining it finds herself lying in the pod, while the mission control team repeatedly tries to contact her. She learns that from the outside, the Machine only appears to have dropped the pod into a safety net. Arroway insists that she was gone for about 18 hours, but her recording devices show only static noise. A Congressional Committee headed by Kitz is convened, who speculates that the signal and machine were a hoax designed by Hadden, who has since passed away. Arroway requests that the committee accept the truth of her testimony on faith, declaring that while her testimony cannot be proven scientifically, it has impacted her humanity. In a private conversation, Kitz and White House official Rachel Constantine discuss the confidential information that although Arroway's recording device only recorded static, it recorded approximately 18 hours of it. Arroway reunites with Joss, who professes faith in her story, and she receives ongoing financial support for the SETI program at the VLA.
Here was a woman consumed with the idea that there was something out there worth listening to, but the one thing she could never make contact with was her own child. To me, that's what the film had to be about.
News footage of then-President Bill Clinton was digitally altered to make it appear as if he is speaking about alien contact. This was not the original plan for the film;[2] Zemeckis had initially approached Sidney Poitier to play the president, but the actor turned the role down in favor of The Jackal.[19] Shortly after Poitier's refusal, Zemeckis saw a NASA announcement in August 1996. "Clinton gave his Mars rock speech", the director explained, "and I swear to God it was like it was scripted for this movie. When he said the line 'We will continue to listen closely to what it has to say', I almost died. I stood there with my mouth hanging open."[2]
The climactic scene depicting the mysterious beach near the galactic core where Arroway makes contact, in particular, called for major visual innovations. The goal was an idyllic seashore with a sky blazing with stars that might exist near the core of the galaxy. Ralston said that "the thought was that this beach would have a heightened reality. One that might make the everyday world seem like a vague daydream."[11] To keep the question alive whether any of it was real in Arroway's mind, elements such as ocean waves running in reverse and palm tree shadows swaying with sped-up motion were applied.[11]
Contact depicts intense debate occurring as a result of the apparent contact with aliens. Many clips of well-known debate shows such as Crossfire and Larry King Live are shown, with participants discussing the implications of the message, asking whether it is proof of the existence of alien life or of God, and whether science is encroaching upon religious ground by, as one believer puts it, "talking to your god for you".[29] The head of a religious organization casts doubt on the morality of building the machine, noting: "We don't even know whether [the aliens] believe in God." The first machine is ultimately destroyed by a religious extremist, in the belief that building it was detrimental to humankind.[11]
In 1984, a meteorite, thought to be from Mars, was found in Antarctica. Twelve years later, an article by NASA scientist David S. McKay was published in the journal Science, proposing that the meteorite might contain evidence for microscopic fossils of Martian bacteria (later, a disputed interpretation).[44][45] The announcement made headlines around the world, and the following day, on August 7, 1996, during a press conference about the news, the President of the United States, Bill Clinton, made remarks that were in places sufficiently generic in nature to allow fragments of his videotaped statement to be included in Contact, implying that Clinton was ostensibly speaking about contact with extraterrestrial life, congruent with the film's story:[46]
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