Today I have a song stuck in my head. Actually it's been in there for weeks, resurfacing, irritating me as much as it gives me pleasure. In truth, only a fragment of Benson Boone's "Beautiful Things" won't let me go: the moment when this TikTok-turned-global-chart-hit takes off like a bottle rocket from the warm grassy field of its strummy beginning and explodes, busting open the heavens as Boone shows off the bare-chested Chris Cornell physique beneath the Noah Kahan Pendleton. "Don't ... take ... these BEAUTIFUL THINGS that I've GOT," Boone wails as the crescendo hits. Seconds before, the song was a warm bed where Boone lay with the girlfriend who'd gained his parents' approval; now the whole room is on fire.

But I'm fascinated by the twist that Boone's leap toward grunge glory presents. Probably unintentionally, the song's chorus offers a window into masculinity on the verge of turning toxic. Boone's persona is pretty much sweetness and light; he's a Mormon, the only boy in a family of four sisters who spent his childhood in Washington State backpacking and perfecting his backflips. I appreciate that his breakthrough hit reveals another side of this simple soul, the existential insecurity that, in any person, can become furious if it festers. The song's gentle verses tell of the narrator's troubled mind, his inability to trust someone who offers him companionship and his tendency to be passive-aggressive, to "sit and wait till it's gone." The climactic chorus brilliantly captures what can happen when a boy who's used to getting what he wants suddenly realizes the entire world wasn't built for him.


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