"Touch" is a song by British girl group Little Mix. The song was originally released as a promotional single before being announced as the second single from the group's fourth studio album Glory Days (2016).[1] A remix of the song featuring American rapper Kid Ink, is featured on the album reissue, Glory Days: The Platinum Edition.

Musically Touch, is a dance pop track with elements of tropical house. It received positive reviews from critics, with praise given to its empowering message about being in tune with your sexuality and feeling confident in your own skin.[2] It has since been cited as a gay anthem, and a fan favourite single amongst their discography. [3] It was a contender for the UK's Christmas number one single, later reaching number four on the UK Singles Chart, becoming the group's tenth top ten single in the country.[4] The song was ranked by Phil Wang, as the "greatest pop song of the 21st century".[5]


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The song also reached the top ten in Ireland and the top twenty in Australia and Mexico, and charted in ten other countries including Hungary and New Zealand. It has since been certified double platinum in the United Kingdom, Brazil and Australia, and has received one platinum and four other gold music certifications in other countries. The song was nominated for British Single of the Year and Best British Video of the Year at the 2018 Brit Awards.[6]

Preceding the release of Glory Days, "Touch" was released as the fourth promotional single on 15 November 2016.[7] On 5 December 2016, Little Mix announced that the song would become their second single from the album and was later released on 9 December 2016.[8] On 28 February 2017, a remix featuring Kid Ink was also made available.[9]

"Touch" is a dance-pop[10] and tropical house[11][12] song. The song has been described a "club anthem" by several critics.[who?] Lewis Corner from Digital Spy gave the song a positive review, describing it as "more than ready for the dancefloor with dancehall vibes, bouncy beats and an infectious chorus that's enough to take over the whole of your body."[13]

On 5 December 2016, Little Mix announced via their social media that "Touch" would be the second single from Glory Days.[21] The song was performed as a medley with "Oops", featuring Charlie Puth, on 11 December 2016 on The X Factor UK to coincide with the fifth anniversary of Little Mix winning the show. The band started off by performing the intro of the acoustic version of the song before switching to the original version of the song for the chorus.[citation needed] Little Mix performed "Touch" on the Today Show in the US on 28 February 2017 and on The Late Late Show with James Corden on 28 March 2017.[22][23] The group performed the song with modified lyrics at the 2017 Kids' Choice Awards as a medley with their song "Shout Out to My Ex" on 11 March 2017.[24] On 19 April 2020, the group performed an acoustic version of the song on the UK exclusive broadcast of the One World: Together at Home concert.[25]

On 1 February 2017, the group posted behind the scenes footage of their "Touch" music video shoot on YouTube.[26] The group released a maze game inspired by the song's music video with the song playing all throughout the game to celebrate their nomination for British Artist Video Of The Year at the 2018 Brit Awards.[27]

Before "Touch" was released as the second single from the album, it debuted at number 62 on the UK Singles Chart. The song re-entered the charts at number 23 following its official release,[28] and the following week the song peaked at number four, where it stayed for three weeks, becoming the group's tenth top-ten single in the UK.[29] As of June 2019, it ranked as the seventh-best selling single by a girl group in the United Kingdom.[30]

"The Touch" is a rock song by American singer and guitarist Stan Bush. The song features prominently in the 1986 animated film The Transformers: The Movie, and appears on the soundtrack album released that year.

"The Touch" was released as a double A-side single with "Weird Al" Yankovic's "Dare to Be Stupid", another song from the soundtrack album of the Transformers movie. The power ballad[1] was also released in 1987 on Stan Bush & Barrage's self-titled album.[2] The song was inspired by a line in the movie Iron Eagle, and originally written for the Sylvester Stallone film Cobra.[3][4] Its inclusion on the Transformers soundtrack was Bush's first exposure to the franchise.

The song was performed by Mark Wahlberg in Paul Thomas Anderson's 1997 film Boogie Nights.[5] In 1997, Bush re-recorded the song and "Dare" (another song from The Transformers: The Movie) for the BotCon exclusive soundtrack CD Til All Are One. Bush submitted a different re-recorded version of the song from his album In This Life for the 2007 live action Transformers film, but it was not included on the final soundtrack. He later recorded another version, subtitled "Sam's Theme", for possible inclusion in the 2009 sequel Revenge of the Fallen.[6] The 2009 version differs markedly from the original and 2007 versions, adding rap verses and being more melancholic in tone, with it being described as a "redux a la Linkin Park".[7] In 2010, Bush released a music video for "The Touch: Sam's Theme" on his YouTube channel, featuring clips from the first two Transformers films. The song was edited with the rap verses removed, and was included in the 2010 album Dream the Dream.[8]

The 2007 version of "The Touch" was released as a free downloadable track for the video game Guitar Hero World Tour on May 28, 2009.[9] Bush had expressed interest in wanting the song to appear in the game or in competing music game Rock Band. On October 12, 2010, the song was released as a downloadable track for Rock Band through the Rock Band Network.[10]

On September 15, 2012, Bush released another remix of the song as "The Touch (Power Mix)" on iTunes.[11] The "Power Mix" is a variation of "Sam's Theme" with a new chorus arrangement. Also included in the single is "The Touch (Epic Guitar Mix)", which, like the 1997 and 2007 versions, is a re-recording of the original song.

i came across a fancam of hoshi performing a solo called "touch" at a concert, and i'd never heard of this solo song before, so i googled it and the only thing that came up was his perofrmance of this song at a concert. i also found a behind the scenes vid of woozi and hoshi recording the vocals, but i couldn't find any other info as to why this song was made? was it just for the concert? how did carats know about the song otherwise? and also if i'm correct i saw that every other member also had a solo song at that series of concerts? i'm confused. can someone help clarify? where did these songs come from/why were they made/how did fans know about them before the concerts?

It's pretty self-explanatory I'll admit but I'm struggling to explain its meaning in words :/ I can tell that its such a deep song but I cant write down the right words for it. Like I cant specifically pinpoint what exact part about society it relates to.

My Ipod touch just started doing this today. Whenever I shuffle the contents, it will only advance to the next song when I manually click the >> button. It won't do so automatically. It just keeps replaying the last song. I've tried resync'ing with iTunes but its still happening. Is this a setting in iTunes or the ipod or elsewhere ?

Every Canadian rap fan will remember hearing this for the first time: "We notorious; ain't nobody can hang with us: Rascalz, Checkmate, Kardinal and Thrust, Choclair coming down with that Northern touch."

One of the most iconic rap songs in Canada, there was no escaping the power of Northern Touch, a cross-country posse cut that would cement the careers of the artists who had the wherewithal to shout themselves out in the chorus.

Released in 1998 as a single from the Rascalz's album Cash Crop, it went on to become one of the most successful hip-hop songs in Canada at the time, and helped pave the way for artists to come. It reached number 41 on the top singles chart at a time when no other domestic urban song could break through the top 100.

DJ Kemo: The beat uses a sample from a song by The BT Express called Everything Good to You Ain't always Good for You. So the beat was originally for an intro on my homie Jay Swing's mixtape, back in what would have been like 1997 I think. Initially it was inspired by Get the Bozak, an EPMD joint, and I just made the beat for fun and then my man Jay Swing wanted an intro so I think I played them that beat. He was like, "Yo, this is fire. Let's put my boy Checkmate on, his partner on it, and let's put Rascalz on it and just make a little mixtape intro, nothing fancy."

Mannix: When we're in the midst of putting the song together a lot of people would be like, "We're feelin' Red1 from the Rascalz but we're not really feelin' his partner," meaning Misfit, and sometimes in the duo groups, there is always one guy that's stronger than the other. And Red1 really stood out. So I remember calling Red1 and having that conversation with him and Red, to his credit, he said, "Hey man, we're a team, we're a group. I understand not being able to give us 16 bars. We're going to share eight." And that's how come the Rascalz did the back and forth in that song.

Checkmate: The Rascalz had been battling in Vancouver and were probably the most popular hip-hop act at the time.

 

 Red1: So on that actual song, nobody has a record deal besides ourselves. But we always thought that Kardi, Choclair, Tara Chase, Saukrates, Socrates, Solitair, they were in this crew called the Circle and they would show up at the shows and just slaughter things. And so we were always fans of theirs and it's like, you know, we've gotta get some of the Circle on this track. 006ab0faaa

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